| a_s1576_t85-150 | Golden Gospel: Afro-American Roots | Sound | A capella singers
A capella singing
Concerts
Special events
Music performance
Singing
African Americans
Gospel (Black)
Gospel songs
Gospel music
Musical groups
Religious music
Religious songs
Guitarist
Musicians
Singers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Golden Gospel: Afro-American Roots
- Date
- 1985-09-14
- Description
- Nine reel to reel recordings. Reel T86-215 has very poor sound quality -- nearly inaudible. Recordings of two concerts (9/14/1985 in Leesburg on T86-214 through T86-216; and 9/15/1985 in Orlando -- at the Frontline Outreach Building -- on T85-150 through T85 -154) featuring several gospel music groups from Florida and elsewhere: Ponder Singers (Jax.); Cisrow Gospel Allstars (Millville, NJ); Washington Singers (Cocoa); Goldenaires and the Spiritualettes (Orlando); Master Keys and the Dixie Hummingbirds (Philadelphia, PA); and the Dixie Jubilees (Jax). For images of the performance, see S 1577, volume 30. For videos of both performances, see FV-115 and FV-119 (Orlando), and FV-114, FV-116 through FV-118 in S 1615.
- Collection
| a_s1640_22_tape34 | Recording of Cajun accordion player Papa Joe Arabie | Sound | Accordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Accordionists
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Recording of Cajun accordion player Papa Joe Arabie
- Date
- 1991-06-12
- Description
- One audio cassette. In between songs, Arabie discussed his family's history. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1644_13_tape01 | Recording of Cajun accordion player Papa Joe Arabie | Sound | Accordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Accordionists
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Recording of Cajun accordion player Papa Joe Arabie
- Date
- 1991-06-12
- Description
- One audio cassette. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_23_tape03 | Recording of Cajun accordion player Papa Joe Arbie | Sound | Accordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Accordionists
Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Recording of Cajun accordion player Papa Joe Arbie
- Date
- 1991-06-12
- Description
- One DAT tape. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_23_tape07 | Recording of Cajun accordion player Papa Joe Arbie | Sound | Accordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Accordionists
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Recording of Cajun accordion player Papa Joe Arbie
- Date
- 1991-06-12
- Description
- One audio cassette. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_22_tape35 | Recording of Cajun accordion player Papa Joe Arbie with Andrew Arbie | Sound | Accordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Accordionists
Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Recording of Cajun accordion player Papa Joe Arbie with Andrew Arbie
- Date
- 1992-04-22
- Description
- Two DAT tapes. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_23_tape02 | Recording of Cajun accordion player Papa Joe Arbie with his apprentice Michael Stapleton | Sound | Accordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Family history
Life histories
Teaching
Music rehearsals
Accordionists
Apprentices
Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Recording of Cajun accordion player Papa Joe Arbie with his apprentice Michael Stapleton
- Date
- 1993-01-04
- Description
- One DAT tape. Recording of a practice between Arabie and his apprentice Stapleton. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_22_tape36 | Recording of Cajun accordion player Papa Joe Arbie with his apprentice Michael Stapleton | Sound | Accordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Family history
Life histories
Teaching
Music rehearsals
Accordionists
Apprentices
Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Recording of Cajun accordion player Papa Joe Arbie with his apprentice Michael Stapleton
- Date
- 1992-01-25
- Description
- Two DAT tapes. Recording of a practice between Arabie and his apprentice Stapleton. They both also talk about their family and personal histories, how they learned the accordion, and musical influences. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_23_tape05 | Recording of Cajun accordion player Papa Joe Arbie with his apprentice Mike Stapleton | Sound | Accordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Accordionists
Apprentices
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Recording of Cajun accordion player Papa Joe Arbie with his apprentice Mike Stapleton
- Date
- 1992-05-12
- Description
- One audio cassette. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_23_tape06 | Recording of Cajun accordion player Papa Joe Arbie with his apprentice Mike Stapleton | Sound | Accordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Accordionists
Apprentices
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Recording of Cajun accordion player Papa Joe Arbie with his apprentice Mike Stapleton
- Date
- 1992-05
- Description
- One audio cassette. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
Listen: The World Program
