33 items found
Keywords: "Willie Eason" (All words)
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Florida State Prison Register: D, 1875-1959

Florida State Prison Register: D, 1875-1959

Date
1959 (circa)
Description
Typewritten list of inmates incarcerated at the Florida State Prison with surnames beginning with the letter D. Inmates are generally listed chronologically.
Collection
Florida State Prison Register: E, 1875-1959

Florida State Prison Register: E, 1875-1959

Date
1959 (circa)
Description
Typewritten list of inmates incarcerated at the Florida State Prison with surnames beginning with the letter E. Inmates are generally listed chronologically.
Collection
Florida State Prison Register: T, 1875-1959

Florida State Prison Register: T, 1875-1959

Date
1959 (circa)
Description
Typewritten list of inmates incarcerated at the Florida State Prison with surnames beginning with the letter T. Inmates are generally listed chronologically.
Collection
Aubrey Ghent and his father Henry Nelson performing sacred steel music at various events

Aubrey Ghent and his father Henry Nelson performing sacred steel music at various events

Date
1993-11-26
Description
One audio cassette recording. (Duplicate can be found on tape 5.) The first half of the tape was recorded at a House of God "Family and Friends Day Celebration" in Daytona Beach on 5 September 1993. The second half was recorded at the Ocala House of God Church #2 on 26 November 1993, and the then at the 1994 Florida Folk Festival on May 24 1994 (for entire festival performance, see D94-20 in S 1576.) On the second half, the vocals are weak. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
Collection
Aubrey Ghent performing Father in Jesus Name

Aubrey Ghent performing Father in Jesus Name

Date
1993-09-05
Description
One audio cassette recording. For more of these two, see tape 3. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
Collection
Glenn Lee performing Pass Me Not Oh Gentle Savior

Glenn Lee performing Pass Me Not Oh Gentle Savior

Date
1994-03-07
Description
One audio cassette recording. For more of Lee, see tapes 2 and 4. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
Collection
Glenn Lee performing sacred steel music with a band at a House of God church

Glenn Lee performing sacred steel music with a band at a House of God church

Date
1994-03-07
Description
One audio cassette recording. (Duplicate can be found on tape 5.) Recorded at a Church of God church (not during church services)in Perrine, Florida. The band consisted of Glenn Lee (steel guitar), Alvin Lee (bass), Benjamin Beckford (drums), and John Hampton (guitar). Excerpted from a longer recording (see tapes 18-20 in S 2044). The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
Collection
Identifier Title Type Subject Thumbnail
s500_dFlorida State Prison Register: D, 1875-1959textPrisoners
Criminal records
Sentences (Criminal procedure)
Capital punishment
Probation
Prison sentences
Crime
Criminals
Florida--Crimes and criminals
/fmp/prison-registers/thumbnails/s500_book-d-e_001.jpg
s500_eFlorida State Prison Register: E, 1875-1959textPrisoners
Criminal records
Sentences (Criminal procedure)
Capital punishment
Probation
Prison sentences
Crime
Criminals
Florida--Crimes and criminals
/fmp/prison-registers/thumbnails/s500_book-d-e_074.jpg
s500_tFlorida State Prison Register: T, 1875-1959textPrisoners
Criminal records
Sentences (Criminal procedure)
Capital punishment
Probation
Prison sentences
Crime
Criminals
Florida--Crimes and criminals
/fmp/prison-registers/thumbnails/s500_book-t-v_001.jpg
FA940501AGospel guitarist Willie Eason playing his lap steel guitar in Florida.Stringed instruments
Musical instruments
Bottleneck (Guitar playing)
Steel guitar
Plucked instruments
Guitar
African American entertainers
Folk musicians
African American country musicians
African American musicians
Instrumentalists
Stringed instrument players
Plucked instrument players
African American guitarists
Gospel musicians
/fpc/folklife/Fa940501a.gif
FA940501BGospel musician Willie Eason playing the piano in Florida.Piano--Performance
African American entertainers
Folk musicians
African American country musicians
Gospel musicians
African American musicians
African American guitarists
Pianists
Instrumentalists
/fpc/folklife/Fa940501b.gif
FA940501CGospel guitarist Willie Eason posing with his lap steel guitar in Florida.Stringed instruments
Musical instruments
Steel guitar
Plucked instruments
Guitar
African American entertainers--Portraits
Folk musicians--Portraits
African American country musicians--Portraits
African American musicians--Portraits
Instrumentalists--Portraits
Stringed instrument players--Portraits
Plucked instrument players--Portraits
African American guitarists--Portraits
Gospel musicians--Portraits
/fpc/folklife/Fa940501c.gif
a_s2044_02_tape03Aubrey Ghent and his father Henry Nelson performing sacred steel music at various eventsSoundGuitarist
Singers
Fieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Festivals
Folk festivals
Special events
Church attendance
Church services
Protestants
Christianity
Churches
Religion
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s2044_02_tape09Aubrey Ghent performing Father in Jesus NameSoundFieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Bands (Music)
Musical groups
Churches
Religion
Christianity
Protestants
Guitarist
Singers
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s2044_02_tape10Glenn Lee performing Pass Me Not Oh Gentle SaviorSoundFieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Bands (Music)
Musical groups
Churches
Religion
Christianity
Protestants
Guitarist
Singers
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s2044_02_tape02Glenn Lee performing sacred steel music with a band at a House of God churchSoundGuitarist
Singers
Fieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Musical groups
Churches
Religion
Christianity
Protestants
Bands (Music)
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg