54 items found
Collection ID is exactly "1" AND Geographic Term is exactly "Broward County (Fla.)"
Sorted by Title
Aerial images of Big Cypress Seminole Indian Reservation

Aerial images of Big Cypress Seminole Indian Reservation

Date
1989-01
Description
Eighteen color slides. The images were created in part for use in an exhibit on Seminole culture at the Museum of Florida History.
Collection
Aerial images of Big Cypress Seminole Indian Reservation

Aerial images of Big Cypress Seminole Indian Reservation

Date
1989-01
Description
Thirteen color slides. The images were created in part for use in an exhibit on Seminole culture at the Museum of Florida History.
Collection
Alice Osceola making a coil basket

Alice Osceola making a coil basket

Date
1982
Description
Thirty-seven color slides. Images are of Alice Osceola making a coil grass basket. Traditionally, Seminoles baskets were shallow and woven from palmetto fronds. Circa 1930, sweetgrass baskets, inspired perhaps by African American arts, were designed to represent 'authentic' Seminole culture for the tourist trade. Over time, they became traditional. The images were created for the Florida Folklife Program's Seminole Slide and Tape Project, a program sponsored by the American Express Company in 1982-1983 to create two educational slide/tape programs for use by schools, community groups, and other educational outlets. One program dealt with sweetgrass basket making; the other with traditional Seminole patchwork. Recordings of the finished program tapes can be found in S 1576, Box 10. Teacher guides, program scripts, and documentation of the project can be found in S 1595, Box 1.
Collection
Alligator wrestler Richard Bowers

Alligator wrestler Richard Bowers

Date
1983-05-04
Description
Three color slides. Taken at Native Village on Hwy 441 in Hollywood, Florida.
Collection
Annie Jimmie sewing traditional Seminole patchwork

Annie Jimmie sewing traditional Seminole patchwork

Date
1982
Description
Thirty-eight color slides. Images taken at the Hollywood reservation library. The images were created for the Florida Folklife Program's Seminole Slide and Tape Project, a program sponsored by the American Express Company in 1982-1983 to create two educational slide/tape programs for use by schools, community groups, and other educational outlets. One program dealt with sweetgrass basket making; the other with traditional Seminole patchwork. Recordings of the finished program tapes may be found in S 1576, Box 10. Teacher guides, program scripts, and documentation of the project can be found in S 1595, Box 1.
Collection
Artist Guy Le Bree

Artist Guy Le Bree

Date
1983
Description
One print and one negative.
Collection
Folklorist Doris Dyen interviewing Betty Mae Jumper

Folklorist Doris Dyen interviewing Betty Mae Jumper

Date
1982
Description
Two color slides. Images taken at the Hollywood reservation library. The images were created for the Florida Folklife Program's Seminole Slide and Tape Project, a program sponsored by the American Express Company in 1982-1983 to create two educational slide/tape programs for use by schools, community groups, and other educational outlets. One program dealt with sweetgrass basket making; the other on traditional Seminole patchwork. Recordings of the finished program tapes can be found in S 1576, Box 10. Teacher guides, program scripts, and documentation of the project can be found in S 1595, Box 1.
Collection
Four Corners of the Earth

Four Corners of the Earth

Date
1983
Description
One video recording. (3/4 tape; 27:40 minutes) Jeannette Cypress narrated. Produced by Bulger and directed by Mike Dunn. The Seminole Video Project was a joint project between the Florida Folklife Program and WFSU-TV. Completed in Spring 1984 and financed by a Florida Endowment for the Humanities grant with the support of the Seminole Tribe of Florida, the project culminated in a thirty-minute documentary entitled "Four Corners of the Earth" which profiled Ethel Santiago, a Seminole craftswoman and tribal representative. The program addressed such issues as cultural retention within contemporary society; the role of women in Seminole society; traditional Seminole foods, arts, and medicine; and the changing emphasis on clan affiliations. The project covered Seminoles on the Big Cypress and Hollywood Reservations and at Immokalee, Florida. Raw video footage can be found in S 1615, V84-16 through V-84-24. Sound recordings of the interviews can be found in S 1576, T84-111 - T84-133 and C84-108 - C84-115. Images can be found in S 1577, volume 23. The video can also be viewed online on the Folkstreams web page at http://www.folkstreams.net/film,139
Collection
Historic Seminole images

Historic Seminole images

Date
1900
Description
Eight black and white slides. From the collection of Patsy West, director of the Seminole/Miccosukee Photographic Archive in Fort Lauderdale: historic images of Seminole peoples wearing traditional dress; pounding corn with mortar and pestle; and sewing. For other historic Seminole images, see the Bedell Collection, and the John K. Small Collection, both available online at www.floridamemory.com. The images were gathered for the Florida Folklife Program's Seminole Slide and Tape Project, a program sponsored by the American Express Company in 1982-1983 to create two educational slide/tape programs for use by schools, community groups, and other educational outlets. One program dealt with sweetgrass basket making; the other on traditional Seminole patchwork. Recordings of the finished program tapes can be found in S 1576, Box 10. Teacher guides, program scripts, and documentation of the project can be found in S 1595, Box 1.
Collection
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva

Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva

Date
1995-07-23
Description
25 color slides. Marvin Silva was funded to learn from Jose Silva how to prepare for and perform the Toro Huaco. This was a traditional pageant that combined costumes, masks, dance and ritual. It is a mixture of Spanish and Nagual Maya traditions. For more information, see S 1644, box 12, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Identifier Title Type Subject Thumbnail
Aerial images of Big Cypress Seminole Indian ReservationAerial images of Big Cypress Seminole Indian ReservationStill ImageSeminole Indians
Native Americans
Mikasuki Indians
Indian reservations
Architecture
Community culture
Dwellings
Houses
Aerial photographs
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Aerial images of Big Cypress Seminole Indian ReservationAerial images of Big Cypress Seminole Indian ReservationStill ImageSeminole Indians
Native Americans
Mikasuki Indians
Indian reservations
Architecture
Community culture
Dwellings
Houses
Aerial photographs
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Alice Osceola making a coil basketAlice Osceola making a coil basketStill ImageSeminole Indians
Native Americans
Indian reservations
Basket making
Basket work
Basketry
Sweetgrass baskets
Sewing
Material culture
Demonstrations
Basket maker
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Alligator wrestler Richard BowersAlligator wrestler Richard BowersStill ImageFieldwork
Alligators
American alligator
Animal trainers
Animals
Working animals
Native Americans
Seminole Indians
Tourism
Performers
Wrestlers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Annie Jimmie sewing traditional Seminole patchworkAnnie Jimmie sewing traditional Seminole patchworkStill ImageSeminole Indians
Native Americans
Indian reservations
Sewing
Patchwork
Textile arts
Design
Domestic arts
Material culture
Equipment, domestic arts
Demonstrations
Needlework
Textiles
Needleworkers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Artist Guy Le BreeArtist Guy Le BreeStill ImageFieldwork
Portraits
Artists
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Folklorist Doris Dyen interviewing Betty Mae JumperFolklorist Doris Dyen interviewing Betty Mae JumperStill ImageSeminole Indians
Native Americans
Indian reservations
Audiotape recordings
Sound recording
Interviewing
Fieldwork
Oral communication
Research methods
Needleworkers
Folklorists
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Four Corners of the EarthFour Corners of the EarthMoving ImageVideo recording
Documentary videos
Ethnicity, Seminole
Seminole Indians
Native Americans
Indian reservations
Fieldwork (educational method)
Interviews
Interviewing on television
Oral narratives
Oral communication
/fpc/memory/omeka_images/thumbnails/catalog_video.jpg
Historic Seminole imagesHistoric Seminole imagesStill ImageFieldwork
Folklore collections
Photography
Seminole Indians
Ethnicity, Seminole
Native Americans
Clothing
Food preparation
Corn
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin SilvaImages of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin SilvaStill ImageFieldwork
Latinos
Arts, Nicaraguan
Nicaraguan Americans
Masks
Dance
Costumes
Clothing and dress
Apprentices
Dancers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
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