33 items found
Collection ID is exactly "1" AND Subject is exactly "Horses"
Sorted by Title
Brownie Brown interview for the Palm Beach County Folk Arts in Education Project

Brownie Brown interview for the Palm Beach County Folk Arts in Education Project

Date
1987-09-20
Description
Two audio cassettes.
Collection
Cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus

Cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus

Date
1994
Description
Four proof sheets with 129 black and white images (plus negatives); 52 color slides. Apprentice Marcus was funded to learn from cow whip maker Mills how make whips, including choosing hides, making strings, whip construction, and the historical/cultural background of whip making. For more information on Mills and Marcus, see S 1644, box 11, folder 30. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
Collection
Dale Carmean interview for the Palm Beach County Folk Arts in Education Project

Dale Carmean interview for the Palm Beach County Folk Arts in Education Project

Date
1987-08-26
Description
One audio cassette. Carmean was born in Mishawake, Indiana, where he learned blacksmithing from a friend. After a stint in the US Army, he returned to begin horseshoeing. He moved to Florida in 1959. In the interview, he discussed the horseshoe trade; tools used; types of shoes; special shoes for polo; learning blacksmithing and horseshoeing; moving to Florida; the biology of horse hooves; riding horses; and shaping the shoe.
Collection
Demonstration of sugar cane grinding

Demonstration of sugar cane grinding

Date
1978
Description
Seventeen color slides.
Collection
El Maximo Ranch

El Maximo Ranch

Date
1984-09
Description
Twenty color slides. Images of El Maximo Ranch (owned by Matt Maxcy), including horses, buildings, gates, signs, and workers. Also examples of marks and brands, and of rancher Thompson. For interviews with Thompson on ranch folklife, see S 1577, C83-139 and C84-7. Images created as fieldwork for the apprenticeship program. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, who later replaced by folklorist Peter Roller. The program was continued each year until 2003.
Collection
Images of cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus

Images of cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus

Date
1994-04
Description
26 color slides. Apprentice Marcus was funded to learn from cow whip maker Mills how make whips, including choosing hides, making strings, whip construction, and the historical/cultural background of whip making. For more information on Mills and Marcus, see S 1644, box 11, folder 30. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
Collection
Images of cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus

Images of cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus

Date
1994-08-03
Description
41 color slides. Apprentice Marcus was funded to learn from cow whip maker Mills how make whips, including choosing hides, making strings, whip construction, and the historical/cultural background of whip making. For more information on Mills and Marcus, see S 1644, box 11, folder 30. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
Collection
Images of the 1983 Florida Folk Festival

Images of the 1983 Florida Folk Festival

Date
1983-05-28
Description
One proof sheet with 36 black and white images (plus negatives).
Collection
Images of wagon horses

Images of wagon horses

Date
1993-09-29
Description
Twelve color slides; one proof sheet with eight images. Images of Percheron horses pulling wagons, and the equipment involved. The horses (Percheron horses imported from France, and used primarily by Ohio Amish) were trained and owned by Duvall. Images created as fieldwork for the 1993 Rural Folklfie Days, in which Duvall participated as a demonstrator.
Collection
Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus

Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor Marcus

Date
1993-07-28
Description
Two audio cassettes. Apprentice Marcus was funded to learn from cow whip maker Mills how make whips, including choosing hides, making strings, whip construction, and the historical/cultural background of whip making. For more information on Mills and Marcus, see S 1644, box 11, folder 30. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
Collection
Identifier Title Type Subject Thumbnail
a_s1685_04_tape13Brownie Brown interview for the Palm Beach County Folk Arts in Education ProjectSoundHorses
Field recordings
Interviews
Oral narratives
Occupational folklore
Equestrianism
Horse racing
Horse racetracks
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
Cow whip maker George (Junior) Mills with his apprentice J. Taylor MarcusCow whip maker George (Junior) Mills with his apprentice J. Taylor MarcusStill ImageWhip maker
Leather workers
Whip braider
Fieldwork
Leather craft
Leather goods
Occupational folklore
Whip making
Whipcracking
Whips
Ranching
Whip braiding
Horses
Apprentices
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
a_s1685_05_tape01Dale Carmean interview for the Palm Beach County Folk Arts in Education ProjectSoundBlacksmithing
Field recordings
Interviews
Oral narratives
Horseshoes
Working animals
Horse trading
Horses
Metalworking
Metal casting
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
Demonstration of sugar cane grindingDemonstration of sugar cane grindingStill ImageDemonstrations
Food preparation
Sugar
Sugarcane
Sugarcane grinding
Milling
Tools
Food
Working animals
Horses
Flora
Machinery
Material culture
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
El Maximo RanchEl Maximo RanchStill ImageRanchers
Ranches
Fieldwork
Horses
Occupational groups
Workplace
Ranch life
Ranching
Signs and signboards
Architecture
Structures
Buildings
Animals
Cattle brands
Livestock brands
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Images of cow whip maker George (Junior) Mills with his apprentice J. Taylor MarcusImages of cow whip maker George (Junior) Mills with his apprentice J. Taylor MarcusStill ImageFieldwork
Leather craft
Leather goods
Occupational folklore
Whip making
Whipcracking
Whips
Ranching
Whip braiding
Horses
Interviews
Oral narratives
Personal experience narratives
Whip maker
Leather workers
Whip braider
Apprentices
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Images of cow whip maker George (Junior) Mills with his apprentice J. Taylor MarcusImages of cow whip maker George (Junior) Mills with his apprentice J. Taylor MarcusStill ImageFieldwork
Leather craft
Leather goods
Occupational folklore
Whip making
Whipcracking
Whips
Ranching
Whip braiding
Horses
Interviews
Oral narratives
Personal experience narratives
Whip maker
Leather workers
Whip braider
Apprentices
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Images of the 1983 Florida Folk FestivalImages of the 1983 Florida Folk FestivalStill ImageSingers
Musicians
Guitarist
Furniture maker
Woodworkers
Choruses
Festivals
Folk festivals
Folklore revival festivals
Special events
Performing arts
Music performance
Guitarists
Singing
Furniture making
Horses
Demonstrations
Dancers
Material culture
Decorative arts
Dolls
Pianists
Bands (Music)
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Images of wagon horsesImages of wagon horsesStill ImageHorse trainers
Horse owners
Fieldwork
Horses
Horses Equipment and supplies
Wagons
Transportation
Animals
Draft animals
Working animals
Bridles
Percheron horse
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
a_s1640_24_tape33Interview with cow whip maker George (Junior) Mills with his apprentice J. Taylor MarcusSoundWhip maker
Leather workers
Whip braider
Fieldwork
Leather craft
Leather goods
Occupational folklore
Whip making
Whipcracking
Whips
Ranching
Whip braiding
Horses
Interviews
Oral narratives
Personal experience narratives
Apprentices
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg