63 items found
Collection ID is exactly "1" AND Subject is exactly "Gospel musicians"
Sorted by Title
Aubrey Ghent and his father Henry Nelson performing sacred steel music at various events

Aubrey Ghent and his father Henry Nelson performing sacred steel music at various events

Date
1993-11-26
Description
One audio cassette recording. (Duplicate can be found on tape 5.) The first half of the tape was recorded at a House of God "Family and Friends Day Celebration" in Daytona Beach on 5 September 1993. The second half was recorded at the Ocala House of God Church #2 on 26 November 1993, and the then at the 1994 Florida Folk Festival on May 24 1994 (for entire festival performance, see D94-20 in S 1576.) On the second half, the vocals are weak. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
Collection
Aubrey Ghent and the Calloway Sisters at the 1994 Florida Folk Festival

Aubrey Ghent and the Calloway Sisters at the 1994 Florida Folk Festival

Date
1994-05-28
Description
One proof sheet with 30 black and white images (plus negatives).
Collection
Aubrey Ghent performing Father in Jesus Name

Aubrey Ghent performing Father in Jesus Name

Date
1993-09-05
Description
One audio cassette recording. For more of these two, see tape 3. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
Collection
Bells of Joy performing at the 1985 Florida Folk Festival

Bells of Joy performing at the 1985 Florida Folk Festival

Date
1985-05-24
Description
Six color slides.
Collection
Bluegrass musicians in Barden, Florida

Bluegrass musicians in Barden, Florida

Date
1985-02-23
Description
Fifteen color slides. Images of a performance of an informal country, gospel, and bluegrass group in a home. Musicians included: Willa Mae Clemmons (guitar), Cecil Griffey (guitar), and Lovelace Glisson (banjo). For a recording, see S 1714, box 4, tape 49. In winter 1985, the Bureau contracted with two folklorists to conduct a folk arts survey of the St. Johns River basin in northeastern Florida. The St. Johns River is the largest and most used river in Florida, supporting much river commerce as well as a modest amount of commercial fishing. Folklorists Mary Anne McDonald and Kathleen Figgen conducted the survey from January through March 1985 under the direction of Folklife Coordinator Blanton Owen and Bureau Chief Ormond Loomis. Documentation compiled in the survey was used to prepare and present the 'St. Johns River Basin Folklife Area' at the 1985 Florida Folk Festival.
Collection
Blues singer Mary McClain and Willie James performing at the 1985 Florida Folk Festival

Blues singer Mary McClain and Willie James performing at the 1985 Florida Folk Festival

Date
1985-05-24
Description
Six color slides.
Collection
Friday performances at the 1997 Florida Folk Festival (Folklife Performance & Dance Stage) (Tape 1)

Friday performances at the 1997 Florida Folk Festival (Folklife Performance & Dance Stage) (Tape 1)

Date
1997-05-23
Description
One digital audio tape (DAT).
Collection
Friday performances at the 2004 Florida Folk Festival (Main Stage) (Disc 2)

Friday performances at the 2004 Florida Folk Festival (Main Stage) (Disc 2)

Date
2004-05-28
Description
One compact disc. Kay, director of the Florida Folk Festival, served as emcee. They played gospel music on steel guitar, often referred to as sacred steel.
Collection
Friday program at the 1997 Florida Folk Festival (Folklife Narrative Stage) (Tape 10)

Friday program at the 1997 Florida Folk Festival (Folklife Narrative Stage) (Tape 10)

Date
1997-05-23
Description
One audio cassette recordings. Side A: Catalina Delgado, a trunk and Mexican paper artist and Eileen Brautman, a Jewish paper artist are interviewed by Laurie Sommers. Delgado discusses paper-cutting techniques and how designs are made. Brautman explains traditional and contemporary calligraphy and paper cutting according to the European tradition. She tells of making stories from the Bible, use of animals and other designs and the making of a Ketubah (Jewish marriage contract). Side B: Sonny Treadway (Deerfield Beach, FL), sacred steel guitarist is interviewed by Laurie Sommers. He discusses sacred steel guitar and gospel music as well as his musical influences such as his father, other family members and church musicians. He plays by ear and has written several original songs.
Collection
Glenn Lee performing Pass Me Not Oh Gentle Savior

Glenn Lee performing Pass Me Not Oh Gentle Savior

Date
1994-03-07
Description
One audio cassette recording. For more of Lee, see tapes 2 and 4. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
Collection
Identifier Title Type Subject Thumbnail
a_s2044_02_tape03Aubrey Ghent and his father Henry Nelson performing sacred steel music at various eventsSoundGuitarist
Singers
Fieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Festivals
Folk festivals
Special events
Church attendance
Church services
Protestants
Christianity
Churches
Religion
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
Aubrey Ghent and the Calloway Sisters at the 1994 Florida Folk FestivalAubrey Ghent and the Calloway Sisters at the 1994 Florida Folk FestivalStill ImageGuitarist
Folk festivals
Folklore revival festivals
Festivals
Special events
Music performance
Steel guitars
Guitarists
String instruments
Performing arts
Gospel musicians
Musicians
Singers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
a_s2044_02_tape09Aubrey Ghent performing Father in Jesus NameSoundFieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Bands (Music)
Musical groups
Churches
Religion
Christianity
Protestants
Guitarist
Singers
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
Bells of Joy performing at the 1985 Florida Folk FestivalBells of Joy performing at the 1985 Florida Folk FestivalStill ImageMusical groups
Folk festivals
Folklore revival festivals
Festivals
Performing arts
Performers
Music performance
African Americans
Gospel (Black)
Musical instruments
Gospel musicians
Gospel music
Singing
Singers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Bluegrass musicians in Barden, FloridaBluegrass musicians in Barden, FloridaStill ImageFieldwork
String instruments
Musical groups
Musical instruments
Banjoes
Banjoists
Guitar
Guitarists
Music performance
Gospel musicians
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Blues singer Mary McClain and Willie James performing at the 1985 Florida Folk FestivalBlues singer Mary McClain and Willie James performing at the 1985 Florida Folk FestivalStill ImageMusical groups
Folk festivals
Folklore revival festivals
Festivals
Performing arts
Performers
Music performance
African Americans
Gospel (Black)
Musical instruments
Gospel musicians
Gospel music
Singing
Pianists
Blues (Music)
Piano music (Blues)
Blues singers
Singers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
a_s1576_76_d97-001Friday performances at the 1997 Florida Folk Festival (Folklife Performance & Dance Stage) (Tape 1)SoundSingers
Guitarist
Musicians
Dancers
Storytellers
Folk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Music performance
Singing
Guitar music
Steel guitars
Gospel (Black)
Gospel music
Gospel musicians
Religious songs
African Americans
Arts, Japanese
Japanese Americans
Dance music
Folk dance
Marimba
Maya arts
Mayans
Arts, Mexican
Mexican Americans
Animal tales
Storytelling
Seminole Indians
Oral performance
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s2034_02_cd04-002Friday performances at the 2004 Florida Folk Festival (Main Stage) (Disc 2)SoundSingers
Guitarist
Musicians
Festivals
Folk festivals
Folklore revival festivals
Special events
Performing arts
Music performance
Singing
Steel guitars
African Americans
Gospel (Black)
Gospel songs
Gospel musicians
Religious music
Religious songs
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1576_67_c97-070Friday program at the 1997 Florida Folk Festival (Folklife Narrative Stage) (Tape 10)SoundArtisans
Artists
Musicians
Guitarist
Folk festivals
Folklore revival festivals
Festivals
Special events
Oral performance
Life histories
Interviewing
Arts, Jewish
Jewish Americans
Jewish art and symbolism
Ketubah
Calligraphy
Marriage contracts
Decorative arts
Arts, Mexican
Mexican Americans
Paper art
African Americans
Steel guitars
Musical tradition, sacred
Gospel (Black)
Gospel musicians
Gospel music
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s2044_02_tape10Glenn Lee performing Pass Me Not Oh Gentle SaviorSoundFieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Bands (Music)
Musical groups
Churches
Religion
Christianity
Protestants
Guitarist
Singers
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
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