17 items found
Collection ID is exactly "1" AND Subject is exactly "Whip braider"
Sorted by Title
Claude Sheppard at the Bluegrass Fiddlers Festival

Claude Sheppard at the Bluegrass Fiddlers Festival

Date
1978-03-10
Description
Two color slides.
Collection
Claude Sheppard making cattle whips in his shop

Claude Sheppard making cattle whips in his shop

Date
1978-05
Description
Fifty-one color slides. Slide S78-904 is missing.
Collection
Claude Sheppard making whips at the 1978 Florida Folk Festivals

Claude Sheppard making whips at the 1978 Florida Folk Festivals

Date
1978-05
Description
One black and white print. Image of Claude Sheppard of Gainesville braiding cow whips.
Collection
Cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus

Cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus

Date
1994
Description
Four proof sheets with 129 black and white images (plus negatives); 52 color slides. Apprentice Marcus was funded to learn from cow whip maker Mills how make whips, including choosing hides, making strings, whip construction, and the historical/cultural background of whip making. For more information on Mills and Marcus, see S 1644, box 11, folder 30. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
Collection
Curly Dekle and apprentice Todd Nobles making cattle whips

Curly Dekle and apprentice Todd Nobles making cattle whips

Date
1986-02
Description
Four proof sheets with 105 black and white images (plus negatives). Nobles served as apprentice to master fok artist Dekle in 1985-1986. Nobles was Dekle's grandson. For information on their apprenticeship experience, see the fieldnotes in S 1640, box 3, flder 15. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, who was later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Images of cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus

Images of cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus

Date
1994-04
Description
26 color slides. Apprentice Marcus was funded to learn from cow whip maker Mills how make whips, including choosing hides, making strings, whip construction, and the historical/cultural background of whip making. For more information on Mills and Marcus, see S 1644, box 11, folder 30. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
Collection
Images of cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus

Images of cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus

Date
1994-08-03
Description
41 color slides. Apprentice Marcus was funded to learn from cow whip maker Mills how make whips, including choosing hides, making strings, whip construction, and the historical/cultural background of whip making. For more information on Mills and Marcus, see S 1644, box 11, folder 30. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
Collection
Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus

Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus

Date
1993-07-28
Description
Two audio cassettes. Apprentice Marcus was funded to learn from cow whip maker Mills how make whips, including choosing hides, making strings, whip construction, and the historical/cultural background of whip making. For more information on Mills and Marcus, see S 1644, box 11, folder 30. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
Collection
Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus

Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus

Date
1994-01-21
Description
One audio cassette. Apprentice Marcus was funded to learn from cow whip maker Mills how make whips, including choosing hides, making strings, whip construction, and the historical/cultural background of whip making. For more information on Mills and Marcus, see S 1644, box 11, folder 30. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
Collection
Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus

Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus

Date
1994-04-08
Description
Two audio cassettes. Apprentice Marcus was funded to learn from cow whip maker Mills how make whips, including choosing hides, making strings, whip construction, and the historical/cultural background of whip making. For more information on Mills and Marcus, see S 1644, box 11, folder 30. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
Collection
Identifier Title Type Subject Thumbnail
Claude Sheppard at the Bluegrass Fiddlers FestivalClaude Sheppard at the Bluegrass Fiddlers FestivalStill ImageWhip maker
Whip braider
Leather workers
Festivals
Whip making
Whips
Demonstrations
Material culture
Occupational groups
Ranching
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Claude Sheppard making cattle whips in his shopClaude Sheppard making cattle whips in his shopStill ImageWhip braider
Whip maker
Leather workers
Fieldwork
Leather
Leather craft
Leather goods
Whip braiding
Material culture
Craft
Whip making
Whips
Occupational groups
Workplace
Ranching
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Claude Sheppard making whips at the 1978 Florida Folk FestivalsClaude Sheppard making whips at the 1978 Florida Folk FestivalsStill ImageWhip braider
Whip maker
Folk festivals
Folklore revival festivals
Whips
Whip braiding
Craft
Whip making
Leather craft
Leather goods
Demonstrations
Material culture
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Cow whip maker George (Junior) Mills with his apprentice J. Taylor MarcusCow whip maker George (Junior) Mills with his apprentice J. Taylor MarcusStill ImageWhip maker
Leather workers
Whip braider
Fieldwork
Leather craft
Leather goods
Occupational folklore
Whip making
Whipcracking
Whips
Ranching
Whip braiding
Horses
Apprentices
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Curly Dekle and apprentice Todd Nobles making cattle whipsCurly Dekle and apprentice Todd Nobles making cattle whipsStill ImageWhip maker
Whip braider
Apprentices
Whip making
Whip braiding
Whips
Leather craft
Leather goods
Cattle
Ranching
Workplace
Teaching of folklore
Material culture
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Images of cow whip maker George (Junior) Mills with his apprentice J. Taylor MarcusImages of cow whip maker George (Junior) Mills with his apprentice J. Taylor MarcusStill ImageFieldwork
Leather craft
Leather goods
Occupational folklore
Whip making
Whipcracking
Whips
Ranching
Whip braiding
Horses
Interviews
Oral narratives
Personal experience narratives
Whip maker
Leather workers
Whip braider
Apprentices
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Images of cow whip maker George (Junior) Mills with his apprentice J. Taylor MarcusImages of cow whip maker George (Junior) Mills with his apprentice J. Taylor MarcusStill ImageFieldwork
Leather craft
Leather goods
Occupational folklore
Whip making
Whipcracking
Whips
Ranching
Whip braiding
Horses
Interviews
Oral narratives
Personal experience narratives
Whip maker
Leather workers
Whip braider
Apprentices
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
a_s1640_24_tape33Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor MarcusSoundWhip maker
Leather workers
Whip braider
Fieldwork
Leather craft
Leather goods
Occupational folklore
Whip making
Whipcracking
Whips
Ranching
Whip braiding
Horses
Interviews
Oral narratives
Personal experience narratives
Apprentices
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s1640_24_tape32Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor MarcusSoundWhip maker
Leather workers
Whip braider
Fieldwork
Leather craft
Leather goods
Occupational folklore
Whip making
Whipcracking
Whips
Ranching
Whip braiding
Horses
Interviews
Oral narratives
Personal experience narratives
Apprentices
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s1640_24_tape30Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor MarcusSoundWhip maker
Leather workers
Whip braider
Fieldwork
Leather craft
Leather goods
Occupational folklore
Whip making
Whipcracking
Whips
Ranching
Whip braiding
Horses
Interviews
Oral narratives
Personal experience narratives
Apprentices
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
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