| Ybor City and Tarpon Springs | Ybor City and Tarpon Springs | Still Image | Sponges
Cigar making
Cigar makers
Cigar industry
Boats and boating
Fishing
Maritime life
Seafood gathering
Stores, retail
Material culture
Fishing nets
Netmaking | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Ybor City and Tarpon Springs
- Date
- Description
- Twenty black and white prints, with negatives. P82-104 Statue in Tarpon Springs P82-105 Sign for Maniscalco Cigar Company P82-106 Cuban American cigar rollers P82-107 Tarpon Springs shrimp boats P82-108 sponges P82-109,110 Sponges drying P82-111-112 Greek Gift shops in Tarpon Springs P82-113 Signs for Greek restaurants, Tarpon Springs P82-114-119 George Sanders making nets P82-120 Ybor City stores P82-121 Ybor City storefront P82-122 Tarpon Springs floats and nets P82-123 Tarpon Springs shrimp boats c. 198
- Collection
| a_s1576_t86-252 | WPA field recordings of a dedication ceremony in Tarpon Springs (March-July 1940 recording expedition) | Sound | Fieldwork
New Deal, 1933-1939
Interviews
Public service employment
Folklorists
Public welfare
United States. Work Projects Administration
Arts, Greek
Greek Americans
Choir singing
Performing arts
Dedications
Music performance
Singing
Dance music
Religious music
Religious rites
Ballads
Speeches, addresses, etc.
Songs, Greek
Musicians
Dancers
Priests
Singers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
WPA field recordings of a dedication ceremony in Tarpon Springs (March-July 1940 recording expedition)
- Date
- 1940-05-12
- Description
- One reel to reel. These recordings were created by FWP's folklore section between March and July 1940. A total of twenty-two 12-inch acetate records during that period. On this recording by Flareton, the greek community of Tarpon Springs held a deication to a building erected by the Ladies Society, Piloptohus (Friend of the Poor). Includes speeches, dances, and song. For more detailed information on the recordings, see S 1579, box 3, for copies of the original LOC indexes. The Works Progress Administration (WPA) – after 1939, the Works Projects Administration – was a work-relief program created in 1935 by the Roosevelt Administration that employed over 8.5 million people between 1935 and 1943. One of its programs was the Federal Writers Project (FWP), which included the Folklore Section. This section conducted fieldwork, recording songs, traditions, and stories across the nation. Originally created to gather material for the American Guide Series, but later emphasis was placed upon fieldwork for preservation of folk traditions for future use. In Florida, the FWP was based out of Jacksonville, and directed by historian Carita Doggett Corse. Folklorist Stetson Kennedy directed the Florida Folklife section. Seven recording expeditions were conducted in Florida. Two were conducted between 1935 and 1937, before the creation of the Florida Folklore Section: one by Alan Lomax and Zora Neale Hurston, and the other by John and Ruby Lomax. After 1939, five more were conducted by Florida’s FWP staff: Kennedy, Hurston, Robert Cook, Alton Morris, Corse, Robert Cornwell, John Filareton, and Herbert Halpert (of the Joint Committee on Folk Art’s Southern Recording Expedition.) Recording equipment was loaned to Florida’s WPA program by the Library of Congress’ Archive of the American Folk Song (later the American Folk Center). The field recordings were made on acetate disks, usually recorded at 78 rpm (although occasionally at 33 rpm). Because these disks were shipped from Washington DC to Florida, then to the recording site, and then back to Washington, these disks often were not of the highest sonic quality. Several had surface scratches and many had various recording speeds. In 1986, the FFP staff made copies of many of these recordings onto reel to reels for inclusion to the Florida Folklife Archive. The originals are still housed with the Library of Congress.
- Collection
| a_s1576_t86-224 | WPA field recordings at Tarpon Springs and Slavia (1939-1940 recording expedition: Alton Morris) | Sound | Fieldwork
New Deal, 1933-1939
Interviews
Public service employment
Folklorists
Public welfare
United States. Work Projects Administration
Arts, Greek
Greek Americans
A capella singers
Performing arts
A capella singing
Music performance
Singing
Arts, Czechoslovakia
Czechoslovakian Americans
Songs, Greek
Songs, Slavic
Musicians
Singers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
WPA field recordings at Tarpon Springs and Slavia (1939-1940 recording expedition: Alton Morris)
- Date
- 1939-08-25
- Description
- One reel to reel. These recordings were created by Morris of the University of Florida, assisted by workers of the Florida Writers Project (including photographer Robert Cook), in 1939 and 1940. He created 14 12-inch acetate records in total. On this recording, Morris visited Tarpon Springs, and the Czechoslovakian community of Slavia, founded in 1911. For more detailed information on the recordings, see S 1579, box 3, for copies of the original LOC indexes. The Works Progress Administration (WPA) – after 1939, the Works Projects Administration – was a work-relief program created in 1935 by the Roosevelt Administration that employed over 8.5 million people between 1935 and 1943. One of its programs was the Federal Writers Project (FWP), which included the Folklore Section. This section conducted fieldwork, recording songs, traditions, and stories across the nation. Originally created to gather material for the American Guide Series, but later emphasis was placed upon fieldwork for preservation of folk traditions for future use. In Florida, the FWP was based out of Jacksonville, and directed by historian Carita Doggett Corse. Folklorist Stetson Kennedy directed the Florida Folklife section. Seven recording expeditions were conducted in Florida. Two were conducted between 1935 and 1937, before the creation of the Florida Folklore Section: one by Alan Lomax and Zora Neale Hurston, and the other by John and Ruby Lomax. After 1939, five more were conducted by Florida’s FWP staff: Kennedy, Hurston, Robert Cook, Alton Morris, Corse, Robert Cornwell, John Filareton, and Herbert Halpert (of the Joint Committee on Folk Art’s Southern Recording Expedition.) Recording equipment was loaned to Florida’s WPA program by the Library of Congress’ Archive of the American Folk Song (later the American Folk Center). The field recordings were made on acetate disks, usually recorded at 78 rpm (although occasionally at 33 rpm). Because these disks were shipped from Washington DC to Florida, then to the recording site, and then back to Washington, these disks often were not of the highest sonic quality. Several had surface scratches and many had various recording speeds. In 1986, the FFP staff made copies of many of these recordings onto reel to reels for inclusion to the Florida Folklife Archive. The originals are still housed with the Library of Congress.
- Collection
| a_s1576_t86-225 | WPA field recordings at Jacksonville, Tarpon Springs, St. Augustine, and Slavia (1939-1940 recording expedition: Alton Morris) | Sound | Fieldwork
New Deal, 1933-1939
Interviews
Public service employment
Folklorists
Public welfare
United States. Work Projects Administration
Arts, Greek
Greek Americans
A capella singers
Performing arts
A capella singing
Music performance
Singing
Arts, Czechoslovakia
Czechoslovakian Americans
Songs, Greek
Songs, Slavic
Minorcans
Minorcan Americans
Love songs
Christmas music
Carols
Musicians
Singers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
WPA field recordings at Jacksonville, Tarpon Springs, St. Augustine, and Slavia (1939-1940 recording expedition: Alton Morris)
- Date
- 1939-08-26
- Description
- One reel to reel. These recordings were created by Morris of the University of Florida, assisted by workers of the Florida Writers Project (including photographer Robert Cook), in 1939 and 1940. He created 14 12-inch acetate records in total. On this recording, Morris recorded Greek singers in Tarpon Springs and Jacksonville, Minorcans in St. Augustine, and unidentified singers from the Czechoslovakian community of Slavia, founded in 1911. For more detailed information on the recordings, see S 1579, box 3, for copies of the original LOC indexes. The Works Progress Administration (WPA) – after 1939, the Works Projects Administration – was a work-relief program created in 1935 by the Roosevelt Administration that employed over 8.5 million people between 1935 and 1943. One of its programs was the Federal Writers Project (FWP), which included the Folklore Section. This section conducted fieldwork, recording songs, traditions, and stories across the nation. Originally created to gather material for the American Guide Series, but later emphasis was placed upon fieldwork for preservation of folk traditions for future use. In Florida, the FWP was based out of Jacksonville, and directed by historian Carita Doggett Corse. Folklorist Stetson Kennedy directed the Florida Folklife section. Seven recording expeditions were conducted in Florida. Two were conducted between 1935 and 1937, before the creation of the Florida Folklore Section: one by Alan Lomax and Zora Neale Hurston, and the other by John and Ruby Lomax. After 1939, five more were conducted by Florida’s FWP staff: Kennedy, Hurston, Robert Cook, Alton Morris, Corse, Robert Cornwell, John Filareton, and Herbert Halpert (of the Joint Committee on Folk Art’s Southern Recording Expedition.) Recording equipment was loaned to Florida’s WPA program by the Library of Congress’ Archive of the American Folk Song (later the American Folk Center). The field recordings were made on acetate disks, usually recorded at 78 rpm (although occasionally at 33 rpm). Because these disks were shipped from Washington DC to Florida, then to the recording site, and then back to Washington, these disks often were not of the highest sonic quality. Several had surface scratches and many had various recording speeds. In 1986, the FFP staff made copies of many of these recordings onto reel to reels for inclusion to the Florida Folklife Archive. The originals are still housed with the Library of Congress.
- Collection
| Videos of still photographs for the Every Island Has Its Own Song documentary | Videos of still photographs for the Every Island Has Its Own Song documentary | Moving Image | Musicians
Documentary videos
Photography
Bagpipes
Tsabouna
Material culture
Instrument manufacture
Musical instruments
Arts, Greek
Greek Americans
Family history
Epiphany
Religious rites
Religious symbolism
Religious art
Catholics
Religion
Stained glass
Church buildings
Church decoration and ornament
Bagpipers
Musical instrument maker | /fpc/memory/omeka_images/thumbnails/catalog_video.jpg |
Videos of still photographs for the Every Island Has Its Own Song documentary
- Date
- 1987
- Description
- One video recording (3/4 tape; 16 minutes) Video of Tsimouris family photographs for use in the Every Island Has Its Own Song documentary. Images include life in Greece and Florida, the Tsimouris family (swimming, vacationing, weddings, and family gatherings), the St. Nicholas Greek Orthodox Church, and scenes of Greece. The finished product was a co-production of WEDO-TV and the FFP, it was funded in part by the Florida Endowment for the Humanities. Offenbach narrated. Folklorist Michael wrote and produced, and Yvonne Bryant was assistant producer.
- Collection
| Tsabouna player Nikitas Tsimouris playing in his home for his family | Tsabouna player Nikitas Tsimouris playing in his home for his family | Still Image | Fieldwork
Greek Americans
Tsabouna
Bagpipers
Bagpipes
Arts, Greek
Musical instruments
Music performance
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Tsabouna player Nikitas Tsimouris playing in his home for his family
- Date
- 1985-04
- Description
- Seventeen color slides. Tsabouna is made from sheep's skin (also known as a Greek bagpipe). Images created as fieldwork for the apprenticeship program. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
| Tsabouna player Nikitas Tsimouris playing in his home for his family | Tsabouna player Nikitas Tsimouris playing in his home for his family | Still Image | Fieldwork
Greek Americans
Tsabouna
Bagpipers
Bagpipes
Arts, Greek
Musical instruments
Music performance
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Tsabouna player Nikitas Tsimouris playing in his home for his family
- Date
- 1985-01
- Description
- Thirty color slides. Tsabouna is made from sheep's skin (also known as a Greek bagpipe). Images created as fieldwork for the apprenticeship program. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
| Tsabouna player Nikitas Tsimouris playing in his home | Tsabouna player Nikitas Tsimouris playing in his home | Still Image | Fieldwork
Greek Americans
Tsabouna
Bagpipers
Bagpipes
Arts, Greek
Musical instruments
Music performance
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Tsabouna player Nikitas Tsimouris playing in his home
- Date
- 1984-11
- Description
- Ten color slides. Tsabouna is made from sheep's skin (also known as a Greek bagpipe). Images created as fieldwork for the apprenticeship program. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
| Tsabouna player Nikitas Tsimouris at work | Tsabouna player Nikitas Tsimouris at work | Still Image | Fieldwork
Greek Americans
Workplace
Workers
Labor
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Tsabouna player Nikitas Tsimouris at work
- Date
- 1984-12
- Description
- Eight color slides. Musician Tsimouris (with his son) at his day job, a plasterer. Images created as fieldwork for the apprenticeship program. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
| Tsabouna chanter | Tsabouna chanter | Still Image | Musicians
Fieldwork
Bagpipes
Greek Americans
Musical instruments
Material culture
Tsabouna | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Tsabouna chanter
- Date
- 1985-01
- Description
- Seven color slides. Images of the chanter, the mouthpiece for the Greek bagpipe. Used by Nikitas Tsimouris. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Listen: The Bluegrass & Old-Time Program
