a_s1576_01_c77-015 | 10th Annual Apopka Folk Festival recording | Sound | Singing Music performance Storytelling Musicians Festivals Folk festivals Dance music Yodeling Performing arts Orators Dancers Singers Storytellers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
a_s1576_t77-277 | 1977 Portable Folk Festival | Sound | Folklore revival festivals Folk festivals Special events Concerts Music performance Blues (Music) Blues singers Guitar music Dulcimer music Hammer dulcimer Gospel music Gospel songs Singers Musicians Guitarist Bands (Music) | /fpc/memory/omeka_images/thumbnails/audio.jpg |
1977 Portable Folk Festival
- Date
- 1977-04-16
- Description
- Three reel to reels. Johnny Shines was a blues singer-guitarist who once traveled with famed blues singer Robert Johnson. He was re-discovered in the 1960s during the folk revival boom, and played festivals throughout the 1960s and 1970s. His sound was very similar to Robert Johnson's, and here he played several Johnson songs. Bluegrass and Kentucky mountain music singer Phyllis Boyens (who later appeared in the film Cola Miner's Daughter as Loretta Lynn's mother) and Nimrod Workman (who also had a bit part in the same film) released the album Passing Through the Garden in 1976, and they were promoting that album at this performance. Workman was a former coal miner and union organizer in Kentucky. Bessie Jones, born in inland Georgia, promoted Georgia Sea Island songs, and later in the 1960s formed the Georgia Sea Island Singers. She died in Brunswick Georgia in 1984. The Red Clay Ramblers was a part of the "New-Grass" movement of the 1970s, forming in 1972. The Chapel Hill, North Carolina-based group featured Tommy Thompson (1937-2003) (banjo), Jim Watson (guitar/mandolin), Jack Herrick (guitar), Mike Craver (piano), and Bill Hicks (fiddle). Conway was a scholar at Appalachian State University and filmmaker of Appalachian culture, and an associate of the Red Clay Ramblers. She introduced Shines and the Red Clay Ramblers at the concert.
- Collection
a_s1576_10_c83-100 | 1981 Florida State Fiddlers Competition | Sound | Musicians Competitions Fiddle music Fiddling Special events Violin music String instruments Old time music Bluegrass music Contests Music performance Performing arts Fiddlers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
a_s1576_t92-023 | Al Poindexter performing at the 1992 Florida Folk Festival (Main stage) | Sound | Guitarist Musicians Folk festivals Folklore revival festivals Festivals Special events Performing arts Performances Music performance Guitar music Guitarists Banjo music Old time music String instruments Singing Banjoists | /fpc/memory/omeka_images/thumbnails/audio.jpg |
a_s1576_t92-060 | Al Poindexter performing at the 1992 Florida Folk Festival (Old Marble Stage) | Sound | Folk festivals Folklore revival festivals Festivals Special events Performing arts Performances Folk singers Singing Banjo music String instruments Music performance Guitar music Old time music Guitarists Guitarist Banjoists Musicians Singers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
a_s1576_t90-146a | Alex McBride performing at the 1990 Florida Folk Festival (Main Stage) | Sound | Folk festivals Folklore revival festivals Festivals Special events Performing arts Music performance Piano music (Blues) Pianos Blues (Music) African Americans Singers Blues singers Musicians Pianists | /fpc/memory/omeka_images/thumbnails/audio.jpg |
a_s1576_t91-081 | Alex McBride performing piano blues at the 1991 Florida Folk Festival (Old Marble Stage) | Sound | Folk festivals Folklore revival festivals Festivals Special events Performing arts Music performance Piano music Singing Piano music (Blues) Blues (Music) African Americans Blues singers Musicians Pianists Singers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
a_s1576_01_c77-004 | Annual Masaryktown Day Celebration | Sound | Czechoslovakian Americans Arts, Czechoslovakia Dance music Special events Music performance Interviews Dancers Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Annual Masaryktown Day Celebration
- Date
- 1976-10-24
- Description
- One audio cassette. Recording of dances at the Masaryktown Day celebration, including interviews with local residents. Intermittent problems with tape playback.
- Collection
a_s1576_01_c77-002 | Annual Tarpon Springs International Glendi | Sound | Performers Bands (Music) Animal trainers Arts, Ukrainian Ukrainian Americans Festivals Special events Performing arts Music performance Interviews Gospel songs Local history Religious music Arts, Greek Greek Americans Czechoslovakian Americans Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Annual Tarpon Springs International Glendi
- Date
- 1976-10-23
- Description
- Two audio cassettes. A glendi is a Greek festival, which can take the form of a fair or festival. Recording of a glendi in Tarpon Spring, including church choirs, interviews with Czechoslovakian and Greek residents, Greek and Czechoslovakian singers, and an interview with the chairman of Tarpon Springs Chamber of Commerce. Side two is blank.
- Collection
a_s2044_02_tape03 | Aubrey Ghent and his father Henry Nelson performing sacred steel music at various events | Sound | Guitarist Singers Fieldwork Steel guitars Guitar music Performing arts Guitarists Music performance African Americans Religious songs Religious music Gospel songs Gospel musicians Gospel (Black) Festivals Folk festivals Special events Church attendance Church services Protestants Christianity Churches Religion Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Aubrey Ghent and his father Henry Nelson performing sacred steel music at various events
- Date
- 1993-11-26
- Description
- One audio cassette recording. (Duplicate can be found on tape 5.) The first half of the tape was recorded at a House of God "Family and Friends Day Celebration" in Daytona Beach on 5 September 1993. The second half was recorded at the Ocala House of God Church #2 on 26 November 1993, and the then at the 1994 Florida Folk Festival on May 24 1994 (for entire festival performance, see D94-20 in S 1576.) On the second half, the vocals are weak. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
- Collection