198 items found
Collection ID is exactly "1" AND Subject is exactly "Needleworkers"
Sorted by Title
Alejandrina Ayme weaving at the Florida Museum of Natural History

Alejandrina Ayme weaving at the Florida Museum of Natural History

Date
1988-10
Description
Ten color slides.
Collection
Alice Billie sewing in a Miami public library

Alice Billie sewing in a Miami public library

Date
1984-04-17
Description
Twenty color slides. Images of Seminole Alice Billie sewing traditional Seminole clothing at a Miami public library. Part of a National Endowment for the Arts funded folklife program, presented at various libraries across the state, using local talent. A few of the images of Billie sewing can be found on the Florida photographic Collection website.
Collection
Alyne Adams' baby pillow and crochet work

Alyne Adams' baby pillow and crochet work

Date
1986-11-20
Description
Twelve color slides. The Florida Folk Arts Survey was conducted in 1987 by folklorists Tina Bucuvalis, Steve Fragos, Merri Belland, and Barbara Seitz as preliminary research for a joint folk art between the Florida Folklife Program and the Florida Museum of History. The field researchers focused on those areas previously overlooked by FFP staff. The research focused on identifying folk artists and locating appropriate exhibit objects.
Collection
Ana Blanco making lace

Ana Blanco making lace

Date
1988-08
Description
Seventeen color slides. Blanco won the FLorida Folk Heritage Award in 1990.
Collection
Ana de Diaz and Carmen Linstrom making lace at her home

Ana de Diaz and Carmen Linstrom making lace at her home

Date
1988
Description
Twenty-three black and white prints (plus negatives). Diaz learned lace making after moving to Florida from Puerto Rico in 1983. She learned from Eva Ponton in San Juan and Ana Blanco in Jacksonville. For more information on Diaz, see S 1640, box 8, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, who was later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Ana de Diaz making lace at her home

Ana de Diaz making lace at her home

Date
1988
Description
Twelve color slides. Diaz learned lace making after moving to Florida from Puerto Rico in 1983. She learned from Eva Ponton in San Juan and Ana Blanco in Jacksonville. For more information on Diaz, see S 1640, box 8, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the traditions alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Andrea and Sylvia Kolozsvary learning Hungarian embroidery

Andrea and Sylvia Kolozsvary learning Hungarian embroidery

Date
1985-03
Description
Seven color slides. Andrea and Sylvia apprenticed under Margaret Horvath in 1984-1985. Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Andrea and Sylvia Kolozsvary learning Hungarian embroidery from Margaret Horvath

Andrea and Sylvia Kolozsvary learning Hungarian embroidery from Margaret Horvath

Date
1985-04
Description
Two proof sheets with twenty-three black and white images (plus negatives). Andrea and Sylvia apprenticed under Margaret Horvath in 1984-1985. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Annie Bert making baskets at Miccosukee Indian Reservation

Annie Bert making baskets at Miccosukee Indian Reservation

Date
1987-09
Description
Seven color slides. Images are dark. Bert was born approximately in 1925. She spoke little English. She made coiled sweetgrass baskets. Used newer grass, using cotton thread. She made basket bottoms out of palmetto fiber. The Florida Folk Arts Survey was conducted in 1987 by folklorists Tina Bucuvalis, Steve Fragos, Merri Belland, and Barbara Seitz as preliminary research for a joint folk art between the Florida Folklife Program and the Florida Museum of History. The field researchers focused on those areas previously overlooked by FFP staff. The research focused on identifying folk artists and locating appropriate exhibit objects.
Collection
Annie Jimmie sewing traditional Seminole patchwork

Annie Jimmie sewing traditional Seminole patchwork

Date
1982
Description
Thirty-eight color slides. Images taken at the Hollywood reservation library. The images were created for the Florida Folklife Program's Seminole Slide and Tape Project, a program sponsored by the American Express Company in 1982-1983 to create two educational slide/tape programs for use by schools, community groups, and other educational outlets. One program dealt with sweetgrass basket making; the other with traditional Seminole patchwork. Recordings of the finished program tapes may be found in S 1576, Box 10. Teacher guides, program scripts, and documentation of the project can be found in S 1595, Box 1.
Collection
Identifier Title Type Subject Thumbnail
Alejandrina Ayme weaving at the Florida Museum of Natural HistoryAlejandrina Ayme weaving at the Florida Museum of Natural HistoryStill ImageNeedleworkers
Fieldwork
Latinos
Peruvian Americans
Material culture
Museums
Exhibits
Textile arts
Looms
Weaving
Weavers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Alice Billie sewing in a Miami public libraryAlice Billie sewing in a Miami public libraryStill ImageEthnicity, Seminole
Seminole Indians
Sewing
Native Americans
Textiles
Demonstrations
Textile arts
Clothing and dress
Material culture
Domestic arts
Equipment, domestic arts
Libraries
Needleworkers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Alyne Adams' baby pillow and crochet workAlyne Adams' baby pillow and crochet workStill ImageQuiltmakers
Needleworkers
Fieldwork
Quilts
Decorative arts
Material culture
Crocheting
Textile arts
Lacemaking
Lace and lace making
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Ana Blanco making laceAna Blanco making laceStill ImageNeedleworkers
Arts, Cuban
Needlework
Cuban Americans
Latinos
Lace and lace making
Decorative arts
Lacemaking
Sewing
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Ana de Diaz and Carmen Linstrom making lace at her homeAna de Diaz and Carmen Linstrom making lace at her homeStill ImageNeedleworkers
Fieldwork
Bobbin lace
Lace bobbins
Lace and lace making
Lacemaking
Needlework
Puerto Ricans
Latinos
Decorative arts
Material culture
Tatting
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Ana de Diaz making lace at her homeAna de Diaz making lace at her homeStill ImageNeedleworkers
Fieldwork
Bobbin lace
Lace and lace making
Lace bobbins
Lacemaking
Needlework
Puerto Ricans
Latinos
Decorative arts
Material culture
Tatting
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Andrea and Sylvia Kolozsvary learning Hungarian embroideryAndrea and Sylvia Kolozsvary learning Hungarian embroideryStill ImageNeedleworkers
Embroiderers
Apprentices
Hungarians Americans
Embroidery
Needlework
Textile arts
Decorative arts
Material culture
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Andrea and Sylvia Kolozsvary learning Hungarian embroidery from Margaret HorvathAndrea and Sylvia Kolozsvary learning Hungarian embroidery from Margaret HorvathStill ImageNeedleworkers
Embroiderers
Apprentices
Hungarians Americans
Embroidery
Needlework
Textile arts
Decorative arts
Material culture
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Annie Bert making baskets at Miccosukee Indian ReservationAnnie Bert making baskets at Miccosukee Indian ReservationStill ImageNeedleworkers
Fieldwork
Material culture
Ethnicity, Seminole
Seminole Indians
Mikasuki Indians
Native Americans
Patchwork
Decorative arts
Textile arts
Indian reservations
Sewing
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Annie Jimmie sewing traditional Seminole patchworkAnnie Jimmie sewing traditional Seminole patchworkStill ImageSeminole Indians
Native Americans
Indian reservations
Sewing
Patchwork
Textile arts
Design
Domestic arts
Material culture
Equipment, domestic arts
Demonstrations
Needlework
Textiles
Needleworkers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
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