a_s1685_05_tape02 | Xiomala Carmona & Nery Castillo demonstration for the Palm Beach County Folk Arts in Education Project | Sound | Field recordings Cuban Americans Honduran Americans Children Paper art Art techniques Decorative arts Paper flowers Papier mâché Storytelling | /fpc/memory/omeka_images/thumbnails/audio.jpg |
WPA mural of the Barefoot Mailman in the West Palm Beach Post Office | WPA mural of the Barefoot Mailman in the West Palm Beach Post Office | Still Image | Artists Fieldwork Painting Mural painting and decoration Murals New Deal, 1933-1939 United States. Work Projects Administration Postal service Post office buildings Art Decorative arts Painters | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
WPA mural of the Barefoot Mailman in the West Palm Beach Post Office
- Date
- 1987-09-23
- Description
- Three color slides. Painted in 1940 as part of the Federal Arts Project of the Works Progress Administration (WPA)by artist Stevan Dohanos. The three paintings were part of a six-panel narrative series about James Hamilton, known locally as the Barefoot Mailman. He delivered mail in the then wild South Florida environs. He died in 1887 while on the job. Artist Dohanos of Ohio was known for his 100-plus Saturday Evening Post covers. The Folk Arts in Education Project in Palm Beach County was a joint venture between the Palm Beach County School System and the Florida Folklife Program. It was conducted between 1986 and 1987 by folklorist Jan Rosenberg with funding from the National Endowment for the Arts to add to existing social studies curriculum. The goal was to impart an appreciation of multi-ethnic traditions and provide a sense of place to the mobile student population. The project focused on the Florida Studies component for fourth grade students. The project consisted of field research to identify local traditions and folk artists, a series of five two-day seminars to acquaint teachers with the use of folklore and folk arts, in-school programs conducted by a folklorist and traditionalist, which included visits by local folk artists. In total, the project involved 15 schools with 779 students.
- Collection
a_s1576_t86-245b | WPA field recordings in Riviera (January 1940 recording expedition) | Sound | Fieldwork New Deal, 1933-1939 Interviews Public service employment Folklorists Public welfare United States. Work Projects Administration Bahamian American Ballads A capella singers Performing arts A capella singing Music performance Singing Singers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
WPA field recordings in Riviera (January 1940 recording expedition)
- Date
- 1940-01-16
- Description
- One reel to reel. (These recordings appear at the end. The rest of the reel are recordings from another WPA expedition.) These recordings were created by Florida folklorist Kennedy and photographer Cook in January 1940. They created a total of eighteen 12-inch acetate records that month. On this recording, the Roberts sing traditional Bahamian songs. For more detailed information on the recordings, see S 1579, box 3, for copies of the original LOC indexes. The Works Progress Administration (WPA) — after 1939, the Works Projects Administration — was a work-relief program created in 1935 by the Roosevelt Administration that employed over 8.5 million people between 1935 and 1943. One of its programs was the Federal Writers Project (FWP), which included the Folklore Section. This section conducted fieldwork, recording songs, traditions, and stories across the nation. Originally created to gather material for the American Guide Series, but later emphasis was placed upon fieldwork for preservation of folk traditions for future use. In Florida, the FWP was based out of Jacksonville, and directed by historian Carita Doggett Corse. Folklorist Stetson Kennedy directed the Florida Folklife section. Seven recording expeditions were conducted in Florida. Two were conducted between 1935 and 1937, before the creation of the Florida Folklore Section: one by Alan Lomax and Zora Neale Hurston, and the other by John and Ruby Lomax. After 1939, five more were conducted by Florida's FWP staff: Kennedy, Hurston, Robert Cook, Alton Morris, Corse, Robert Cornwell, John Filareton, and Herbert Halpert (of the Joint Committee on Folk Art's Southern Recording Expedition.) Recording equipment was loaned to Florida's WPA program by the Library of Congress' Archive of the American Folk Song (later the American Folk Center). The field recordings were made on acetate disks, usually recorded at 78 rpm (although occasionally at 33 rpm). Because these disks were shipped from Washington DC to Florida, then to the recording site, and then back to Washington, these disks often were not of the highest sonic quality. Several had surface scratches and many had various recording speeds. In 1986, the FFP staff made copies of many of these recordings onto reel to reels for inclusion to the Florida Folklife Archive. The originals are still housed with the Library of Congress.
- Collection
a_s1576_t86-246 | WPA field recordings in Riviera and Key West (January 1940 recording expedition) | Sound | Fieldwork New Deal, 1933-1939 Interviews Public service employment Folklorists Public welfare United States. Work Projects Administration Bahamian American Ballads A capella singers Performing arts A capella singing Music performance Singing African Americans Tales Narratives Accordion music Storytelling Guitar music Musicians Storytellers Singers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
WPA field recordings in Riviera and Key West (January 1940 recording expedition)
- Date
- 1940-01-15
- Description
- One reel to reel. These recordings were created by Florida folklorist Kennedy and photographer Cook in January 1940. They created a total of eighteen 12-inch acetate records that month. On this recording, Wilbur Roberts tells stories in Riviera; the Nelsons sing traditional Bahamian songs, and Rolle in Key West plays with his band on several songs. For more detailed information on the recordings, see S 1579, box 3, for copies of the original LOC indexes. The Works Progress Administration (WPA) — after 1939, the Works Projects Administration — was a work-relief program created in 1935 by the Roosevelt Administration that employed over 8.5 million people between 1935 and 1943. One of its programs was the Federal Writers Project (FWP), which included the Folklore Section. This section conducted fieldwork, recording songs, traditions, and stories across the nation. Originally created to gather material for the American Guide Series, but later emphasis was placed upon fieldwork for preservation of folk traditions for future use. In Florida, the FWP was based out of Jacksonville, and directed by historian Carita Doggett Corse. Folklorist Stetson Kennedy directed the Florida Folklife section. Seven recording expeditions were conducted in Florida. Two were conducted between 1935 and 1937, before the creation of the Florida Folklore Section: one by Alan Lomax and Zora Neale Hurston, and the other by John and Ruby Lomax. After 1939, five more were conducted by Florida's FWP staff: Kennedy, Hurston, Robert Cook, Alton Morris, Corse, Robert Cornwell, John Filareton, and Herbert Halpert (of the Joint Committee on Folk Art's Southern Recording Expedition.) Recording equipment was loaned to Florida's WPA program by the Library of Congress' Archive of the American Folk Song (later the American Folk Center). The field recordings were made on acetate disks, usually recorded at 78 rpm (although occasionally at 33 rpm). Because these disks were shipped from Washington DC to Florida, then to the recording site, and then back to Washington, these disks often were not of the highest sonic quality. Several had surface scratches and many had various recording speeds. In 1986, the FFP staff made copies of many of these recordings onto reel to reels for inclusion to the Florida Folklife Archive. The originals are still housed with the Library of Congress.
- Collection
a_s1576_t86-235 | WPA field recordings in Eatonville and Belle Glade (1935 recording expedition) | Sound | Fieldwork New Deal, 1933-1939 Interviews Public service employment Folklorists Public welfare United States. Work Projects Administration African Americans Blues (Music) Blues singers Performing arts Guitar music Music performance Singing Harmonica music Old time music Musicians Guitarist Harmonica players Singers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
WPA field recordings in Eatonville and Belle Glade (1935 recording expedition)
- Date
- 1935
- Description
- One reel to reel. (Copied onto an unnumbered audio cassette, S 1576, box 41.) These recordings were from the 1935 expedition by Lomax, Hurston, and Barnicle in Eatonville and Belle Glade. This was the first of several WPA recording expeditions in Florida. For more detailed information on the recordings, see S 1579, box 3, for copies of the original LOC indexes. The Works Progress Administration (WPA) - after 1939, the Works Projects Administration - was a work-relief program created in 1935 by the Roosevelt Administration that employed over 8.5 million people between 1935 and 1943. One of its programs was the Federal Writers Project (FWP), which included the Folklore Section. This section conducted fieldwork, recording songs, traditions, and stories across the nation. Originally created to gather material for the American Guide Series, but later emphasis was placed upon fieldwork for preservation of folk traditions for future use. In Florida, the FWP was based out of Jacksonville, and directed by historian Carita Doggett Corse. Folklorist Stetson Kennedy directed the Florida Folklife section. Seven recording expeditions were conducted in Florida. Two were conducted between 1935 and 1937, before the creation of the Florida Folklore Section: one by Alan Lomax and Zora Neale Hurston, and the other by John and Ruby Lomax. After 1939, five more were conducted by Florida's FWP staff: Kennedy, Hurston, Robert Cook, Alton Morris, Corse, Robert Conrwell, John Filareton, and Herbert Halpert (of the Joint Committee on Folk Art's Southern Recording Expedition.) Recording equipment was loaned to Florida's WPA program by the Library of Congress' Archive of the American Folk Song (later the American Folk Center). The field recordings were made on acetate disks, usually recorded at 78 rpm (although occasionally at 33 rpm). Because these disks were shipped from Washington DC to Florida, then to the recording site, and then back to Washington, these disks often were not of the highest sonic quality. Several had surface scratches and many had various recording speeds. In 1986, the FFP staff made copies of many of these recordings onto reel to reels for inclusion to the Florida Folklife Archive. The originals are still housed with the Library of Congress.
- Collection
a_s1576_t86-236 | WPA field recordings in Belle Glade (1935 recording expedition) | Sound | Fieldwork New Deal, 1933-1939 Interviews Public service employment Folklorists Public welfare United States. Work Projects Administration African Americans Singers Blues (Music) Performing arts Guitar music Music performance Singing Harmonica music Old time music Musicians Guitarist Blues singers Harmonica players | /fpc/memory/omeka_images/thumbnails/audio.jpg |
WPA field recordings in Belle Glade (1935 recording expedition)
- Date
- 1935
- Description
- One reel to reel. (Copied onto an unnumbered audio cassette in S 1576, box 41.) These recordings were from the 1935 expedition by Lomax, Hurston, and Barnicle in Belle Glade. This was the first of several WPA recording expeditions in Florida. For more detailed information on the recordings, see S 1579, box 3, for copies of the original LOC indexes. The Works Progress Administration (WPA) - after 1939, the Works Projects Administration - was a work-relief program created in 1935 by the Roosevelt Administration that employed over 8.5 million people between 1935 and 1943. One of its programs was the Federal Writers Project (FWP), which included the Folklore Section. This section conducted fieldwork, recording songs, traditions, and stories across the nation. Originally created to gather material for the American Guide Series, but later emphasis was placed upon fieldwork for preservation of folk traditions for future use. In Florida, the FWP was based out of Jacksonville, and directed by historian Carita Doggett Corse. Folklorist Stetson Kennedy directed the Florida Folklife section. Seven recording expeditions were conducted in Florida. Two were conducted between 1935 and 1937, before the creation of the Florida Folklore Section: one by Alan Lomax and Zora Neale Hurston, and the other by John and Ruby Lomax. After 1939, five more were conducted by Florida's FWP staff: Kennedy, Hurston, Robert Cook, Alton Morris, Corse, Robert Cornwell, John Filareton, and Herbert Halpert (of the Joint Committee on Folk Art's Southern Recording Expedition.) Recording equipment was loaned to Florida's WPA program by the Library of Congress' Archive of the American Folk Song (later the American Folk Center). The field recordings were made on acetate disks, usually recorded at 78 rpm (although occasionally at 33 rpm). Because these disks were shipped from Washington DC to Florida, then to the recording site, and then back to Washington, these disks often were not of the highest sonic quality. Several had surface scratches and many had various recording speeds. In 1986, the FFP staff made copies of many of these recordings onto reel to reels for inclusion to the Florida Folklife Archive. The originals are still housed with the Library of Congress.
- Collection
a_s1576_t86-240b | WPA field recordings at the Florida State Prison in Union County (1936-1937 recording expedition) | Sound | Fieldwork New Deal, 1933-1939 Interviews Public service employment Folklorists Public welfare United States. Work Projects Administration Gospel music Old time music A capella singers Performing arts A capella singing Music performance Singing Blues singers Gospel songs Blues (Music) Male prisoners Women prisoners Prisons African Americans Arts in prisons Singers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
WPA field recordings at the Florida State Prison in Union County (1936-1937 recording expedition)
- Date
- 1936
- Description
- One reel to reel. (Copied onto a aduio cassette, found in S 1576, box 41) These recordings were created during the 1936-1937 expedition led by John Lomax. In these recordings he visited the Florida State Prison at Raiford in Union County. These were the second of several WPA recording expeditions in Florida. At the time Lomax was in charge of the folklife section of the Federal Writers Project. He left that position in 1938, and in 1939 returned to Florida (including to Raiford and Alachua County). See the online exhibit about that 1939 expedition at http://memory.loc.gov/ammem/lohtml/lohome.html For more detailed information on the recordings, see S 1579, box 3, for copies of the original LOC indexes. The Works Progress Administration (WPA) – after 1939, the Works Projects Administration – was a work-relief program created in 1935 by the Roosevelt Administration that employed over 8.5 million people between 1935 and 1943. One of its programs was the Federal Writers Project (FWP), which included the Folklore Section. This section conducted fieldwork, recording songs, traditions, and stories across the nation. Originally created to gather material for the American Guide Series, but later emphasis was placed upon fieldwork for preservation of folk traditions for future use. In Florida, the FWP was based out of Jacksonville, and directed by historian Carita Doggett Corse. Folklorist Stetson Kennedy directed the Florida Folklife section. Seven recording expeditions were conducted in Florida. Two were conducted between 1935 and 1937, before the creation of the Florida Folklore Section: one by Alan Lomax and Zora Neale Hurston, and the other by John and Ruby Lomax. After 1939, five more were conducted by Florida’s FWP staff: Kennedy, Hurston, Robert Cook, Alton Morris, Corse, Robert Cornwell, John Filareton, and Herbert Halpert (of the Joint Committee on Folk Art’s Southern Recording Expedition.) Recording equipment was loaned to Florida’s WPA program by the Library of Congress’ Archive of the American Folk Song (later the American Folk Center). The field recordings were made on acetate disks, usually recorded at 78 rpm (although occasionally at 33 rpm). Because these disks were shipped from Washington DC to Florida, then to the recording site, and then back to Washington, these disks often were not of the highest sonic quality. Several had surface scratches and many had various recording speeds. In 1986, the FFP staff made copies of many of these recordings onto reel to reels for inclusion to the Florida Folklife Archive. The originals are still housed with the Library of Congress.
- Collection
a_s1576_t86-239 | WPA field recordings at the Florida State Prison in Union County , and in Palm Beach County (1936-1937 recording expedition) | Sound | Fieldwork New Deal, 1933-1939 Interviews Public service employment Folklorists Public welfare United States. Work Projects Administration Gospel music Old time music A capella singers Performing arts A capella singing Music performance Singing Sermons Gospel songs Blues (Music) African Americans Women prisoners Male prisoners Jails Arts in prisons Singers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
WPA field recordings at the Florida State Prison in Union County , and in Palm Beach County (1936-1937 recording expedition)
- Date
- 1936
- Description
- One reel to reel. (Copied onto audio cassette C90-43/44 in S 1576.) These recordings were created during the 1936-1937 expedition led by John Lomax. In these recordings he visited the Florida State Prison at Raiford in Union County. These were the second of several WPA recording expeditions in Florida. At the time Lomax was in charge of the folklife section of the Federal Writers Project. He left that position in 1938, and in 1939 returned to Florida (including to Raiford and Alachua County). See the online exhibit about that 1939 expedition at http://memory.loc.gov/ammem/lohtml/lohome.html For more detailed information on the recordings, see S 1579, box 3, for copies of the original LOC indexes. The Works Progress Administration (WPA) — after 1939, the Works Projects Administration — was a work-relief program created in 1935 by the Roosevelt Administration that employed over 8.5 million people between 1935 and 1943. One of its programs was the Federal Writers Project (FWP), which included the Folklore Section. This section conducted fieldwork, recording songs, traditions, and stories across the nation. Originally created to gather material for the American Guide Series, but later emphasis was placed upon fieldwork for preservation of folk traditions for future use. In Florida, the FWP was based out of Jacksonville, and directed by historian Carita Doggett Corse. Folklorist Stetson Kennedy directed the Florida Folklife section. Seven recording expeditions were conducted in Florida. Two were conducted between 1935 and 1937, before the creation of the Florida Folklore Section: one by Alan Lomax and Zora Neale Hurston, and the other by John and Ruby Lomax. After 1939, five more were conducted by Florida's FWP staff: Kennedy, Hurston, Robert Cook, Alton Morris, Corse, Robert Conrwell, John Filareton, and Herbert Halpert (of the Joint Committee on Folk Art's Southern Recording Expedition.) Recording equipment was loaned to Florida's WPA program by the Library of Congress' Archive of the American Folk Song (later the American Folk Center). The field recordings were made on acetate disks, usually recorded at 78 rpm (although occasionally at 33 rpm). Because these disks were shipped from Washington DC to Florida, then to the recording site, and then back to Washington, these disks often were not of the highest sonic quality. Several had surface scratches and many had various recording speeds. In 1986, the FFP staff made copies of many of these recordings onto reel to reels for inclusion to the Florida Folklife Archive. The originals are still housed with the Library of Congress.
- Collection
Wooden wildlife carvings by Roswell Harrington | Wooden wildlife carvings by Roswell Harrington | Still Image | Wood carvers Farmer Fieldwork Wildlife wood-carving Figurines Wood carving Wood craft Art Decorative arts Material culture Canes Carvers (Decorative artists) | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Wooden wildlife carvings by Roswell Harrington
- Date
- 1992-03-07
- Description
- Nineteen color slides. Images of animal wood carvings (mostly of birds) in Harrington's house, a former farmer. In 1992, the Palm Beach Community College contracted the Florida Folklife Program to conduct ten days of fieldwork in March 1992 around Lake Okeechobee for a Lakefront Legacy Festival later that year (16 May 1992). Headed up by FFP folklorist Debbie Fant, and assisted by Robert Stone and Robert Shanafelt, the fieldwork involved 26 informants, slides, print images and recorded interviews. In the end, the FFP recommended seven people for festival participation.
- Collection
a_s1685_07_tape19 | Winfred Symonette interview for the Palm Beach County Folk Arts in Education Project | Sound | Field recordings Bahamian American Interviews Oral narratives Fishing Fishing boats Hurricanes Religion Fishing equipment Fishing nets Fishing tackle | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Winfred Symonette interview for the Palm Beach County Folk Arts in Education Project
- Date
- 1987-08-31
- Description
- One audio cassette. Symonette came to Florida in 1912 from the Bahamas. He fished and netted until 1980. In the interview, he discuses moving to Florida; fishing in South Florida; using the moon and weather signs to gauge fishing spots; catching kingfish, mackerel, and blue fish; fish markets in South Florida; use of boats and nets; fishing tackle; the effects of radio, motors, and refrigeration on the fishing industry; the 1928 hurricane; religion; and retiring from the business in 1980.
- Collection