| a_s1640_25_tape17 | Susie Billie & apprentice Mary Johns interview for the Folk Arts Apprenticeship Program | Sound | Field recordings
Apprentices
Seminole Indians
Indigenous peoples
Native Americans
Interviews
Elders (age groups)
Healers
Folk medicine
Herbs
Medicinal plants
Traditional knowledge | /fpc/memory/omeka_images/thumbnails/audio.jpg |
| a_s1640_25_tape07 | Susie Billie and apprentice Mary Johns interview for the Folk Arts Apprenticeship Program | Sound | Field recordings
Apprentices
Seminole Indians
Ethnicity, Seminole
Native Americans
Health
Elderly, the
Healers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Susie Billie and apprentice Mary Johns interview for the Folk Arts Apprenticeship Program
- Date
- 1995-01-25
- Description
- Two audio cassettes. Images of Billie and Johns at Billie's home on the couch. Johns was funded to learn from Billie traditional Seminole herbal medicine including preparation of herbs, herbal treatments, healing songs, and the historical background. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_24_tape33 | Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus | Sound | Whip maker
Leather workers
Whip braider
Fieldwork
Leather craft
Leather goods
Occupational folklore
Whip making
Whipcracking
Whips
Ranching
Whip braiding
Horses
Interviews
Oral narratives
Personal experience narratives
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus
- Date
- 1993-07-28
- Description
- Two audio cassettes. Apprentice Marcus was funded to learn from cow whip maker Mills how make whips, including choosing hides, making strings, whip construction, and the historical/cultural background of whip making. For more information on Mills and Marcus, see S 1644, box 11, folder 30. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
- Collection
| a_s1640_24_tape32 | Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus | Sound | Whip maker
Leather workers
Whip braider
Fieldwork
Leather craft
Leather goods
Occupational folklore
Whip making
Whipcracking
Whips
Ranching
Whip braiding
Horses
Interviews
Oral narratives
Personal experience narratives
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus
- Date
- 1994-01-21
- Description
- One audio cassette. Apprentice Marcus was funded to learn from cow whip maker Mills how make whips, including choosing hides, making strings, whip construction, and the historical/cultural background of whip making. For more information on Mills and Marcus, see S 1644, box 11, folder 30. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
- Collection
| a_s1640_24_tape30 | Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus | Sound | Whip maker
Leather workers
Whip braider
Fieldwork
Leather craft
Leather goods
Occupational folklore
Whip making
Whipcracking
Whips
Ranching
Whip braiding
Horses
Interviews
Oral narratives
Personal experience narratives
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus
- Date
- 1994-04-08
- Description
- Two audio cassettes. Apprentice Marcus was funded to learn from cow whip maker Mills how make whips, including choosing hides, making strings, whip construction, and the historical/cultural background of whip making. For more information on Mills and Marcus, see S 1644, box 11, folder 30. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
- Collection
| a_s1640_24_tape05 | Interview with leather worker Bob Dellis | Sound | Apprentices
Fieldwork
Interviews
Personal experience narratives
Leather craft
Leather goods
Occupational groups
Occupational training
Tools
Saddlery
Design
Belts (Clothing)
Saddles
Oral histories
Carvers (Decorative artists)
Leather workers | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with leather worker Bob Dellis
- Date
- 1993-07-28
- Description
- One audio cassette. Dellis was a long-time leather worker originally born and trained in leather carver in Texas. He made belts, boots, saddles, and other leather carvings. For more information on Dellis, see S 1644, box 11, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
- Collection
| a_s1640_24_tape04 | Interview with leather worker Bob Dellis | Sound | Apprentices
Fieldwork
Interviews
Personal experience narratives
Leather craft
Leather goods
Occupational groups
Occupational training
Tools
Saddlery
Design
Belts (Clothing)
Saddles
Oral histories
Carvers (Decorative artists)
Leather workers | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with leather worker Bob Dellis
- Date
- 1993-04-16
- Description
- Two audio cassettes. Dellis was a long-time leather worker originally born and trained in leather carver in Texas. He made belts, boots, saddles, and other leather carvings. For more information on Dellis, see S 1644, box 11, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
- Collection
| a_s1640_24_tape02 | Interview with leather worker Bob Dellis | Sound | Apprentices
Fieldwork
Interviews
Personal experience narratives
Leather craft
Leather goods
Occupational groups
Occupational training
Tools
Saddlery
Design
Belts (Clothing)
Saddles
Oral histories
Carvers (Decorative artists)
Leather workers | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with leather worker Bob Dellis
- Date
- 1992-12-14
- Description
- Two audio cassettes. Dellis was a long-time leather worker originally born and trained in leather carver in Texas. He made belts, boots, saddles, and other leather carvings. For more information on Dellis, see S 1644, box 11, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
- Collection
| a_s1640_23_tape35 | Interview with Seminole palmetto stem basket maker Marian Bowers and her apprentice Martha Jones | Sound | Fieldwork
Seminole Indians
Native Americans
Palmetto weaving
Basket making
Basket work
Basketry
Baskets
Interviews
Weaving
Personal experience narratives
Basket maker
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with Seminole palmetto stem basket maker Marian Bowers and her apprentice Martha Jones
- Date
- 1994-04-08
- Description
- Two audio cassettes. Apprentice Jones had to learn from Bowers to select, gather, and prepare stems, make six baskets, and learn cultural background. For more information, see S 1644, box 11, folder 21. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_23_tape33 | Interview with Seminole palmetto stem basket maker Marian Bowers and her apprentice Martha Jones | Sound | Fieldwork
Seminole Indians
Native Americans
Palmetto weaving
Basket making
Basket work
Basketry
Baskets
Interviews
Weaving
Personal experience narratives
Basket maker
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with Seminole palmetto stem basket maker Marian Bowers and her apprentice Martha Jones
- Date
- 1994-01-21
- Description
- One audio cassette. Apprentice Jones had to learn from Bowers to select, gather, and prepare stems, make six baskets, and learn cultural background. For more information, see S 1644, box 11, folder 21. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
Listen: The Blues Program
