9 items found
Collection ID is exactly "1" AND Subject is exactly "Women apprentices"
Sorted by Title
Annie Sellers learning how to make chairs from Rufus Adams

Annie Sellers learning how to make chairs from Rufus Adams

Date
1988-03
Description
Seven black and white negatives. Rufus Adams and apprentice(stepdaughter) Annie Sellers making corn shuck bottomed chairs. Rufus Adams was born in Georgia in 1893. In 1940, Adams and his wife moved to Mayo, Florida. There he worked as a tenant tobacco farmer. From his wife he learned make corn shuck chair bottoms. He soon became known as the 'chair man.'
Collection
Autoharp player Charley Groth and his apprentice Cheryl Belanger

Autoharp player Charley Groth and his apprentice Cheryl Belanger

Date
1991-06-21
Description
Two DAT tapes. This was the third visit by folklorist Stone; recorded at Groth's residence. Consists of a rehearsal (tape 14) and an interview with Groth (tape 14 and 15). The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
Collection
Interview with Kathleen and Chanda Rondeau

Interview with Kathleen and Chanda Rondeau

Date
1984-05-05
Description
One audio cassette. Interview with Kathleen Rondeau and her daughter Chanda about learning stepdancing. Chanda worked as an apprentice with her mother. They discuss learning step dancing (jigs, horn pipes, and reels); immigration from Ireland; lack of Irish dancing in Florida; Irish dance music; and the Gaelic language. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, who was later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Leather worker Bob Dellis and his apprentice Kitt Maynard

Leather worker Bob Dellis and his apprentice Kitt Maynard

Date
1992-01
Description
Four proof sheets with 132 black and white images (plus negatives). Images of Dellis with apprentice Maynard in his workshop. Dellis was a long-time leather worker originally born and trained in leather carver in Texas. He made belts, boots, saddles, and other leather carvings. Maynard was funded to learn to carve leather including design, layout, cutting, beveling, dying, painting, lacing and preserving. To complete her training, she had to complete three pieces. More images of the two can be found in S1577, volume 68. For more information on Dellis and Maynard, see S 1644, box 11, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
Collection
Margaret Horvath teaching Hungarian embroidery to apprentice Elizabeth Spreckelsen

Margaret Horvath teaching Hungarian embroidery to apprentice Elizabeth Spreckelsen

Date
1985-03
Description
Sixteen color slides. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Pine needle crafts by Pauline Hodges and their apprentices Dorothea Kent and Reba Harrison

Pine needle crafts by Pauline Hodges and their apprentices Dorothea Kent and Reba Harrison

Date
1987-03
Description
Forty color slides. Harrison and Kent served as apprentices to Hodges between 1986 and 1987. Images include their crafts as well as their making of the crafts. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, who was later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Raw footage of the 1989 Florida Folk Festival (Video 1 of 4)

Raw footage of the 1989 Florida Folk Festival (Video 1 of 4)

Date
1985-05-27
Description
One video recording. (3/4" tape; 19 minutes) Video of the 1989 Florida Folk Festival. Footage of the Florida Folklife Program's apprentice tent. Hanson and his apprentice Keil demonstrate how to make fly-fishing hooks and lures. Diaz and Lindstrom demonstrated lace bobbin. And Famed irish fiddler Kelly and his two apprentices, Carsey and Gesele, play an Irish fiddle tune. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
Collection
Recording of a music rehearsal by autoharp player Charley Groth and his apprentice Cheryl Belanger

Recording of a music rehearsal by autoharp player Charley Groth and his apprentice Cheryl Belanger

Date
1991-05-05
Description
One DAT tape. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
Collection
Susie Billie and apprentice Agnes Cypress gathering herbs

Susie Billie and apprentice Agnes Cypress gathering herbs

Date
1985-04
Description
One proof sheet with ten images (plus negatives). The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year until 2003.
Collection
Identifier Title Type Subject Thumbnail
Annie Sellers learning how to make chairs from Rufus AdamsAnnie Sellers learning how to make chairs from Rufus AdamsStill ImageMaterial culture
Chairs
Furniture
Cornhusk craft
Domestic arts
Woodwork
Apprentices
Women apprentices
Fieldwork (educational method)
Craft
African Americans
Chair caning
Furniture maker
Chair-makers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
a_s1640_22_tape14Autoharp player Charley Groth and his apprentice Cheryl BelangerSoundFieldwork
Apprentices
Zither
Autoharp
String instruments
Musical instruments
German Americans
Women apprentices
Music rehearsals
Old time music
Country music
Interviews
Life histories
Personal experience narratives
Harpists
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1640_03_tape05Interview with Kathleen and Chanda RondeauSoundFieldwork
Apprentices
Women apprentices
Interviews
Oral communication
Irish Americans
Irish dance
Dance
Reels
Jigs
Dance music
Irish language
Emigration and immigration
Teaching of folklore
Dancers
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
Leather worker Bob Dellis and his apprentice Kitt MaynardLeather worker Bob Dellis and his apprentice Kitt MaynardStill ImageFieldwork
Women apprentices
Leather craft
Leather goods
Workshops
Workplace
Tools
Occupational training
Design
Belts (Clothing)
Apprentices
Carvers (Decorative artists)
Leather workers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Margaret Horvath teaching Hungarian embroidery to apprentice Elizabeth SpreckelsenMargaret Horvath teaching Hungarian embroidery to apprentice Elizabeth SpreckelsenStill ImageNeedleworkers
Apprentices
Women apprentices
Hungarians Americans
Needlework
Decorative arts
Embroidery
Teaching of folklore
Textile arts
Material culture
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Pine needle crafts by Pauline Hodges and their apprentices Dorothea Kent and Reba HarrisonPine needle crafts by Pauline Hodges and their apprentices Dorothea Kent and Reba HarrisonStill ImageFieldwork
Apprentices
Women apprentices
Teaching of folklore
Basketry
Pine needle crafts
Basket work
Basket making
Baskets
Material culture
Decorative arts
Artisans
Basket maker
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Raw footage of the 1989 Florida Folk Festival (Video 1 of 4)Raw footage of the 1989 Florida Folk Festival (Video 1 of 4)Moving ImageFishers
Artisans
Needleworkers
Video recording
Festivals
Folk festivals
Folklore revival festivals
Demonstrations
Women apprentices
Fly fishing
Fishing tackle
Fishhooks
Fishing Equipment and supplies
Fishing baits
Bobbin lace
Lace and lace making
Lace bobbins
Lacemaking
Sewing
Needlework
Decorative arts
Decoration and ornament
Fiddle music
String instruments
Fiddles
Arts, Irish
Songs, Irish
Fiddling
Apprentices
Fiddlers
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_video.jpg
a_s1640_22_tape16Recording of a music rehearsal by autoharp player Charley Groth and his apprentice Cheryl BelangerSoundFieldwork
Zither
Autoharp
String instruments
Musical instruments
German Americans
Women apprentices
Music rehearsals
Old time music
Country music
Apprentices
Harpists
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
Susie Billie and apprentice Agnes Cypress gathering herbsSusie Billie and apprentice Agnes Cypress gathering herbsStill ImageHealer
Herbalists
Apprentices
Women apprentices
Herbs
Plants
Flora
Medicine
Alternative medicine
Natural medicine
Ethnicity, Seminole
Seminole Indians
Native Americans
Healers
Teaching of folklore
Clothing and dress
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
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