Bente May OPederson making Danish Christmas heart baskets | Bente May OPederson making Danish Christmas heart baskets | Still Image | Basket maker Fieldwork Teaching of folklore Classrooms Children Students Elementary schools Education Basket making Paper art Paper work Danish Americans | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Bente May OPederson making Danish Christmas heart baskets
- Date
- 1991-12
- Description
- Seventeen color slides. Demonstration for first grade students at John E. Ford Elementary School. The Folk Arts in Education Project in Duval County was a joint venture between the Duval County School System and the Florida Folklife Program. It was started in 1984 by folklorist David Taylor with funding from the National Endowment for the Arts to add to existing social studies curriculum. The project consisted of field research to identify local traditions and folk artists, a series of five two-day seminars to acquaint teachers with the use of folklore and folk arts, in-school programs conducted by a folklorist and traditionalist, which included visits by local folk artists. Taylor ran it until 1986. In 1988, Gregory Hansen re-initiated it with minor changes.
- Collection
Chieri Esposito making temari | Chieri Esposito making temari | Still Image | Healer Paper art Paper work Fieldwork Apprentices Arts, Japanese Arts, Asian Temari Origami Japanese Americans Needlework Craft Material culture Decorative arts | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Chieri Esposito making temari
- Date
- 1985-07
- Description
- Ten color slides. Espasito, daughter to master folk artist Kasuko Law, making temari. She served as apprentice to Law in 1984-1985. Temari is the traditional Japanese art of decorating spheres by winding and lacing colored threads in intricate patterns around a core ball. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Demonstrations of student paper art | Demonstrations of student paper art | Still Image | Artisans Teaching of folklore Education Elementary schools Paper art Paper work Demonstrations Children Paper airplanes Paper hat making Students | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Demonstrations of student paper art
- Date
- 1990-06
- Description
- Fourteen color slides. The Folk Arts in Education Project in Duval County was a joint venture between the Duval County School System and the Florida Folklife Program. It was started in 1984 by folklorist David Taylor with funding from the National Endowment for the Arts to add to existing social studies curriculum. The project consisted of field research to identify local traditions and folk artists, a series of five two-day seminars to acquaint teachers with the use of folklore and folk arts, in-school programs conducted by a folklorist and traditionalist, which included visits by local folk artists. Taylor ran it until 1986. In 1988, Gregory Hansen re-initiated it with minor changes.
- Collection
a_s1576_88_d01-023 | Friday performances at the 2001 Florida Folk Festival (Folklife Performance & Dance Stage) (Tape 1) | Sound | Artisans Educators Net maker Folk festivals Folklore revival festivals Festivals Special events Performing arts Origami Paper art Paper work Arts, Japanese Asian American arts Minorcan Americans Education Occupational folklore Occupational groups Netmaking Fishing nets Net makers Maritime folklore Space flight Manned space flight Navigation (Astronautics) United States. National Aeronautics and Space Administration | /fpc/memory/omeka_images/thumbnails/audio.jpg |
a_s1576_67_c97-064 | Friday program at the 1997 Florida Folk Festival (Folklife Narrative Stage) (Tape 4) | Sound | Artisans Folk festivals Folklore revival festivals Festivals Special events Oral performance Life histories Interviewing Calligraphy Writing Paper art Paper work Arts, Jewish Jewish Americans Decorative arts Jewish art and symbolism | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Hisako Williams making origami umbrellas | Hisako Williams making origami umbrellas | Still Image | Paper work Paper art Origami Demonstrations Japanese Americans Arts, Asian Arts, Japanese Children Artisans | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Hisako Williams making origami umbrellas
- Date
- 1982-09-22
- Description
- Twenty color slides. Williams making miniature umbrellas out of cigarette packets. She was joined by a young girl in many images.
- Collection
a_s1640_20_tape08 | Interview with Kazuko Law and apprentice Chieri Espasito | Sound | Artisans Paper art Paper work Fieldwork Apprentices Arts, Japanese Arts, Asian Temari Origami Japanese Americans Needlework Craft Interviews Decorative arts Life histories Family history Emigration and immigration Dollmaking | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with Kazuko Law and apprentice Chieri Espasito
- Date
- 1985-02-14
- Description
- One audio cassette. Interview with master folk artist Kasuko Law and her daughter (and apprentice) Chieri. They discuss family history and life in Japan and China (Law's father supplied the Japanse Army during the second world war); immigration to the United States in 1952; the uses of, designs for, and processes in temari making; origami; doll making; and learning and teaching temari and origami. Temari is the traditional Japanese art of decorating spheres by winding and lacing colored threads in intricate patterns around a core ball. For a transcript of the interview, see S 1640, Box 2, folder 13. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Kazuko Law and apprentice Chieri Espasito making temari | Kazuko Law and apprentice Chieri Espasito making temari | Still Image | Artisans Paper art Paper work Fieldwork Apprentices Arts, Japanese Arts, Asian Temari Origami Japanese Americans Needlework Craft Material culture Decorative arts | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Kazuko Law and apprentice Chieri Espasito making temari
- Date
- 1985-02
- Description
- Fifty-one color slides. Espasito, daughter to master folk artist Kasuko Law, making temari with Law. She served as apprentice to Law in 1984-1985. Temari is the traditional Japanese art of decorating spheres by winding and lacing colored threads in intricate patterns around a core ball. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Kazuko Law and apprentice Chieri Espasito making temari | Kazuko Law and apprentice Chieri Espasito making temari | Still Image | Artisans Paper art Paper work Fieldwork Apprentices Arts, Japanese Arts, Asian Temari Origami Japanese Americans Needlework Craft Material culture Decorative arts | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Kazuko Law and apprentice Chieri Espasito making temari
- Date
- 1985-04
- Description
- One proof sheet with twenty-one black and white images (plus negatives). Espasito, daughter to master folk artist Kasuko Law, making temari with Law. She served as apprentice to Law in 1984-1985. Temari is the traditional Japanese art of decorating spheres by winding and lacing colored threads in intricate patterns around a core ball. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Making paper flowers | Making paper flowers | Still Image | Fieldwork Latinos Children Paper art Material culture Decorative arts Paper work Paper flowers Papier-mâché flowers Craft Weavers Rug makers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Making paper flowers
- Date
- 1986-08-09
- Description
- Fifteen color slides. Xiomala Carmona and her daughter Ana learned paper craft in Santiago, Cuba while Nery Castillo and her daughter Vicia learned paper folding in Honduras. Nery was the sister-in-law to Xiomala. The Folk Arts in Education Project in Palm Beach County was a joint venture between the Palm Beach County School System and the Florida Folklife Program. It was conducted between 1986 and 1987 by folklorist Jan Rosenberg with funding from the National Endowment for the Arts to add to existing social studies curriculum. The goal was to impart an appreciation of multi-ethnic traditions and provide a sense of place to the mobile student population. The project focused on the Florida Studies component for fourth grade students. The project consisted of field research to identify local traditions and folk artists, a series of five two-day seminars to acquaint teachers with the use of folklore and folk arts, in-school programs conducted by a folklorist and traditionalist, which included visits by local folk artists. In total, the project involved 15 schools with 779 students.
- Collection