| Alma Bailey quilting on her front porch | Alma Bailey quilting on her front porch | Still Image | Quiltmakers
Material culture
Textiles
Craft
Quilts
Textile arts
Domestic arts
Quilting
Decorative arts
Design
Porches | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Alma Bailey quilting on her front porch
- Date
- 1986-03
- Description
- Seven color slides. Created as research for the Craft Demonstration Area of the 1987 Florida Folk Festival. 1186: Quilt hanging on front porch; 1220 - 1225: Alma with her quilts.
- Collection
| Basket maker Mary Mourey | Basket maker Mary Mourey | Still Image | Basket maker
Material culture
Craft
Baskets
Containers
Woven goods
Basket making
Design
Weaving
Pine needle crafts | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Basket maker Mary Mourey
- Date
- 1986-03
- Description
- Eighteen color slides. Created as research for the Craft Demonstration Area of the 1987 Florida Folk Festival. 1162 - 1179: Mourey making baskets in front of her mobile home; 1180 - 1185: examples of her pineneedle baskets.
- Collection
| Basketmaker Delafean Walther | Basketmaker Delafean Walther | Still Image | Basket making
Baskets
Material culture
Woven goods
Craft
Pine needle crafts
Domestic arts
Quiltmakers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Basketmaker Delafean Walther
- Date
- 1977
- Description
- Four black and white prints with negatives. Walther learned basket making at the age of 60 through a Florida Folklife Bureau apprenticehsip program. She made her baskets out of pine needles.
- Collection
| Blacksmithing demonstration at Jasper elementary | Blacksmithing demonstration at Jasper elementary | Still Image | Blacksmiths
Students
Demonstrations
Occupational groups
Blacksmithing
Metal craft
Education
Schools | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
| Cajun accordion player Papa Joe Arabie with his apprentice Michael Stapleton | Cajun accordion player Papa Joe Arabie with his apprentice Michael Stapleton | Still Image | Fieldwork
Accordion
Performing arts
Music performance
Musical instruments
Cajun music
Folk festivals
Accordionists
Apprentices
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Cajun accordion player Papa Joe Arabie with his apprentice Michael Stapleton
- Date
- 1992
- Description
- Thirty-one color slides. Arabie teaching Stapleton to play the accordion. Images were taken at various times. Includes one taken at thr 1992 Florida Folk Festival. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| Cajun accordion player Papa Joe Arabie with his apprentice Michael Stapleton | Cajun accordion player Papa Joe Arabie with his apprentice Michael Stapleton | Still Image | Fieldwork
Accordion
Performing arts
Music performance
Musical instruments
Cajun music
Accordionists
Apprentices
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Cajun accordion player Papa Joe Arabie with his apprentice Michael Stapleton
- Date
- 1992-03
- Description
- Four proof sheets with 141 black and white images (plus negatives). Arabie teaching Stapleton to play the accordion. Images were taken at various times. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| Children's lore and games | Children's lore and games | Still Image | Children
Tales
Games
Demonstrations
Education
Schools
Classrooms
Students | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Children's lore and games
- Date
- 1983-09-16
- Description
- Fifteen color slides. Students demonstrating chidlren's games and lore. Part of the 1983 Folk Arts in the Schools program.
- Collection
| Children's lore presentation at Jasper elementary | Children's lore presentation at Jasper elementary | Still Image | Oral narratives
Storytelling
Tales
Demonstrations
Education
Schools
Classrooms
Storytellers
Students | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
| Coach maker-wheelwright John Luther and his apprentice Walter Richardson | Coach maker-wheelwright John Luther and his apprentice Walter Richardson | Still Image | Woodworkers
Fieldwork
Carriages and carts
Wagons
Transportation
Material culture
Wheels
Coaching (Transportation)
Workplace
Workshops
Apprentices
Wheelwrights | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Coach maker-wheelwright John Luther and his apprentice Walter Richardson
- Date
- 1992
- Description
- 107 color slides. Images of Luther and Richardson making a coach (wagon) -- a reproduction of a 1903 Studebaker, once common in the Live Oak area. Luther was a German American originally from Pennsylvania, who learned wheelwrighting and coach making from the Amish. At the time, he was a farmer and veterinarian technician living in McAlpin. Richardson was a farmer, lived in Live Oak, and often used mules and wagons. For more information see S 1644, box 10, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| Coach maker-wheelwright John luther and his apprentice Walter Richardson | Coach maker-wheelwright John luther and his apprentice Walter Richardson | Still Image | Woodworkers
Fieldwork
Carriages and carts
Wagons
Transportation
Material culture
Wheels
Coaching (Transportation)
Workplace
Workshops
Apprentices
Wheelwrights | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Coach maker-wheelwright John luther and his apprentice Walter Richardson
- Date
- 1992
- Description
- Six proof sheets with 190 black and white images (plus negatives). Images of Luther and Richardson making a coach (wagon) -- a reproduction of a 1903 Studebaker, once common in the Live Oak area. Luther was a German American originally from Pennsylvania, who learned wheelwrighting and coach making from the Amish. At the time, he was a farmer and veterinarian technician living in McAlpin. Richardson was a farmer, lived in Live Oak, and often used mules and wagons. For more information see S 1644, box 10, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
Listen: The World Program