| a_s1576_11_c83-119 | Bartow Library Program: Ranching and Saddle Making | Sound | Ranchers
Saddle maker
Occupational folklore
Workshops (Adult education)
Occupational groups
Libraries
Oral education
Ranching
Cattle
Folklorists
Florida history
Public speaking
Saddles
Saddlery
Leather craft
Work songs
Working dogs
Horses Equipment and supplies
Clothing and dress
Cowboys
Leather workers | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Bartow Library Program: Ranching and Saddle Making
- Date
- 1983-06-20
- Description
- Two audio cassettes. Presentation at the Bartow Public Library, in connection with the Pursuits and Pastimes exhibit, on Florida ranching. Folklorist Dyen began with a history of Florida cattle ranching, including fence laws, cowboy music (including songs by Bob Tinsley), stories (including recording of Bone Mizell story by Frog Smith), brands, and tools used. Cauley, a saddle maker, talks about saddles and their construction. He discusses tools and materials used, types and uses of saddles, as well as the life of a cowman, the use of dogs, and the clothing and tools used in the profession.
- Collection
| Images of saddle maker Michael Wilder with his apprentice Gregory Gaughan | Images of saddle maker Michael Wilder with his apprentice Gregory Gaughan | Still Image | Saddle maker
Fieldwork
Saddlery
Saddles
Leather craft
Leather goods
Horses Equipment and supplies
Ranchers
Apprentices
Leather workers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of saddle maker Michael Wilder with his apprentice Gregory Gaughan
- Date
- 1995-01
- Description
- 35 color slides. Gaughan was funded to learn from Wilder how to make two saddles and design his own patterns. For more information, see S 1644, box 12, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| Images of saddle maker Michael Wilder with his apprentice Gregory Gaughan | Images of saddle maker Michael Wilder with his apprentice Gregory Gaughan | Still Image | Saddle maker
Fieldwork
Saddlery
Saddles
Leather craft
Leather goods
Horses Equipment and supplies
Ranchers
Apprentices
Leather workers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of saddle maker Michael Wilder with his apprentice Gregory Gaughan
- Date
- 1995-07-20
- Description
- 33 color slides. Gaughan was funded to learn from Wilder how to make two saddles and design his own patterns. For more information, see S 1644, box 12, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| Images of saddles made by Michael Wilder with his apprentice Gregory Gaughan | Images of saddles made by Michael Wilder with his apprentice Gregory Gaughan | Still Image | Saddle maker
Fieldwork
Saddlery
Saddles
Leather craft
Leather goods
Horses Equipment and supplies
Ranchers
Apprentices
Leather workers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of saddles made by Michael Wilder with his apprentice Gregory Gaughan
- Date
- 1995
- Description
- Nine color prints. Gaughan was funded to learn from Wilder how to make two saddles and design his own patterns. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| Images of saddles made by Michael Wilder with his apprentice Gregory Gaughan | Images of saddles made by Michael Wilder with his apprentice Gregory Gaughan | Still Image | Saddle maker
Fieldwork
Saddlery
Saddles
Leather craft
Leather goods
Horses Equipment and supplies
Ranchers
Apprentices
Leather workers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of saddles made by Michael Wilder with his apprentice Gregory Gaughan
- Date
- 1995
- Description
- Three proof sheets with 102 black and white images (plus negatives). Gaughan was funded to learn from Wilder how to make two saddles and design his own patterns. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_24_tape24 | Interview with saddle maker Blake Kral | Sound | Saddle maker
Fieldwork
Interviews
Personal experience narratives
Oral history
Saddles
Horses Equipment and supplies
Leather craft
Leather goods
Occupational folklore
Occupational groups
Leather workers | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with saddle maker Blake Kral
- Date
- 1993-01-11
- Description
- Two audio cassettes. No location given. Duplicate recordings can be found in S 1664, box 7, tapes 50-51. Kral particpated in the Apprenticeship program eight years later in 2001. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_25_tape11 | Interview with saddle maker Michael Wilder with his apprentice Gregory Gaughan | Sound | Saddle maker
Fieldwork
Saddlery
Saddles
Leather craft
Leather goods
Horses Equipment and supplies
Ranchers
Interviews
Personal experience narratives
Oral histories
Apprentices
Leather workers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Interview with saddle maker Michael Wilder with his apprentice Gregory Gaughan
- Date
- 1995-01-26
- Description
- Two audio cassettes. Recorded at Wilder's Saddlery. Gaughan was funded to learn from Wilder how to make two saddles and design his own patterns. For more information, see S 1644, box 12, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1576_11_c83-113 | Interview with saddlemaker Jim (J.D.) Cauley | Sound | Leather workers
Saddle maker
Interviews
Sound recordings
Life histories
Oral histories
Leather craft
Leather goods
Saddles
Saddlery
Horses Equipment and supplies
Horse industry
Rodeo
Ropework
Cattle
Livestock industry
Ranching
Tools
Occupational groups | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with saddlemaker Jim (J.D.) Cauley
- Date
- 1983-06-20
- Description
- One audio cassette. The interview took place at J.D.'s Feed and Saddle Store. He discusses saddle making; history of ranching in Florida; woods burning; cattle drives; saddle types; saddle patterns; tools used for making saddles; teaching nephew David Cauley how to make saddles; stampeding; rodeos; and methods of making saddles. David later was an apprenticeship under J.D. for the Folklife program, 1984-1985.
- Collection
| a_s1640_20_tape07 | Interview with saddlemakers David Cauley and J.D. Cauley | Sound | Leather workers
Saddle maker
Apprentices
Saddles
Saddlery
Horses Equipment and supplies
Leather craft
Leather goods
Material culture
Workplace
Workshops
Teaching of folklore
Tools
Interviews
Sound recordings
Ranch life
Ranching
Horse industry
Occupational groups | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with saddlemakers David Cauley and J.D. Cauley
- Date
- 1985-03-06
- Description
- One audio cassette. David Cauley served as an apprentice under his uncle J.D. in 1984-1985. The interview took place at J.D.'s Feed and Saddle Store. They discuss saddle making (the process, tools, and learning the craft); leather work tools; types of saddles; ranching; saddle trees and other equipment; and the effect of factory-made saddles upon the craft. For a transcript of the interview, see S 1640, box 1, folder 7. For a 1983 interview with J.D., see S 1577, box 11, tape C83-113. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
| Minorcan Folklife Fieldwork: Saddlemaker Ray McCullough in his shop | Minorcan Folklife Fieldwork: Saddlemaker Ray McCullough in his shop | Still Image | Cowboys
Saddle maker
Fieldwork
Minorcan Americans
Ranch life
Ranching
Workshops
Leather workers
Saddles
Leather craft
Workplace
Occupational groups
Horses Equipment and supplies
Churches
Catholics
Signs and signboards
Church buildings
Church architecture
Ranchers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Listen: The Bluegrass & Old-Time Program
