a_s1576_t88-135 | African American Gospel Workshop performing at the 1988 Florida Folk Festival (Old Marble Stage) | Sound | Festivals Folk festivals Folklore revival festivals Special events Music performance A capella singing Gospel (Black) Gospel music African Americans Choir singing Choirs (music) Piano music Religious music Religious songs Workshops (Adult education) Pianists Singers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Apprentices learning gospel music | Apprentices learning gospel music | Still Image | Apprentices African Americans Gospel (Black) A capella singing A capella singers Teaching of folklore Singers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Apprentices learning gospel music
- Date
- 1990
- Description
- Two color slides; 30 negatives. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
a_s2044_02_tape03 | Aubrey Ghent and his father Henry Nelson performing sacred steel music at various events | Sound | Guitarist Singers Fieldwork Steel guitars Guitar music Performing arts Guitarists Music performance African Americans Religious songs Religious music Gospel songs Gospel musicians Gospel (Black) Festivals Folk festivals Special events Church attendance Church services Protestants Christianity Churches Religion Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Aubrey Ghent and his father Henry Nelson performing sacred steel music at various events
- Date
- 1993-11-26
- Description
- One audio cassette recording. (Duplicate can be found on tape 5.) The first half of the tape was recorded at a House of God "Family and Friends Day Celebration" in Daytona Beach on 5 September 1993. The second half was recorded at the Ocala House of God Church #2 on 26 November 1993, and the then at the 1994 Florida Folk Festival on May 24 1994 (for entire festival performance, see D94-20 in S 1576.) On the second half, the vocals are weak. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
- Collection
a_s2044_02_tape09 | Aubrey Ghent performing Father in Jesus Name | Sound | Fieldwork Steel guitars Guitar music Performing arts Guitarists Music performance African Americans Religious songs Religious music Gospel songs Gospel musicians Gospel (Black) Bands (Music) Musical groups Churches Religion Christianity Protestants Guitarist Singers Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Aubrey Ghent performing Father in Jesus Name
- Date
- 1993-09-05
- Description
- One audio cassette recording. For more of these two, see tape 3. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
- Collection
Bells of Joy performing at the 1985 Florida Folk Festival | Bells of Joy performing at the 1985 Florida Folk Festival | Still Image | Musical groups Folk festivals Folklore revival festivals Festivals Performing arts Performers Music performance African Americans Gospel (Black) Musical instruments Gospel musicians Gospel music Singing Singers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Blues singer Mary McClain and Willie James performing at the 1985 Florida Folk Festival | Blues singer Mary McClain and Willie James performing at the 1985 Florida Folk Festival | Still Image | Musical groups Folk festivals Folklore revival festivals Festivals Performing arts Performers Music performance African Americans Gospel (Black) Musical instruments Gospel musicians Gospel music Singing Pianists Blues (Music) Piano music (Blues) Blues singers Singers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
a_s1723_01_01_tape02 | Ceremony honoring the Versiteers winning the Florida Folk Heritage Award | Sound | Singers Musical groups Fieldwork African Americans Gospel (Black) A capella singers A capella singing Gospel songs Gospel music Churches Protestants Christianity Religious music Religious songs Church services Sermons Preachers Music performance Awards Prayers | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Ceremony honoring the Versiteers winning the Florida Folk Heritage Award
- Date
- 1992-08-21
- Description
- Three audio cassettes. Award ceremony for the gospel group The Versiteers (Starling, Carter, and Barton) at their church, the New St. James AME Church. The ceremony included various gospel gropups, a church service, and an awards presentation by Florida Folk Council member Yvonne Tucker. That year they were given the Florida Folk Heritage Award.
- Collection
Ceremony honoring the Versiteers winning the Florida Folk Heritage Award | Ceremony honoring the Versiteers winning the Florida Folk Heritage Award | Still Image | Singers Musical groups Fieldwork African Americans Gospel (Black) A capella singers A capella singing Gospel songs Gospel music Churches Protestants Christianity Religious music Religious songs Church services Sermons Preachers Music performance Awards Prayers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Ceremony honoring the Versiteers winning the Florida Folk Heritage Award
- Date
- Description
- One proof with 33 black adn white images, plus negatives. Award ceremony for the gospel group The Versiteers (Starling, Carter, and Barton) at their church, the New St. James AME Church. The ceremony included various gospel gropups, a church service, and an awards presentation by Florida Folk Council member Yvonne Tucker. That year they were given the Florida Folk Heritage Award.
- Collection
a_s1576_03_c79-074 | Compilation for the American Folklore Society | Sound | African Americans Music performance Gospel (Black) Blues (Music) Guitar music Singing Diddly bow Musicians Guitarist Blues singers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
a_s1576_11_c83-126 | Copy of Pensacola Piano, Ida Goodson | Sound | Singing Sound recordings African Americans Music performance Performing arts Piano music (Blues) Blues singers Blues (Music) Gospel (Black) Gospel songs Gospel music Choir singing Choirs (music) Religious music Religious songs Singers Pianists Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Copy of Pensacola Piano, Ida Goodson
- Date
- 1983
- Description
- One audio cassette. (Duplicate on C83-127) From the leadered masters. Recorded at the Warehouse Studios, in Jacksonville, Florida.
- Collection