| Aerial images of Big Cypress Seminole Indian Reservation | Aerial images of Big Cypress Seminole Indian Reservation | Still Image | Seminole Indians
Native Americans
Mikasuki Indians
Indian reservations
Architecture
Community culture
Dwellings
Houses
Aerial photographs | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
| Aerial images of Big Cypress Seminole Indian Reservation | Aerial images of Big Cypress Seminole Indian Reservation | Still Image | Seminole Indians
Native Americans
Mikasuki Indians
Indian reservations
Architecture
Community culture
Dwellings
Houses
Aerial photographs | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
| Aerial views of Big Cypress Seminole Indian Reservation | Aerial views of Big Cypress Seminole Indian Reservation | Still Image | Fieldwork
Aerial photographs
Landscape
Construction + architecture
Indian reservations | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Aerial views of Big Cypress Seminole Indian Reservation
- Date
- 1985-01
- Description
- Nine color slides Images created as fieldwork for the apprenticeship program. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and had agreed to train for at least six months. The first project director was Blanton Owen,who was later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
| a_s1576_t82-052 | Alice and Robert Osceola interview for the Seminole Slide Tape Project | Sound | Basket maker
Needleworkers
Dollmakers
Fieldwork
Native Americans
Ethnicity, Seminole
Seminole Indians
Basket making
Interviewing
Interviews
Sound recordings
Sweetgrass baskets
Oral histories
Life histories
Family history
Palmetto weaving
Plants | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Alice and Robert Osceola interview for the Seminole Slide Tape Project
- Date
- 1981-11-19
- Description
- One reel to reel. The Osceolas discuss basket making - - including when and how they learned the craft; patterns and designs; the choice of colors and materials (usually pine needles and/or palmetto fronds); teaching the young; selling baskets; and the basketry process. The recordings were created for the Florida Folklife Program's Seminole Slide and Tape Project, a program sponsored by the American Express Company in 1982-1983 to create two educational slide/tape programs for use by schools, community groups, and other educational outlets. One program dealt with sweetgrass basket making; the other on traditional Seminole patchwork. Recordings of the finished program tapes can be found in S 1576, Box 10. Teacher guides, program scripts, and documentation of the project can be found in S 1595, Box 1.
- Collection
| Betty Mae Jumper sewing baskets at the Stephen Foster Center | Betty Mae Jumper sewing baskets at the Stephen Foster Center | Still Image | Needleworkers
Fieldwork
Demonstrations
Needlework
Sewing
Native Americans
Seminole Indians
Baskets
Basket work | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Betty Mae Jumper sewing baskets at the Stephen Foster Center
- Date
- 1985-01
- Description
- Two color slides. Images are of Jumper sewing colored thread into grass baskets. Images were created as fieldwork for the apprenticeship program. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
| Fieldwork images of the Jumpers' home at Big Cypress Seminole Indian Reservation | Fieldwork images of the Jumpers' home at Big Cypress Seminole Indian Reservation | Still Image | Needleworkers
Cooks
Fieldwork
Ethnicity, Seminole
Seminole Indians
Seminole cookery
Native Americans
Ball games
Recreation
Leisure
Games
Machine sewing
Patchwork
Sewing machines
Sewing
Needlework
Chickee
Mobile homes
Architecture
Domestic arts | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
| Fishing boats in Clewiston | Fishing boats in Clewiston | Still Image | Fieldwork
Boats
Fishing Equipment and supplies
Fishing nets
Mullet fishing
Saltwater fishing
Seafood industry
Transportation
Material culture | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Fishing boats in Clewiston
- Date
- 1984-11-16
- Description
- Twenty color slides. Various boats including an Okeechobee skip-jack and johnboats, along with fish and crab traps. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, who was later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
| Folklorist Ormond Loomis interviewing Paul Bower | Folklorist Ormond Loomis interviewing Paul Bower | Still Image | Interviewing
Research methods
Fieldwork
Chickee
Seminole Indians
Indian reservations
Native Americans
Folklorists | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Folklorist Ormond Loomis interviewing Paul Bower
- Date
- 1984-05-26
- Description
- One proof sheet with ten images (plus negatives). Loomis interviews Bower inside a chickee--a traditional Seminole home/dwelling. For an interview with Bower, see S 1576, box 21, reel T81-118/119, from 1981. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year until 2003.
- Collection
| Four Corners of the Earth | Four Corners of the Earth | Moving Image | Video recording
Documentary videos
Ethnicity, Seminole
Seminole Indians
Native Americans
Indian reservations
Fieldwork (educational method)
Interviews
Interviewing on television
Oral narratives
Oral communication | /fpc/memory/omeka_images/thumbnails/catalog_video.jpg |
Four Corners of the Earth
- Date
- 1983
- Description
- One video recording. (3/4 tape; 27:40 minutes) Jeannette Cypress narrated. Produced by Bulger and directed by Mike Dunn. The Seminole Video Project was a joint project between the Florida Folklife Program and WFSU-TV. Completed in Spring 1984 and financed by a Florida Endowment for the Humanities grant with the support of the Seminole Tribe of Florida, the project culminated in a thirty-minute documentary entitled "Four Corners of the Earth" which profiled Ethel Santiago, a Seminole craftswoman and tribal representative. The program addressed such issues as cultural retention within contemporary society; the role of women in Seminole society; traditional Seminole foods, arts, and medicine; and the changing emphasis on clan affiliations. The project covered Seminoles on the Big Cypress and Hollywood Reservations and at Immokalee, Florida. Raw video footage can be found in S 1615, V84-16 through V-84-24. Sound recordings of the interviews can be found in S 1576, T84-111 - T84-133 and C84-108 - C84-115. Images can be found in S 1577, volume 23. The video can also be viewed online on the Folkstreams web page at http://www.folkstreams.net/film,139
- Collection
| Harvesting sugarcane | Harvesting sugarcane | Still Image | Fieldwork
African Americans
Sugar crops
Sugarcane
Sugar
Farm life
Agriculture
Agricultural implements
Knives
Labor
Occupational groups
Plants
Cash crops
Farm workers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Harvesting sugarcane
- Date
- 1983
- Description
- Seventy-four color slides. Images of sugarcane harvesting in Clewiston. Shows cutting sugar cane stalks, burning cane fields, turning used stalks into mulch, tools used, and sugar processing plants. Slides 1-20 are duplicated in slides 21-40; and slides 41-57 are duplictaed in slides 58-74.
- Collection
Listen: The Bluegrass & Old-Time Program
