3781 items found
Collection ID is exactly "1" AND Subject is exactly "Performing arts"
Sorted by Subject
Anointed Voices gospel program

Anointed Voices gospel program

Date
1991-04
Description
Two contact sheets with 53 black and white images, plus negatives. Images of a gospel music program at the Free Will Church of God called Anointed Voices. 1-8, 41-44: The Versiteers; 9-40, 45-53: Gospel Knights, Edith Mae Ryan.
Collection
Cajun accordion player Papa Joe Arbie

Cajun accordion player Papa Joe Arbie

Date
1991-02
Description
One audio cassette. Recorded by his apprentice, Stapleton. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Recording of Cajun accordion player Papa Joe Arabie

Recording of Cajun accordion player Papa Joe Arabie

Date
1991-06-12
Description
One audio cassette. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Recording of Cajun accordion player Papa Joe Arabie

Recording of Cajun accordion player Papa Joe Arabie

Date
1991-06-12
Description
One audio cassette. In between songs, Arabie discussed his family's history. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Recording of Cajun accordion player Papa Joe Arbie

Recording of Cajun accordion player Papa Joe Arbie

Date
1991-06-12
Description
One audio cassette. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Recording of Cajun accordion player Papa Joe Arbie

Recording of Cajun accordion player Papa Joe Arbie

Date
1991-06-12
Description
One DAT tape. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Recording of Cajun accordion player Papa Joe Arbie with Andrew Arbie

Recording of Cajun accordion player Papa Joe Arbie with Andrew Arbie

Date
1992-04-22
Description
Two DAT tapes. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Recording of Cajun accordion player Papa Joe Arbie with his apprentice Michael Stapleton

Recording of Cajun accordion player Papa Joe Arbie with his apprentice Michael Stapleton

Date
1992-01-25
Description
Two DAT tapes. Recording of a practice between Arabie and his apprentice Stapleton. They both also talk about their family and personal histories, how they learned the accordion, and musical influences. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Recording of Cajun accordion player Papa Joe Arbie with his apprentice Michael Stapleton

Recording of Cajun accordion player Papa Joe Arbie with his apprentice Michael Stapleton

Date
1993-01-04
Description
One DAT tape. Recording of a practice between Arabie and his apprentice Stapleton. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Recording of Cajun accordion player Papa Joe Arbie with his apprentice Mike Stapleton

Recording of Cajun accordion player Papa Joe Arbie with his apprentice Mike Stapleton

Date
1992-05-12
Description
One audio cassette. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Identifier Title Type Subject Thumbnail
Anointed Voices gospel programAnointed Voices gospel programStill ImageA capella singers
A capella singing
Gospel music
Religious rites
Religious music
African Americans
Church services
Protestants
Christianity
Church membership
Protestant church buildings
Special events
Performing arts
Performers
Singers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
a_s1640_22_tape33Cajun accordion player Papa Joe ArbieSoundAccordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Accordionists
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1644_13_tape01Recording of Cajun accordion player Papa Joe ArabieSoundAccordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Accordionists
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s1640_22_tape34Recording of Cajun accordion player Papa Joe ArabieSoundAccordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Accordionists
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s1640_23_tape07Recording of Cajun accordion player Papa Joe ArbieSoundAccordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Accordionists
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s1640_23_tape03Recording of Cajun accordion player Papa Joe ArbieSoundAccordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Accordionists
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1640_22_tape35Recording of Cajun accordion player Papa Joe Arbie with Andrew ArbieSoundAccordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Accordionists
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1640_22_tape36Recording of Cajun accordion player Papa Joe Arbie with his apprentice Michael StapletonSoundAccordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Family history
Life histories
Teaching
Music rehearsals
Accordionists
Apprentices
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1640_23_tape02Recording of Cajun accordion player Papa Joe Arbie with his apprentice Michael StapletonSoundAccordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Family history
Life histories
Teaching
Music rehearsals
Accordionists
Apprentices
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1640_23_tape05Recording of Cajun accordion player Papa Joe Arbie with his apprentice Mike StapletonSoundAccordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Accordionists
Apprentices
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
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