| Apprentices at the 1994 Florida Folk Festival | Apprentices at the 1994 Florida Folk Festival | Still Image | Artisans
Basket maker
Folk festivals
Folklore revival festivals
Festivals
Special events
Baskets
Basket making
White oak
Arts, Cuban
Masks
Paper art
Craft
Material culture
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Apprentices at the 1994 Florida Folk Festival
- Date
- 1994-05
- Description
- Thirty-five color slides. Many of the slides are blurry. Images of 1994 Florida Folk Artists apprenticeship demonstrators, including white oak basket maker Jennings and Steen, and David and Isaac Duenas, who made Cuban gigantes.
- Collection
| Boeuf mask | Boeuf mask | Still Image | Material culture
Fieldwork
Decorative arts
Masks
Haitian Americans
Arts, Haitian | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Boeuf mask
- Date
- 1989-11
- Description
- Twenty-five color slides. Haitian carnival mask.
- Collection
| a_s1576_t90-078 | Caribbean Carnival Traditions Workshop at the 1990 Florida Folk Festival (Florida Folklife Area) | Sound | Artisans
Storytellers
Folk festivals
Folklore revival festivals
Festivals
Special events
Workshops (Adult education)
Demonstrations
Trinidadians
Masks
Steel drum (Musical instrument)
Holidays and festivals
Carnivals
Drummers (Musicians) | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
| Cuban gigante at the 1994 Florida Folk Festival | Cuban gigante at the 1994 Florida Folk Festival | Still Image | Folk festivals
Folklore revival festivals
Festivals
Special events
Decorative arts
Arts, Cuban
Cuban Americans
Masks
Costumes
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
| Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda | Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda | Still Image | Mask maker
Fieldwork
Arts, Cuban
Cuban Americans
Latinos
Masks
Figurines
Parade floats
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda
- Date
- 1994
- Description
- Four proof sheets with 114 black and white images; 35 color slides. Apprentices Zepeda and David Duenas had to learn from Isaac Duenas to design and construct the gigante and farola figures. For more information, see S 1644, box 11, folder 22. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda | Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda | Still Image | Mask maker
Fieldwork
Arts, Cuban
Cuban Americans
Latinos
Masks
Figurines
Parade floats
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda
- Date
- 1994-04
- Description
- 46 color slides. Apprentices Zepeda and David Duenas had to learn from Isaac Duenas to design and construct the gigante and farola figures. For more information, see S 1644, box 11, folder 22. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda | Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda | Still Image | Mask maker
Fieldwork
Arts, Cuban
Cuban Americans
Latinos
Masks
Figurines
Parade floats
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda
- Date
- 1994-07-31
- Description
- 20 color slides. Apprentices Zepeda and David Duenas had to learn from Isaac Duenas to design and construct the gigante and farola figures. For more information, see S 1644, box 11, folder 22. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Still Image | Fieldwork
Latinos
Arts, Nicaraguan
Nicaraguan Americans
Masks
Dance
Costumes
Clothing and dress
Apprentices
Dancers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva
- Date
- 1995-07-23
- Description
- 25 color slides. Marvin Silva was funded to learn from Jose Silva how to prepare for and perform the Toro Huaco. This was a traditional pageant that combined costumes, masks, dance and ritual. It is a mixture of Spanish and Nagual Maya traditions. For more information, see S 1644, box 12, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Still Image | Fieldwork
Latinos
Arts, Nicaraguan
Nicaraguan Americans
Masks
Dance
Costumes
Clothing and dress
Apprentices
Dancers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva
- Date
- 1995
- Description
- Five color prints. Marvin Silva was funded to learn from Jose Silva how to prepare for and perform the Toro Huaco. This was a traditional pageant that combined costumes, masks, dance and ritual. It is a mixture of Spanish and Nagual Maya traditions. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Still Image | Fieldwork
Latinos
Arts, Nicaraguan
Nicaraguan Americans
Masks
Dance
Costumes
Clothing and dress
Apprentices
Dancers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva
- Date
- 1995
- Description
- One proof sheet with 33 black and white images (plus negatives). Marvin Silva was funded to learn from Jose Silva how to prepare for and perform the Toro Huaco. This was a traditional pageant that combined costumes, masks, dance and ritual. It is a mixture of Spanish and Nagual Maya traditions. For more information, see S 1644, box 12, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
Listen: The Assorted Selections Program
