| a_s1576_t86-001 | Maria Pozos interview for the Miami-Dade Folklife Survey | Sound | Plants
Interviews
Field recordings
Oral narratives
Cooking
Foodways
Herbs
Folk beliefs
Complementary and alternative medicine
Mexican Americans
Migrant labor | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Maria Pozos interview for the Miami-Dade Folklife Survey
- Date
- 1985-09-05
- Description
- One reel-to-reel tape (copied onto C86-47). Interview with migrant laborer Pozos in her home in the Dade Labor Camp. She discusses herbal medicine, cures, cooking, and her family. Often hard to hear due to loud jets flying over (the camp is next-door to a US Air Force base).
- Collection
| a_s1576_t86-006 | Irma Gabriales interview for the Miami-Dade Folklife Survey | Sound | Field recordings
Interviews
Oral narratives
Dance
Latinos
Mexican Americans
Piñatas | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Irma Gabriales interview for the Miami-Dade Folklife Survey
- Date
- 1985-09-10
- Description
- One reel to reel, copied onto cassette tape C86-50. Interview conducted in Gabriales home. She discusses life in Mexico, learning to dance, moving to the United States at age ten, studying fina arts in school, types of dance, pinata making, and Mexican music. For some of the recording, a lawn mower can be heard in the background.
- Collection
| a_s1576_t86-011 | Interview with and music performance by harmonica player Samuel Young | Sound | Fieldwork
Harmonica music
Harmonicas
Wind instruments
African Americans
Interviews
Oral histories
Life histories
Music performance
Musical instruments
Sound recordings
Blues (Music)
Blues singers
Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Interview with and music performance by harmonica player Samuel Young
- Date
- 1985-09-14
- Description
- One reel to reel (also copied onto audio cassette: C86-55). Interview with harmonica player Young. Includes Young playing his harmonica. The Dade Folk Arts Survey was conducted in 1986 by folklorists Tina Bucuvalas, Nancy Nusz and Laurie Sommers in order to identify folk arts and folk artists for the special folklife area at the 34th Annual Florida Folk Festival. The traditions are mainly Haitian, Jamaican, Mexican, Bahamian, Cuban and Jewish and cover a wide range of skills and art forms.
- Collection
| a_s1640_23_tape08 | Recording of broadcast on Radio Continental (1430 AM) | Sound | Fieldwork
Radio
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Norteño music
Radio broadcasters | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Recording of broadcast on Radio Continental (1430 AM)
- Date
- 1992-03
- Description
- One audio cassette. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_23_tape09 | Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola | Sound | Fieldwork
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Norteño music
Musicians
Accordionists
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
- Date
- 1991-11-25
- Description
- Two audio cassettes. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_23_tape11 | Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola | Sound | Fieldwork
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Norteño music
Musicians
Accordionists
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
- Date
- 1992-04-02
- Description
- Two DAT tapes. Recorded in Granado's music store: T.G. Music. Tape 2 was unindexed. In between songs, they discussed their family and personal histories, how they learned to play, Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_23_tape13 | Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola | Sound | Fieldwork
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Norteño music
Musicians
Accordionists
Apprentices | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
- Date
- 1992-06-29
- Description
- Two DAT tapes. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_23_tape23 | Interview with boat builder Glen Simmons | Sound | Woodworkers
Fieldwork
Interviews
Boatbuilding
Skiffs
Transportation
Waterways
Boats and boating
Personal experience narratives
Woodwork
Oral history
Oral narratives
Wood craft
Boatbuilders | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with boat builder Glen Simmons
- Date
- 1991-11-25
- Description
- Two audio cassettes. Simmons discusses boatbuilding and his lfie. For more information see S 1644, box 10, folder 11. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_23_tape25 | Interview with boat builder Glen Simmons | Sound | Woodworkers
Fieldwork
Interviews
Boatbuilding
Skiffs
Transportation
Waterways
Boats and boating
Personal experience narratives
Woodwork
Oral history
Oral narratives
Wood craft
Boatbuilders | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with boat builder Glen Simmons
- Date
- 1992-06-29
- Description
- Two audio cassettes. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1644_13_tape05b | Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola | Sound | Fieldwork
Norteño music
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Musicians
Accordionists | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
- Date
- 1991-09-14
- Description
- One audio cassette. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
Listen: The Latin Program