67 items found
Collection ID is exactly "1" AND Geographic Term is exactly "Volusia County (Fla.)"
Sorted by Title
Wheelwright Lester Hollenback with his apprentice Albert (Tico) Rubio

Wheelwright Lester Hollenback with his apprentice Albert (Tico) Rubio

Date
1992-01
Description
Nine proof sheets with 324 black and white images (plus negatives). Images of Hollenback and his apprentice Rubio making historic wheels. They performed the work at the Pioneer Settlement where Rubio worked as a blacksmith. Hollenback was originally from Illinois were he learned blacksmith and wheelwrighting from his father. Rubio was originally from New York. For more information on both of them, see S 1644, box 10, folder 5. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Wheelwright Lester Hollenback with his apprentice Albert (Tico) Rubio

Wheelwright Lester Hollenback with his apprentice Albert (Tico) Rubio

Date
1992
Description
53 color slides. Images of Hollenback and his apprentice Rubio making historic wheels. They performed the work at the Pioneer Settlement where Rubio worked as a blacksmith. Hollenback was originally from Illinois were he learned blacksmith and wheelwrighting from his father. Rubio was originally from New York. For more information on both of them, see S 1644, box 10, folder 5. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Wheelwright Lester Hollenback with his apprentice Albert (Tico) Rubio

Wheelwright Lester Hollenback with his apprentice Albert (Tico) Rubio

Date
1992
Description
Four color prints. Images of Hollenback and his apprentice Rubio making historic wheels. They performed the work at the Pioneer Settlement where Rubio worked as a blacksmith. Hollenback was originally from Illinois were he learned blacksmith and wheelwrighting from his father. Rubio was originally from New York. For more information on both of them, see S 1644, box 10, folder 5. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Virgen de Gaudalupe altar

Virgen de Gaudalupe altar

Date
1985-03-08
Description
Nine color slides. Images of a religious painting by Rey Reyes Castillo for use as an altar. In winter 1985, the Bureau contracted with two folklorists to conduct a folk arts survey of the St. Johns River basin in northeastern Florida. The St. Johns River is the largest and most used river in Florida, supporting much river commerce as well as a modest amount of commercial fishing. Folklorists Mary Anne McDonald and Kathleen Figgen conducted the survey from January through March 1985 under the direction of Folklife Coordinator Blanton Owen and Bureau Chief Ormond Loomis. Documentation compiled in the survey was used to prepare and present the "St. Johns River Basin Folklife Area" at the 1985 Florida Folk Festival.
Collection
Vince Modie playing the Hungarian zither

Vince Modie playing the Hungarian zither

Date
Description
One video recording (VHS) Modi played the cetera, an instrument similar to the dulcimer. Creator Horvath was the curator for the Hungarian Folk Art Museum.
Collection
Viki Grimm making a pinata

Viki Grimm making a pinata

Date
1985-02-24
Description
Forty-two color slides. Grimm demonstrating the step by step method for making a pinata -- in this case, a boat pinata. The images were taken in her home. For a complete explanation, find her interview in S 1714, box 4, tape 54. Grimm, born in Mexico City, learned to make pinatas from her family. She made two types: ones completely of papier-mache, and ones with clay pots covered in papier-mache. Pinatas were used during the posada celebrations, a Mexican Christmas tradition that was observed the nine days before the holiday to represent Mary and Joseph's trek to Bethlehem. In winter 1985, the Bureau contracted with two folklorists to conduct a folk arts survey of the St. Johns River basin in northeastern Florida. The St. Johns River is the largest and most used river in Florida, supporting much river commerce as well as a modest amount of commercial fishing. Folklorists Mary Anne McDonald and Kathleen Figgen conducted the survey from January through March 1985 under the direction of Folklife Coordinator Blanton Owen and Bureau Chief Ormond Loomis. Documentation compiled in the survey was used to prepare and present the 'St. Johns River Basin Folklife Area' at the 1985 Florida Folk Festival.
Collection
Viki Grimm discussing pinata making

Viki Grimm discussing pinata making

Date
1985-02-24
Description
One audio cassette. Grimm demonstrating the step by step method for making a pinata -- in this case, a boat pinata. Interview recorded in her home. For images, see S 1577, v. 27, 1538-1579. In winter 1985, the Bureau contracted with two folklorists to conduct a folk arts survey of the St. Johns River basin in northeastern Florida. The St. Johns River is the largest and most used river in Florida, supporting much river commerce as well as a modest amount of commercial fishing. Folklorists Mary Anne McDonald and Kathleen Figgen conducted the survey from January through March 1985 under the direction of Folklife Coordinator Blanton Owen and Bureau Chief Ormond Loomis. Documentation compiled in the survey was used to prepare and present the St. Johns River Basin Folklife Area at the 1985 Florida Folk Festival.
Collection
Victoria Grimm and her apprentices with their pinatas

Victoria Grimm and her apprentices with their pinatas

Date
1987-01-28
Description
Two proof sheets with 33 black and white images (plus negatives). Grimm's apprentices were Maria Garza and Raquel Herrera. Grimm, born in Mexico City, learned to make pinatas from her family. She made two types: ones completely of papier-mache, and ones with clay pots covered in papier-mache. Pinatas were used during the posada celebrations, a Mexican Christmas tradition that was observed the nine days before the holiday to represent Mary and Joseph's trek to Bethlehem. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Tyler's Market -- Mexican grocery store

Tyler's Market -- Mexican grocery store

Date
1985-03-07
Description
Thirteen color slides. Images of a Mexican grocery store in Seville, Florida. In winter 1985, the Bureau contracted with two folklorists to conduct a folk arts survey of the St. Johns River basin in northeastern Florida. The St. Johns River is the largest and most used river in Florida, supporting much river commerce as well as a modest amount of commercial fishing. Folklorists Mary Anne McDonald and Kathleen Figgen conducted the survey from January through March 1985 under the direction of Folklife Coordinator Blanton Owen and Bureau Chief Ormond Loomis. Documentation compiled in the survey was used to prepare and present the "St. Johns River Basin Folklife Area" at the 1985 Florida Folk Festival.
Collection
Turtle shooter on a shrimp net

Turtle shooter on a shrimp net

Date
1985
Description
Four color slides. The turtle shooter was to allow large fish and turtles out of the net during trawling. Today it is known as a TED (Turtle Exclusion Device). Photos taken during fieldwork for video documentary on Florida shrimping called Fishing All My Days, and was made by the Florida Folklife Program, and the University of Florida (WUFT-TV).
Collection
Identifier Title Type Subject Thumbnail
Wheelwright Lester Hollenback with his apprentice Albert (Tico) RubioWheelwright Lester Hollenback with his apprentice Albert (Tico) RubioStill ImageWoodworkers
Blacksmiths
Fieldwork
Wheels
Blacksmithing
Woodwork
Material culture
Woodworking tools
Workshops
Tools
Occupational groups
Occupational training
Metalwork
Transportation
Apprentices
Wheelwrights
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Wheelwright Lester Hollenback with his apprentice Albert (Tico) RubioWheelwright Lester Hollenback with his apprentice Albert (Tico) RubioStill ImageWoodworkers
Blacksmiths
Fieldwork
Wheels
Blacksmithing
Woodwork
Material culture
Woodworking tools
Workshops
Tools
Occupational groups
Occupational training
Metalwork
Transportation
Apprentices
Wheelwrights
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Wheelwright Lester Hollenback with his apprentice Albert (Tico) RubioWheelwright Lester Hollenback with his apprentice Albert (Tico) RubioStill ImageWoodworkers
Blacksmiths
Fieldwork
Wheels
Blacksmithing
Woodwork
Material culture
Woodworking tools
Workshops
Tools
Occupational groups
Occupational training
Metalwork
Transportation
Apprentices
Wheelwrights
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Virgen de Gaudalupe altarVirgen de Gaudalupe altarStill ImageFieldwork
Research methods
Art
Artifacts
Religious art
Religion
Catholics
Painting
Christianity
Arts, Mexican
Ethnicity, Mexico
Mexican Americans
Art and religion
Children
Painters
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Vince Modie playing the Hungarian zitherVince Modie playing the Hungarian zitherMoving ImageVideo recording
Music performance
Arts, Hungarian
Hungarians Americans
String instruments
Cetera
Musical instruments
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_video.jpg
Viki Grimm making a pinataViki Grimm making a pinataStill ImageFieldwork
Collecting
Research methods
Pinatas
Material culture
Decoration and ornament
Decorative arts
Special events
Craft
Latinos
Mexican Americans
Arts, Mexican
Ethnicity, Mexico
Art
Artisans
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
a_s1714_04_tape54Viki Grimm discussing pinata makingSoundFieldwork
Collecting
Research methods
Pinatas
Material culture
Decoration and ornament
Decorative arts
Special events
Craft
Latinos
Mexican Americans
Arts, Mexican
Ethnicity, Mexico
Art
Interviewing
Interviews
Oral narratives
Artisans
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
Victoria Grimm and her apprentices with their pinatasVictoria Grimm and her apprentices with their pinatasStill ImageArtisans
Apprentices
Pinatas
Decorative arts
Arts, Mexican
Mexican Americans
Latinos
Papier-mache
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Tyler's Market -- Mexican grocery storeTyler's Market -- Mexican grocery storeStill ImageFieldwork
Research methods
Specialty stores
Selling
Stores, retail
Community culture
Community enterprise
Material culture
Food
Pinatas
Latinos
Mexican Americans
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Turtle shooter on a shrimp netTurtle shooter on a shrimp netStill ImageFishers
Shrimpers (persons)
Fieldwork
Seafood industry
Fishing nets
Seafood gathering
Material culture
Workplace
Occupational groups
Docks
Fishing tackle
Fishing Equipment and supplies
Trawls and trawling
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Questions and Feedback Form
Please provide your name
Please provide a valid email address
Please provide a valid phone number
Please provide a comment

Please note:
Under Florida law, email addresses are public records. If you do not want your email address released in response to a public records request, do not send electronic mail to this entity. Instead, contact this office by phone or in writing.