27 items found
Keywords: "Willie Eason" (All words), Collection ID is exactly "1"
Interview with steel guitarist Aubrey Ghent and his father Henry Nelson

Interview with steel guitarist Aubrey Ghent and his father Henry Nelson

Date
1993-11-26
Description
Four audio cassette recordings. Recorded at Nelson's sister's house (Mary Linzy) in Ocala. Ghent and Nelson discuss the origins of the Sacred Steel tradition, early influences (e.g. Troman and Willie Eason), the House of God tradition, and playing styles. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
Collection
Interview with steel guitarist Glenn Lee

Interview with steel guitarist Glenn Lee

Date
1994-03-07
Description
Three audio cassette recordings. Interview with steel guitarist Glenn Lee at his Perrine residence. He discussed his family (including uncles, steel guitarists Willie Blue and M.J. Harrison), learning steel guitar, Keith and Jewel Dominion churches, steel guitarists Henry Nelson, Darrel Blue, & Aubrey Ghent, influence of country music (Willie Nelson, Hank Williams, Dolly Parton), playing Spanish guitar, fiddle, & banjo, his education, steel guitar tunings and playing styles, various people he has trained, playing the National Assembly in Nashville, and the lack of female sacred steel guitarists. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
Collection
Master of the Sacred Steel album

Master of the Sacred Steel album

Date
1994-10-13
Description
One audio cassette recording. Master version of the Sacred Steel album, which was released in 1995 by the Florida Folklife Program. The album is divided into two sections: side 1 is instrumentals and concerts; side 2 are church services. For more information on musicians, recording locations, and production credits, see accompanying booklet, which can be found in S 2044, box 1, folder 22. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
Collection
Recording of 45 rpm by Joe May

Recording of 45 rpm by Joe May

Date
1995-04-28
Description
One audio cassette recording. Recording of a copyrighted 45 rpm, produced by Shannon Williams for Nashboro (6813/6812). Copied by Stone in April 1995. No duplicates of this recording will be made due to copyrights issues. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
Collection
Recordings of gospel musician Willie Eason

Recordings of gospel musician Willie Eason

Date
1950
Description
Two audio cassettes. Recordings of Eason's music. One tape is Just a Closer Walk With Thee, and the second is recordings made in 1995 of his old 78 records. A popular gospel musician in the St. Petersburg area. He influenced most gospel steel guitarists. He won the 1995 Florida Folk Heritage Award.
Collection
Saturday performances at the 1995 Florida Folk Festival (Old Marble Stage) (Tape 4)

Saturday performances at the 1995 Florida Folk Festival (Old Marble Stage) (Tape 4)

Date
1995-05-27
Description
One digital audio tape(DAT). Rozar served as emcee. Steel guitarist Eason, needleworker Horvath, and sfiff boat builder Simmons were awarded the 1995 Florida Folk Heritage Awards. Diddley, Tucker, and Mortham made speeches. Based on recommendations from the Florida Folklife Council, the Secretary of State confers Florida Folk Heritage Awards annually. The awards are given to outstanding folk artists and folk culture advocates who have made long-standing contributions to the folk cultural resources of the state. Established in 1985, the program parallels the National Heritage Fellowships.
Collection
Saturday performances at the 1998 Florida Folk Festival (Folklife Performance & Dance Stage) (Tape 2)

Saturday performances at the 1998 Florida Folk Festival (Folklife Performance & Dance Stage) (Tape 2)

Date
1998-05-23
Description
One digital audio tape (DAT). The Florida State Fiddle Contest was held each year at the Festival on Saturdays (the stages varied from year to year). The winners were allowed to perform on the Main Stage that evening.
Collection
Saturday performances at the 1998 Florida Folk Festival (Old Marble Stage) (Tape 2)

Saturday performances at the 1998 Florida Folk Festival (Old Marble Stage) (Tape 2)

Date
1998-05-23
Description
One audio cassette recordings.
Collection
Saturday program at the 1997 Florida Folk Festival (Folklife Narrative Stage) (Tapes 14, 15)

Saturday program at the 1997 Florida Folk Festival (Folklife Narrative Stage) (Tapes 14, 15)

Date
1997-05-24
Description
Two audio cassette recordings. Sonny Treadway and Willie Eason, interviewed by Bob Stone, discuss sacred steel music and the history of their music. Treadway describes the making of his instrument and his mentor, Bishop Lorenzo Harrison. Stone mentions Eason's ability to make his steel guitar sound like a human voice. They perform several songs -- many of which were unidentified.
Collection
Sonny Treadway performing Hold to Gods Unchanging Hand

Sonny Treadway performing Hold to Gods Unchanging Hand

Date
1994
Description
One audio cassette recording. Rough mix recording of the song. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
Collection
Identifier Title Type Subject Thumbnail
a_s2044_02_tape12Interview with steel guitarist Aubrey Ghent and his father Henry NelsonSoundGuitarist
Singers
Fieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Personal experience narratives
Interviews
Oral histories
Life histories
Oral history
Protestants
Christianity
Churches
Religion
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s2044_02_tape18Interview with steel guitarist Glenn LeeSoundGuitarist
Singers
Fieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Musical groups
Churches
Religion
Christianity
Protestants
Interviews
Life histories
Personal experience narratives
Oral histories
Oral history
Bands (Music)
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s2044_02_tape06Master of the Sacred Steel albumSoundGuitarist
Singers
Audiotape recordings
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Religion
Churches
Christianity
Concerts
Community concerts
Protestants
Church services
Prayer
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s2044_02_tape17Recording of 45 rpm by Joe MaySoundGuitarist
Singers
Fieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Bands (Music)
Musical groups
Sound recordings
Religion
Christianity
Protestants
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s1603_05_02_tape01Recordings of gospel musician Willie EasonSoundSingers
African Americans
Gospel (Black)
Gospel musicians
Steel guitars
Religious music
Gospel music
Sound recordings
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s1576_44_d95-009Saturday performances at the 1995 Florida Folk Festival (Old Marble Stage) (Tape 4)SoundFolk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Music performance
Singing
Bluegrass music
Stringband music
Old time music
Guitar music
Country music
Folk singers
Secretaries of State (State governments)
Awards
Speeches, addresses, etc.
Florida. Dept. of State (1995-1999 : Mortham)
Cabinet officers
Public officials
Singers
Musicians
Guitarist
Secretary of State
Blues singers
Public officer
Needleworkers
Boatbuilders
Bands (Music)
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1576_78_d98-045Saturday performances at the 1998 Florida Folk Festival (Folklife Performance & Dance Stage) (Tape 2)SoundMusicians
Guitarist
Pianists
Folk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Music performance
Singing
Contests
Competitions
Fiddle music
Fiddling
Old time music
Steel guitars
African Americans
Workshops (Adult education)
Gospel (Black)
Gospel music
Guitar music
Fiddlers
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1576_72_c98-100Saturday performances at the 1998 Florida Folk Festival (Old Marble Stage) (Tape 2)SoundSingers
Guitarist
Folk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Music performance
Singing
Guitar music
Steel guitars
Gospel (Black)
Gospel music
Religious songs
African Americans
Religious music
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s1576_68_c97-084Saturday program at the 1997 Florida Folk Festival (Folklife Narrative Stage) (Tapes 14, 15)SoundFolk festivals
Folklore revival festivals
Festivals
Special events
Oral performance
Life histories
Interviewing
African Americans
Steel guitars
Guitar music
Gospel (Black)
Gospel music
Gospel musicians
Religious music
Religious songs
Personal experience narratives
Singers
Musicians
Guitarist
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s2044_02_tape08Sonny Treadway performing Hold to Gods Unchanging HandSoundGuitarist
Singers
Fieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Bands (Music)
Musical groups
Churches
Religion
Christianity
Protestants
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg