Blues performer Moses Williams performing for students | Blues performer Moses Williams performing for students | Moving Image | Musicians Guitarist Fieldwork Classrooms Diddly bow Performing arts Music performance African Americans Blues (Music) Students Singing Children String instruments Medicine Elementary schools Education Blues singers | /fpc/memory/omeka_images/thumbnails/catalog_video.jpg |
Blues performer Moses Williams performing for students
- Date
- 1984
- Description
- One video cassette (3/4" tape). 45 minutes. Williams answers students' questions about his diddley bow and his life, little bit on folk medicine, string figures, homemade instruments.
- Collection
Bobby Hicks and Dale Webber performing at the 1984 Florida Folk Festival | Bobby Hicks and Dale Webber performing at the 1984 Florida Folk Festival | Still Image | Folk festivals Folklore revival festivals Musical instruments Performing arts Music performance Guitar Banjoes Musicians | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Bundles of hand-rolled cigars made by the Maniscalco Cigar Company | Bundles of hand-rolled cigars made by the Maniscalco Cigar Company | Still Image | Cigars Tobacco Cigar industry Cigar making Material culture Cigar makers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Camel Back House in Tampa | Camel Back House in Tampa | Still Image | Fieldwork Architecture Houses Streets Porches Buildings Structures Trucks | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
a_s1576_22_c86-166 | Captain Henry Black interview for the Miami-Dade Folklife Survey | Sound | Fishers Boat driver Field recordings Interviews Oral narratives World War, 1939-1945 Cowboys Boat driving Boats and boating Weather Netmaking | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Captain Henry Black interview for the Miami-Dade Folklife Survey
- Date
- 1983-06-03
- Description
- One audio cassette. Black discusses his early life; cowboying; working on tugboats, including the "Neptune" which was built for the Spanish-American War; navigation during WWII; adventures in sailing; socialization between tugboat crews; superstition; sea stories; weather knowledge; making castnets.
- Collection
Chorded zither player Charley Groth with his apprentice | Chorded zither player Charley Groth with his apprentice | Still Image | Fieldwork Apprentices Teaching of folklore Zither Autoharp German Americans Music performance String instruments Musical instruments Musicians | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Chorded zither player Charley Groth with his apprentice
- Date
- 1990
- Description
- Six black and white prints. The chorded zither is also called the autoharp. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Cigar rollers and fishers | Cigar rollers and fishers | Still Image | Cigar makers Tobacco Cigar industry Seafood Crab fisheries Equipment and supplies Crabbing Material culture Fish traps Fish smoking Cookery (Mullet) | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Cigar rollers and fishers
- Date
- Description
- Twenty-two black and white prints, plus negatives. P82-124 hand drawn sign for mullet and crab traps by George Torres P82-125 Geroge Torres with crab traps P82-126 Handmade cigar bundles P82-127, 132-133 George Torres with crab traps P82-134, 128 Johnny Boromai Fish Company storefront P82-129-131 Products within Johnny Boromai Fish Co. store. P82-135 cigar maker (blurry) P82-136-138 cigar boxes P82-139,140 Ybor City cigar factory P82-141-143 George Rowland making nets in Tampa P82-144 George Torres smoking mullet P82-145 Handmade cigar bundles c. 198
- Collection
Cigar rollers at work | Cigar rollers at work | Still Image | Material culture Cigars Tobacco Work Occupational groups Labor Workplace Workers Cigar industry Cigar making Cigar makers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
a_s1576_09_c83-079 | Copy of the recording: Children's Folklore: Kid to Kid From Generation to Generation | Sound | Singers Storytellers Music performance Senior Girl Scouts Scouts and scouting Girls Jump rope rhymes Singing Games Hand-clapping games Storytelling Leisure Play Jokes Children Girl Scouts | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Copy of the recording: Children's Folklore: Kid to Kid From Generation to Generation
- Date
- 1981
- Description
- One audio cassette. (Also on C84-116) Created by the Florida State Museum (today, the Florida Museum of Natural History) at the University of Florida, this is a copyrighted recording of children folklore, including hand clap games, jokes, stories, jump rope rhymes, sayings, and counting games. Rogers tells a story of girl campers.
- Collection
a_s1640_22_tape03 | Country-blues guitarist Tampa Blue performing with his apprentices | Sound | Fieldwork Apprentices Guitar Musical instruments String instruments Music performance Sound recordings Guitarists Blues (Music) Singing Guitar music Guitarist Blues singers Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Country-blues guitarist Tampa Blue performing with his apprentices
- Date
- 1991-06-21
- Description
- Two audio cassettes (DAT tapes) A copy of Tampa Blue's album 'Come to Sing' can be found in S 1640, box 22, tape 2. Michael Davis dropped out of the program before his apprenticeship was completed. For more information on Tampa Blue and his apprentices, see S 1644, box 7, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection