Seminole Women: Polly Billie, Nancy Billie, and Lottie Shore | Seminole Women: Polly Billie, Nancy Billie, and Lottie Shore | Still Image | Seminole Indians Family history Community Women Sewing Native Americans Clothing and dress Sweetgrass baskets Jewelry Fishing Tattoo Body art Voting Houses Architecture Fishing Equipment and supplies Chickee Workplace Pestles Implements, utensils, etc. Indian reservations | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Seminole Women: Polly Billie, Nancy Billie, and Lottie Shore
- Date
- 1980
- Description
- Seven proof sheets with 238 black and white images. Images taken during fieldwork for the Seminole Slide and Tape Project. Images taken on the Brighten and Hollywood Seminole Reservations of three generations of the Billie family women: Lottie Shore, Nancy Billie, and Polly Billie. Also includes images of their houses and neighbors. Proof sheets are numbered 9 through 15. Sheet 9: Lottie Shore: fishing and cooking; also unidentified family members. Sheet 10: Nancy Billie at an unidentified public assembly. Sheet 11: Lottie Shore; Seminole grass baskets. Sheet 12: Nancy Billie: with unidentified women, voting at a reservation poll. Sheet 13: Seminole chickee; Nancy Billie at her workplace. Sheet 14: Nancy Billie; Seminole baskets. Sheet 15: Lottie Shore grinding corn with mortar and pestle; Tattoos on Polly Billie's arms. Slide log sheet included. The images were created in part for use in an exhibit on Seminole culture at the Museum of Florida History.
- Collection
Lumber mill workers at Coastal Lumber Company | Lumber mill workers at Coastal Lumber Company | Still Image | Sawmill workers Basket making Baskets White oak Containers Material culture Boats Johnboats Boatbuilding Woodwork Fishing lures Fishing tackle Fishing Equipment and supplies Furniture Churches Church buildings | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Lumber mill workers at Coastal Lumber Company
- Date
- Description
- Four proof sheets with 144 black and white images, plus negatives. Located in envelope #2. Proof sheet 1: 2-5: Coastal Lumber Company, Havana, Florida; 6-12: Workers stacking lumber; 13-23: Workers grading lumber; 24-27: Sorting lumber; 28-31: Stacking and storing lumber; 32-36: Log peeler. Proof sheet 2: 2-15: Logs being peeled; 16-18: Continuous veneer sheets; 19: Siding cutter; 20-21: Packager; 22-24: Pressing completed sheets; 25-29: Veneer dryers; 30-32: Grading veneer; 33-37: Assembly plywood. Proof sheet 3: 2-13: Making plywood; 14-18: Scale house; 19-23: Weighing plywood; 24-32: Wood yard; 33-34: Weighing and measuring. Proof sheet 4: 2-37: Shortwood operation
- Collection
a_s1576_87_c01-071 | Friday performances at the 2001 Florida Folk Festival (Folklife Narrative Stage) (Tape 4) | Sound | Ranchers Net maker Folk festivals Folklore revival festivals Festivals Special events Performing arts Oral performance Occupational folklore Occupational groups Life histories Fishing nets Saddles Leather workers Horses Equipment and supplies Netmaking Fishing Equipment and supplies | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Cast net maker Max Dooley and his apprentice Reginald Reis | Cast net maker Max Dooley and his apprentice Reginald Reis | Still Image | Net maker Fieldwork Fishing nets Net makers Netmaking Nets Occupational training Weaving Textile arts Fishing Equipment and supplies Occupational groups Apprentices Fishers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Cast net maker Max Dooley and his apprentice Reginald Reis
- Date
- 1993-01
- Description
- Four proof sheets with 116 black and white images (plus negatives). Originally born in Georgia, Dooley was a long-time Florida fisher and net maker. Reis, a Portuguese American fisher, was funded to learn to make and repair cast nets. He had to make one 8 foot and one 10 foot net. For more images of the two, see S 1640, box 16, folder 6. For more information, see S 1644, box 11, folder 7. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
Dipping shrimping nets in polysealant protectant | Dipping shrimping nets in polysealant protectant | Still Image | Net maker Fieldwork Fishing nets Netmaking Net makers Workshops Workplace Occupational groups Fishing Equipment and supplies Fishing tackle | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Dipping shrimping nets in polysealant protectant
- Date
- 1985
- Description
- Sixteen color slides. Photos taken during fieldwork for video documentary on Florida shrimping called Fishing All My Days, and was made by the Florida Folklife Program, and the University of Florida (WUFT-TV).
- Collection
George Saunders making a net at the 1980 Florida Folk Festival | George Saunders making a net at the 1980 Florida Folk Festival | Still Image | Net maker Folk festivals Folklore revival festivals Nets Fishing nets Net makers Demonstrations Netmaking Weaving Fishing Equipment and supplies | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
George Saunders making a net at the 1980 Florida Folk Festival | George Saunders making a net at the 1980 Florida Folk Festival | Still Image | Net maker Folk festivals Folklore revival festivals Nets Fishing nets Net makers Demonstrations Netmaking Weaving Fishing Equipment and supplies | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Gladys Valentine mending a fishing net | Gladys Valentine mending a fishing net | Still Image | Net maker Fieldwork Maritime life Nets Fishing nets Fishing Equipment and supplies Fishers Material culture Netmaking Netmending Textile arts Occupational groups | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Gladys Valentine mending a fishing net
- Date
- 1986-08-18
- Description
- Eight color slides. Valentine mending a fishing net. Between 1986 and 1987, a partnership between the Florida Folklife Program and the American Folk Center created the Maritime Heritage Survey Project. Focusing on the Gulf and Atlantic fishing cultures, and utilizing photographs, slides, oral histories, and on-site interviews, the survey climaxed with a demonstration area at the 1987 Florida Folk Festival. The three main researchers were Nancy Nusz, Merri Belland, and project director David Taylor. Additional information on the project can be found in Taylor's project files in S 1716.
- Collection
Images of cast net maker Max Dooley and his apprentice Reginald Reis | Images of cast net maker Max Dooley and his apprentice Reginald Reis | Still Image | Net maker Apprentices Fieldwork Occupational groups Fishing nets Net makers Netmaking Nets Occupational folklore Oral histories Fishing Equipment and supplies Fishers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of cast net maker Max Dooley and his apprentice Reginald Reis
- Date
- 1993
- Description
- Three color prints For more information on Dooley and Reis, see S 1644, box 11, folder 7. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
a_s1640_24_tape06 | Interview with cast net maker Max Dooley | Sound | Net maker Fieldwork Interviews Fishing nets Net makers Netmaking Nets Occupational folklore Oral histories Personal experience narratives Fishing Equipment and supplies Occupational groups Fishers | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with cast net maker Max Dooley
- Date
- 1992-12-15
- Description
- Two audio cassettes. Originally born in Georgia, Dooley was a long-time Florida fisher and net. Dooley discusses his early life, learning net making, types of nets, tools, and techniques, and methods of throwing the net. For more information, see S 1644, box 11, folder 7. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection