a_s1640_23_tape33 | Interview with Seminole palmetto stem basket maker Marian Bowers and her apprentice Martha Jones | Sound | Fieldwork Seminole Indians Native Americans Palmetto weaving Basket making Basket work Basketry Baskets Interviews Weaving Personal experience narratives Basket maker Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with Seminole palmetto stem basket maker Marian Bowers and her apprentice Martha Jones
- Date
- 1994-01-21
- Description
- One audio cassette. Apprentice Jones had to learn from Bowers to select, gather, and prepare stems, make six baskets, and learn cultural background. For more information, see S 1644, box 11, folder 21. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
a_s1640_23_tape35 | Interview with Seminole palmetto stem basket maker Marian Bowers and her apprentice Martha Jones | Sound | Fieldwork Seminole Indians Native Americans Palmetto weaving Basket making Basket work Basketry Baskets Interviews Weaving Personal experience narratives Basket maker Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with Seminole palmetto stem basket maker Marian Bowers and her apprentice Martha Jones
- Date
- 1994-04-08
- Description
- Two audio cassettes. Apprentice Jones had to learn from Bowers to select, gather, and prepare stems, make six baskets, and learn cultural background. For more information, see S 1644, box 11, folder 21. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
a_s1640_24_tape02 | Interview with leather worker Bob Dellis | Sound | Apprentices Fieldwork Interviews Personal experience narratives Leather craft Leather goods Occupational groups Occupational training Tools Saddlery Design Belts (Clothing) Saddles Oral histories Carvers (Decorative artists) Leather workers | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with leather worker Bob Dellis
- Date
- 1992-12-14
- Description
- Two audio cassettes. Dellis was a long-time leather worker originally born and trained in leather carver in Texas. He made belts, boots, saddles, and other leather carvings. For more information on Dellis, see S 1644, box 11, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
- Collection
a_s1640_24_tape04 | Interview with leather worker Bob Dellis | Sound | Apprentices Fieldwork Interviews Personal experience narratives Leather craft Leather goods Occupational groups Occupational training Tools Saddlery Design Belts (Clothing) Saddles Oral histories Carvers (Decorative artists) Leather workers | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with leather worker Bob Dellis
- Date
- 1993-04-16
- Description
- Two audio cassettes. Dellis was a long-time leather worker originally born and trained in leather carver in Texas. He made belts, boots, saddles, and other leather carvings. For more information on Dellis, see S 1644, box 11, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
- Collection
a_s1640_24_tape05 | Interview with leather worker Bob Dellis | Sound | Apprentices Fieldwork Interviews Personal experience narratives Leather craft Leather goods Occupational groups Occupational training Tools Saddlery Design Belts (Clothing) Saddles Oral histories Carvers (Decorative artists) Leather workers | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with leather worker Bob Dellis
- Date
- 1993-07-28
- Description
- One audio cassette. Dellis was a long-time leather worker originally born and trained in leather carver in Texas. He made belts, boots, saddles, and other leather carvings. For more information on Dellis, see S 1644, box 11, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
- Collection
a_s1640_24_tape30 | Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus | Sound | Whip maker Leather workers Whip braider Fieldwork Leather craft Leather goods Occupational folklore Whip making Whipcracking Whips Ranching Whip braiding Horses Interviews Oral narratives Personal experience narratives Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus
- Date
- 1994-04-08
- Description
- Two audio cassettes. Apprentice Marcus was funded to learn from cow whip maker Mills how make whips, including choosing hides, making strings, whip construction, and the historical/cultural background of whip making. For more information on Mills and Marcus, see S 1644, box 11, folder 30. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
- Collection
a_s1640_24_tape32 | Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus | Sound | Whip maker Leather workers Whip braider Fieldwork Leather craft Leather goods Occupational folklore Whip making Whipcracking Whips Ranching Whip braiding Horses Interviews Oral narratives Personal experience narratives Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus
- Date
- 1994-01-21
- Description
- One audio cassette. Apprentice Marcus was funded to learn from cow whip maker Mills how make whips, including choosing hides, making strings, whip construction, and the historical/cultural background of whip making. For more information on Mills and Marcus, see S 1644, box 11, folder 30. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
- Collection
a_s1640_24_tape33 | Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus | Sound | Whip maker Leather workers Whip braider Fieldwork Leather craft Leather goods Occupational folklore Whip making Whipcracking Whips Ranching Whip braiding Horses Interviews Oral narratives Personal experience narratives Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus
- Date
- 1993-07-28
- Description
- Two audio cassettes. Apprentice Marcus was funded to learn from cow whip maker Mills how make whips, including choosing hides, making strings, whip construction, and the historical/cultural background of whip making. For more information on Mills and Marcus, see S 1644, box 11, folder 30. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
- Collection
a_s1640_25_tape07 | Susie Billie and apprentice Mary Johns interview for the Folk Arts Apprenticeship Program | Sound | Field recordings Apprentices Seminole Indians Ethnicity, Seminole Native Americans Health Elderly, the Healers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Susie Billie and apprentice Mary Johns interview for the Folk Arts Apprenticeship Program
- Date
- 1995-01-25
- Description
- Two audio cassettes. Images of Billie and Johns at Billie's home on the couch. Johns was funded to learn from Billie traditional Seminole herbal medicine including preparation of herbs, herbal treatments, healing songs, and the historical background. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
a_s1640_25_tape17 | Susie Billie & apprentice Mary Johns interview for the Folk Arts Apprenticeship Program | Sound | Field recordings Apprentices Seminole Indians Indigenous peoples Native Americans Interviews Elders (age groups) Healers Folk medicine Herbs Medicinal plants Traditional knowledge | /fpc/memory/omeka_images/thumbnails/audio.jpg |