| East Indian dancer Jaya Radhakrishnan and apprentices | East Indian dancer Jaya Radhakrishnan and apprentices | Still Image | Apprentices
Dance
Indian dance
Children
Body movement
Teaching of folklore
Dancers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
East Indian dancer Jaya Radhakrishnan and apprentices
- Date
- 1990
- Description
- Three color slides; 24 negatives. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
| Fly fishers Carl Hanson and apprentice Jason Keil | Fly fishers Carl Hanson and apprentice Jason Keil | Still Image | Apprentices
Teaching of folklore
Fly fishing
Saltwater fly fishing
Craft
Fishing tackle
Fishing Equipment and supplies
Artisans
Fishers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Fly fishers Carl Hanson and apprentice Jason Keil
- Date
- 1989-07
- Description
- Nineteen color slides. Born in Saginaw, Michigan, Hanson grew up in Rockport, Massachusetts, where he learned to tie fly fish lines from his grandfather. Saltwater fly fishing became popular in Florida in the 1960s. For more information on Keil and Hanson, see S 1640, box 8, folder 8. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
| Street vendor Tommy Walton with apprentice James Watson | Street vendor Tommy Walton with apprentice James Watson | Still Image | Apprentices
African Americans
Teaching of folklore
Selling
Oral communication
Oral performance
Street vendors | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Street vendor Tommy Walton with apprentice James Watson
- Date
- 1989-08
- Description
- Twenty-one color slides. Tommy Walton sold hot dogs at the local baseball stadium. He would sing, dance, and tell stories while he sold the food. He often played at the Florida Folk Festival. For more information on Watson, see S 1640, box 9, folder 4. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
| Carl Hanson and his apprentice Jason Keil tying fly fishing lines | Carl Hanson and his apprentice Jason Keil tying fly fishing lines | Still Image | Artisans
Fieldwork
Fly fishing
Saltwater fly fishing
Fishing Equipment and supplies
Fishing tackle
Material culture
Craft
Fishing lures
Apprentices
Fishers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Carl Hanson and his apprentice Jason Keil tying fly fishing lines
- Date
- 1989-08
- Description
- Seventy-seven color slides. Born in Saginaw, Michigan, Hanson grew up in Rockport, Massachusetts, where he learned to tie fly fish lines from his grandfather. Saltwater fly fishing became popular in Florida in the 1960s. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
| Carl Hanson and Jason Keil making fly fishing lures | Carl Hanson and Jason Keil making fly fishing lures | Still Image | Artisans
Fieldwork
Fishing Equipment and supplies
Fishing lures
Fishing tackle
Material culture
Apprentices
Teaching of folklore
Fishers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Carl Hanson and Jason Keil making fly fishing lures
- Date
- 1988
- Description
- Eight color slides. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
| Church ceremony at the Epiphany Ukranian Catholic Church in St. Petersburg | Church ceremony at the Epiphany Ukranian Catholic Church in St. Petersburg | Still Image | Christianity
Catholics
Church architecture
Church attendance
Religion
Religious rites
Churches
Choirs (music)
Church buildings
Church services
Material culture
Candelabra
Fieldwork
Bishops
Preachers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
| a_s1576_23_c87-006 | Interview with Ukrainian embroiderers | Sound | Embroiderers
Fieldwork
Interviews
Oral histories
Embroidery
Pysanky
Egg decoration
Arts, Ukrainian
Ukrainian Americans
Ukrainian American art
Textile arts
Family history | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with Ukrainian embroiderers
- Date
- 1985-04-02
- Description
- One audio cassette. (The first part of the interview was on C87-5, which is missing.) Alla Barabolak and Stephanie Cehelska discuss Ukrainian embroidery and differences/variety within the art; manner in which each of them learned to embroider; post-WWII changes in embroidery; pysanky [egg] decoration; trypylian designs; lack of interest in Ukrainian culture on the part of later generations; woodcarving; wedding traditions and wedding bread.
- Collection
| Blues guitarist Blind Johnny Brown | Blues guitarist Blind Johnny Brown | Still Image | Entertainers
Performers
Performing arts
African Americans
Guitarists
Guitar
Blues (Music)
Guitar music
String instruments
Boats and boating
Sponges
Guitarist
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Blues guitarist Blind Johnny Brown
- Date
- Description
- One photographic proof sheet with 25 black and white images. Also included are a few images of Tarpon Springs sponge boats. December 1978.
- Collection
| Images of the St. Petersburg International Folk Festival | Images of the St. Petersburg International Folk Festival | Still Image | Festivals
Folklore revival festivals
Folk festivals
Ukrainian Americans
Weaving
Textile arts
Textiles
Clothing and dress | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
| a_s1640_20_tape06 | David Parker Bennett interview for the Folk Arts Apprenticeship Program | Sound | Field recordings
Interviews
Folklore
Research, theory, and methodology
Fiddles
String instruments
Folk musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
David Parker Bennett interview for the Folk Arts Apprenticeship Program
- Date
- 1985-02-21
- Description
- One audio cassette. Bennett was a fiddler and folklorist. He wrote his Master's thesis at the University of North Carolina (Chapel Hill) in 1940: A Study in Fiddle Tunes From Western North Carolina. In the interview, Bennett discusses his research, fellow bluegrass and old-time musicians, and recording various musicians.
- Collection
Listen: The World Program
