Erna Parpard demonstrating German folk arts | Erna Parpard demonstrating German folk arts | Still Image | Embroiderers Needleworkers Fieldwork Embroidery Knitting Schools Elementary schools Teaching of folklore Education Demonstrations Classrooms German Americans Children Students | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Erna Parpard demonstrating German folk arts
- Date
- 1986-12-08
- Description
- Seven color slides. Parpard grew up in Heidelburg, Germany, where she learned traditional German embroidery from her mother and grandmother. For the class, she also demonstrated cooking and knitting. The Folk Arts in Education Project in Palm Beach County was a joint venture between the Palm Beach County School System and the Florida Folklife Program. It was conducted between 1986 and 1987 by folklorist Jan Rosenberg with funding from the National Endowment for the Arts to add to existing social studies curriculum. The goal was to impart an appreciation of multi-ethnic traditions and provide a sense of place to the mobile student population. The project focused on the Florida Studies component for fourth grade students. The project consisted of field research to identify local traditions and folk artists, a series of five two-day seminars to acquaint teachers with the use of folklore and folk arts, in-school programs conducted by a folklorist and traditionalist, which included visits by local folk artists. In total, the project involved 15 schools with 779 students.
- Collection
Examples of Jamaican embroidery | Examples of Jamaican embroidery | Still Image | Embroiderers Needleworkers Fieldwork Embroidery Needlework Jamaican Americans Decorative arts Textile arts Textiles | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Examples of Jamaican embroidery
- Date
- 1985-08
- Description
- Seven color slides. The Dade Folk Arts Survey was conducted in 1985 and 1986 by folklorists Tina Bucuvalas, Nancy Nusz and Laurie Sommers in order to identify folk arts and folk artists for the special folklife area at the 34th Annual Florida Folk Festival. The traditions are mainly Haitian, Jamaican, Mexican, Bahamian, Cuban and Jewish and cover a wide range of skills and art forms.
- Collection
Examples of Margaret Horvath's Hungarian embroidery | Examples of Margaret Horvath's Hungarian embroidery | Still Image | Needleworkers Embroiderers Fieldwork Hungarians Americans Needlework Textile arts Embroidery Decorative arts Design Material culture | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Examples of Margaret Horvath's Hungarian embroidery
- Date
- 1984-11
- Description
- Twenty-four color slides. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Examples of Ukranian embroidery | Examples of Ukranian embroidery | Still Image | Material culture Embroidery Textile arts Textiles Woven goods Clothing and dress Sewing Dolls Domestic arts | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Examples of Ukranian embroidery
- Date
- 1985-04-02
- Description
- Ten color slides. Various images of Ukranian embroidery. Images include dolls, shirts, and other textiles, many created before 1900. Images created as field work for the 1985 Florida Folk Festival 2 April 1985
- Collection
Folklife Apprentice Tent at the 1985 Florida Folk Festival | Folklife Apprentice Tent at the 1985 Florida Folk Festival | Still Image | Folk festivals Folklore revival festivals Apprentices Tsabouna Musicians Musical instruments Seminole Indians Craft Demonstrations Greek Americans Arts, Asian Tamari Embroidery | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Folklife Apprentice Tent at the 1985 Florida Folk Festival
- Date
- 1985-05-26
- Description
- Seven color slides. 1193: Apprentice tent; 1194: Susie Billie and Agnes Cypress; 1195: George Pilatos playing tsabouna; 1196: Pilatos, Nikitas, Tony, and Debbie Tsimouris. 1197-1199: Kazuko Law -- Tamari (an ancient Japanese embroidery style).
- Collection
a_s1576_67_c97-069 | Friday program at the 1997 Florida Folk Festival (Folklife Narrative Stage) (Tape 9) | Sound | Needleworkers Embroiderers Folk festivals Folklore revival festivals Festivals Special events Oral performance Life histories Interviewing Hungarians Americans Arts, Hungarian Embroidery Textile arts Textiles Domestic arts Decorative arts Emigration and immigration | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
a_s1618_04_tape15 | Gladys Lanthripp interview for the Duval County Folk Arts in Education Project | Sound | Field recordings Interviews Oral narratives Quilting Quilts Textile processes Needlework Embroidery | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Gladys Lanthripp interview for the Duval County Folk Arts in Education Project
- Date
- 1988-07-05
- Description
- One audio cassette. Quilter Lanthripp was a retired factory worker, and a lifelong Duval County resident. She discusses learning quilting from her mother; quilting for hire; selling quilts; quilting in Maxville; the quilt making process; quilting patterns; embroidery; quilting techniques; and the Peace with Justice Quilt.
- Collection
Greek embroiderer Panayiota (Penny) King | Greek embroiderer Panayiota (Penny) King | Still Image | Embroiderers Needleworkers Fieldwork Needlework Embroidery Greek Americans Decorative arts Textile arts Sewing Clothing Arts, Greek | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Greek embroiderer Panayiota (Penny) King
- Date
- 1988
- Description
- Seventeen color slides. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Greek embroiderer Penny King | Greek embroiderer Penny King | Still Image | Embroiderers Needleworkers Fieldwork Greek Americans Arts, Greek Embroidery Sewing Machinery Sewing machines Machine sewing Needlework Thread Pressing of garments Ironing boards Decorative arts | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Greek embroiderer Penny King
- Date
- 1988-01
- Description
- Twenty-seven color slides. King learned to embroider with a treadle sewing machine by watching her mother in Greece. The Southwest Florida Folk Arts Project was conducted under the direction of Barbara Beauchamp in two phases: 12 November 1987 through 31 January 1988 by Debbie Fant; and in February 1988 by Nancy Nusz. Using a 35mm camera and a Sony tape recorder, and funded through a NEA grant,the two fieldworkers spoke with over fifty informants in Manatee, Sarasota, Lee, Collier, and Charlotte counties, resulting in 20 participants chosen for a special SW Florida folklife area at the 36th Annual Florida Folk Festival.
- Collection
Greek embroiderer Penny King | Greek embroiderer Penny King | Still Image | Embroiderers Needleworkers Fieldwork Greek Americans Arts, Greek Embroidery Sewing Machinery Sewing machines Machine sewing Needlework Thread Pressing of garments Ironing boards Decorative arts | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Greek embroiderer Penny King
- Date
- 1988-01
- Description
- One proof with 19 black and white images (plus negatives). King learned to embroider with a treadle sewing machine by watching her mother in Greece. The Southwest Florida Folk Arts Project was conducted under the direction of Barbara Beauchamp in two phases: 12 November 1987 through 31 January 1988 by Debbie Fant; and in February 1988 by Nancy Nusz. Using a 35mm camera and a Sony tape recorder, and funded through a NEA grant,the two fieldworkers spoke with over fifty informants in Manatee, Sarasota, Lee, Collier, and Charlotte counties, resulting in 20 participants chosen for a special SW Florida folklife area at the 36th Annual Florida Folk Festival.
- Collection