a_s1576_t83-121 | Copies of Pensacola-related music | Sound | Singers Musicians African Americans Piano music (Blues) Jazz music Jazz songs Performing arts Music performance Blues (Music) Religious music Piano music Sound recordings | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Copies of Pensacola-related music
- Date
- 1920
- Description
- Three reel to reel recordings. NOTE: Because this is a compilation of copyrighted recordings, no copies can be made of the reels. Most of the songs and performers were not identified. Recorded in 1975 in New Orleans by Lars Edegran in his apartment, and released that year by CSA (CLPS 1015)For a copy of the album's liner notes (including a brief history of the recording) see S 1579, box 1, folder: Tape log Indexes T83-117 through T83-120.
- Collection
a_s1576_84_d00-008 | Friday performances at the 2000 Florida Folk Festival (Main Stage) (Tape 8) | Sound | Folk festivals Folklore revival festivals Festivals Special events Performing arts Music performance Singing Guitar music Fiddle music Storytelling Tales Blues (Music) Musical tradition, African diaspora Jazz music African Americans Women jazz musicians Jazz songs Singers Musicians Guitarist Storytellers Fiddlers Blues singers Jazz musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
a_s1576_84_d00-009 | Friday performances at the 2000 Florida Folk Festival (Main Stage) (Tape 9) | Sound | Singers Musicians Guitarist Folk festivals Folklore revival festivals Festivals Special events Performing arts Music performance Singing Guitar music Rhythm and blues music Rhythm and blues songs Storytelling Blues (Music) Musical tradition, African diaspora Jazz music African Americans Jazz musicians Women jazz musicians Jazz songs Blues singers | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
a_s1576_85_c01-019 | Friday performances at the 2001 Florida Folk Festival (Old Marble Stage) (Tape 19) | Sound | Singers Musicians Folk festivals Folklore revival festivals Festivals Special events Performing arts Music performance Singing Jazz music Jazz songs Bands (Music) | /fpc/memory/omeka_images/thumbnails/audio.jpg |
a_s1576_t86-091 | Interview with blues singer W.C. Baker | Sound | Blues singers Fieldwork Interviews Jazz songs Blues (Music) African Americans Old time music Dixieland music Music performance Performing arts Singing Life histories Oral histories Bands (Music) Musical groups | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Interview with blues singer W.C. Baker
- Date
- 1985-09-10
- Description
- Two reel to reel tapes. (Copied onto C86-132/133.) Interview with blues singer and Dixieland jazz musician William C. Baker. Born in Live Oak, Baker was a blues singer known as Big Boy Baker in the 1930s-1950s. He recorded numerous records in Florida and Chicago, and even won Amateur Night at the Apollo in 1948. He moved to Miami in the 1950s. After a car accident in the 1950s, he switched to Dixieland jazz, and formed the Dixie Cooperates. He discusses starting out in music in Live Oak; his musical influences; black life in North Florida; moving to Chicago; life in Pompano Beach; appearing on radio in Fort Lauderdale (WFTL); recording 78rpm albums in Miami; various Florida night clubs; forming his band; his car accident; and Dixieland jazz. For a performance by Baker and his band, see S 1576, T86-88 - T86-90. For more information, see the fieldnotes on W.C. Baker in S 1628, Box 1, folder 10. The Dade Folk Arts Survey was conducted in 1986 by folklorists Tina Bucuvalas, Nancy Nusz and Laurie Sommers in order to identify folk arts and folk artists for the special folklife area at the 34th Annual Florida Folk Festival. The traditions are mainly Haitian, Jamaican, Mexican, Bahamian, Cuban and Jewish and cover a wide range of skills and art forms.
- Collection
a_s1576_t82-012 | Interview with blues singer/pianist Ida Goodson | Sound | Fieldwork Interviews Oral histories Life histories African Americans Blues (Music) Piano music (Blues) Personal experience narratives Jazz music Ragtime music Ragtime songs Religious music Vaudeville Dance music Nightclubs Jazz songs Popular songs Music business Gospel songs Gospel musicians Gospel (Black) Great Depression Singers Pianists Women jazz musicians Blues singers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Interview with blues singer/pianist Ida Goodson
- Date
- 1981-11-26
- Description
- Three reel to reels. A second interview with singer and pianist Ida Goodson (the first can be found on T82-1 through T82-4). Born and raised in Pensacola, she toured and recorded with various blues and jazz bands in the late 1920s and 1930s, and later worked for a lumber company for 35 years, while still playing the nightclubs. She converted to Christianity in 1960 and began playing gospel music. In the interview, she discusses and demonstrates various music styles (jazz, blues, gospel, ragtime); learning songs; her first blues song (One Finger Blues); performers she knew and played with (Duke Ellington, Charlie Segar, Jimmy Cox, Helen Jackson, Mack Thomas); difference between blues and gospel; and gospel quartets in Pensacola in the 1920s. Copied onto audiocassettes C83-10, C83-11, and C83-12.
- Collection
a_s1576_t82-005 | Interview with jazz musician Hal (Fess) Andrews | Sound | Fieldwork Interviews Oral histories Life histories African Americans Big band music Musicians Education Personal experience narratives Jazz music Ragtime music Ragtime songs Teachers Radio stations Dance music Nightclubs African Americans Segregation Jazz songs Popular songs Music business Music performance Jazz musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Interview with jazz musician Hal (Fess) Andrews
- Date
- 1981-11-03
- Description
- Two reel to reels. Poor audio quality in some areas. Interview with Pensacola-based jazz musician Andrews. He discusses learning music; attending Tuskegee Institute; teaching chemistry in Pensacola; varities of jazz music; working with artists like Cab Calloway and Duke Ellington; working for a radio station in New York City; leading a big band in the 1940s and 1950s; and various nightclubs in the Pensacola area. Copied onto audiocassettes C83-5 & C83-6.
- Collection
a_s1576_t86-088 | Performance by the W.C. Baker and the Dixieland Cooperates | Sound | Blues singers Fieldwork Jazz music Jazz songs Blues (Music) African Americans Old time music Dixieland music Music performance Performing arts Singing Bands (Music) Musical groups | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Performance by the W.C. Baker and the Dixieland Cooperates
- Date
- 1985-09-14
- Description
- Three reel to reel tapes. (Copied onto C86-129/130/131). Recording of W.C. Baker and the Dixieland Cooperates at the Tobacco Road Club in Miami. A few the songs includes guest singer Danny Kaye. The five-piece Dixieland band consisted of leader William (Big Boy) Baker (bass), Emmanuel Cruz (saxophone), Alexander Pope (drums), Willie Gaddy (guitarist) and Ernie Ambrister (trombone). Baker, born in Live Oak, was a blues singer known as Big Boy Baker in the 1930s-1950s. He recorded numerous records in Florida and Chicago, and even won Amateur Night at the Apollo in 1948. He moved to Miami in the 1950s. After a car accident in the 1950s, he switched to Dixieland jazz, and formed the Dixie Cooperates. NOTE: According to the depositor agreement, Baker's performances cannot be used for commercial purposes. For an interview with Baker, see S 1576, T86-90 - T86-91. For more information, see the fieldnotes on W.C. Baker in S 1628, Box 1, folder 10. The Dade Folk Arts Survey was conducted in 1986 by folklorists Tina Bucuvalas, Nancy Nusz and Laurie Sommers in order to identify folk arts and folk artists for the special folklife area at the 34th Annual Florida Folk Festival. The traditions are mainly Haitian, Jamaican, Mexican, Bahamian, Cuban and Jewish and cover a wide range of skills and art forms.
- Collection
a_s1576_t81-046 | Saturday performances at the 1981 Florida Folk Festival (Main Stage) (Reel 7) | Sound | Festivals Folk festivals Folklore revival festivals Special events Performing arts Music performance Singing Polka music Diddly bow Blues (Music) Piano music Piano music (Blues) Jazz music Jazz songs African Americans Dance music Gospel (Black) Musicians Singers Guitarist Pianists Women jazz musicians Jazz musicians Bands (Music) Blues singers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
a_s1576_68_c97-074 | Saturday program at the 1997 Florida Folk Festival (Folklife Narrative Stage) (Tape 4) | Sound | Folk festivals Folklore revival festivals Festivals Special events Oral performance Life histories Interviewing African Americans Jazz songs Jazz music Blues (Music) United States. Work Projects Administration African Americans Segregation Great Depression New Deal, 1933-1939 Jazz musicians Musicians | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Saturday program at the 1997 Florida Folk Festival (Folklife Narrative Stage) (Tape 4)
- Date
- 1997-05-24
- Description
- One audio cassette recordings. Sax Kari (a.k.a. "Candied Yams") is interviewed by Brent Tozzer. He discusses his childhood in New Orleans and the blues and jazz influences on his life (such as Benny Goodman and Charlie Christian). He speaks about learning music (specifically piano from Fats Waller) and early groups in which he played. He also discusses the various terms used for African-Americans and their changes over time as well as growing up during the Depression and his first job with the WPA.
- Collection