68 items found
Collection ID is exactly "1" AND Subject is exactly "Embroidery"
Examples of Margaret Horvath's Hungarian embroidery

Examples of Margaret Horvath's Hungarian embroidery

Date
1984-11
Description
Twenty-four color slides. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Examples of Ukranian embroidery

Examples of Ukranian embroidery

Date
1985-04-02
Description
Ten color slides. Various images of Ukranian embroidery. Images include dolls, shirts, and other textiles, many created before 1900. Images created as field work for the 1985 Florida Folk Festival 2 April 1985
Collection
Folklife Apprentice Tent at the 1985 Florida Folk Festival

Folklife Apprentice Tent at the 1985 Florida Folk Festival

Date
1985-05-26
Description
Seven color slides. 1193: Apprentice tent; 1194: Susie Billie and Agnes Cypress; 1195: George Pilatos playing tsabouna; 1196: Pilatos, Nikitas, Tony, and Debbie Tsimouris. 1197-1199: Kazuko Law -- Tamari (an ancient Japanese embroidery style).
Collection
Greek embroiderer Panayiota (Penny) King

Greek embroiderer Panayiota (Penny) King

Date
1988
Description
Seventeen color slides. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Greek embroiderer Penny King

Greek embroiderer Penny King

Date
1988-01
Description
One proof with 19 black and white images (plus negatives). King learned to embroider with a treadle sewing machine by watching her mother in Greece. The Southwest Florida Folk Arts Project was conducted under the direction of Barbara Beauchamp in two phases: 12 November 1987 through 31 January 1988 by Debbie Fant; and in February 1988 by Nancy Nusz. Using a 35mm camera and a Sony tape recorder, and funded through a NEA grant,the two fieldworkers spoke with over fifty informants in Manatee, Sarasota, Lee, Collier, and Charlotte counties, resulting in 20 participants chosen for a special SW Florida folklife area at the 36th Annual Florida Folk Festival.
Collection
Greek embroiderer Penny King

Greek embroiderer Penny King

Date
1988-01
Description
Twenty-seven color slides. King learned to embroider with a treadle sewing machine by watching her mother in Greece. The Southwest Florida Folk Arts Project was conducted under the direction of Barbara Beauchamp in two phases: 12 November 1987 through 31 January 1988 by Debbie Fant; and in February 1988 by Nancy Nusz. Using a 35mm camera and a Sony tape recorder, and funded through a NEA grant,the two fieldworkers spoke with over fifty informants in Manatee, Sarasota, Lee, Collier, and Charlotte counties, resulting in 20 participants chosen for a special SW Florida folklife area at the 36th Annual Florida Folk Festival.
Collection
Greek embroidery at the Sponge Industry Folk Arts Festival

Greek embroidery at the Sponge Industry Folk Arts Festival

Date
1989-06-24
Description
Nineteen color slides. Greek embroidery displayed. Brief biographies of the embroiderers (some pictured) can be found in the folder. The festival was held June 24-25, 1989 to celebrate Tarpon Springs heritage of sponge diving, a practice that dated back to the 1890s. By 1905, when 500 Greek immigrants answered an ad to be sponge divers, the town acquired a distinctive Greek flavor, as the Greek Americans thrived in the sponge industry. At one point, Florida provided 95% of the nation's sponges. Although today over fishing and synthetic materials have undercut the sponge diving industry, the tradition lives on in Greek families, and through tourism.
Collection
Hardanger embroidery

Hardanger embroidery

Date
1987
Description
Two color prints. Hardanger was a form of embroidery that dates back to the Renaissance, and began in Scandinavia. The Florida Folk Arts Survey was conducted in 1987 by folklorists Tina Bucuvalis, Steve Fragos, Merri Belland, and Barbara Seitz as preliminary research for a joint folk art between the Florida Folklife Program and the Florida Museum of History. The field researchers focused on those areas previously overlooked by FFP staff. The research focused on identifying folk artists and locating appropriate exhibit objects.
Collection
Hardanger embroidery

Hardanger embroidery

Date
1987-10-10
Description
Ten color slides. Hardanger was a form of embroidery that dates back to the Renaissance, and began in Scandinavia. The Florida Folk Arts Survey was conducted in 1987 by folklorists Tina Bucuvalis, Steve Fragos, Merri Belland, and Barbara Seitz as preliminary research for a joint folk art project between the Florida Folklife Program and the Florida Museum of History. The field researchers focused on areas previously overlooked by FFP staff. The research focused on identifying folk artists and locating appropriate exhibit objects.
Collection
Hungarian embroiderer Margaret Horvath and apprentice Sylvia Daniels

Hungarian embroiderer Margaret Horvath and apprentice Sylvia Daniels

Date
Description
Three proof sheets with 92 black and white images. Both Daniels and Horvath were born in Budapest, Hungary. Hungarian embroidery dates back for centuries, with four major regions, each with their own distinctive patterns and motfis. Daniels worked as an apprentice to Horvath in 1990-1991. This was Horvath's second time as a master artist(she also participated in 1985). For information on them, see S 1644, box 8, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Identifier Title Type Subject Thumbnail
Examples of Margaret Horvath's Hungarian embroideryExamples of Margaret Horvath's Hungarian embroideryStill ImageNeedleworkers
Embroiderers
Fieldwork
Hungarians Americans
Needlework
Textile arts
Embroidery
Decorative arts
Design
Material culture
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Examples of Ukranian embroideryExamples of Ukranian embroideryStill ImageMaterial culture
Embroidery
Textile arts
Textiles
Woven goods
Clothing and dress
Sewing
Dolls
Domestic arts
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Folklife Apprentice Tent at the 1985 Florida Folk FestivalFolklife Apprentice Tent at the 1985 Florida Folk FestivalStill ImageFolk festivals
Folklore revival festivals
Apprentices
Tsabouna
Musicians
Musical instruments
Seminole Indians
Craft
Demonstrations
Greek Americans
Arts, Asian
Tamari
Embroidery
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Greek embroiderer Panayiota (Penny) KingGreek embroiderer Panayiota (Penny) KingStill ImageEmbroiderers
Needleworkers
Fieldwork
Needlework
Embroidery
Greek Americans
Decorative arts
Textile arts
Sewing
Clothing
Arts, Greek
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Greek embroiderer Penny KingGreek embroiderer Penny KingStill ImageEmbroiderers
Needleworkers
Fieldwork
Greek Americans
Arts, Greek
Embroidery
Sewing
Machinery
Sewing machines
Machine sewing
Needlework
Thread
Pressing of garments
Ironing boards
Decorative arts
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Greek embroiderer Penny KingGreek embroiderer Penny KingStill ImageEmbroiderers
Needleworkers
Fieldwork
Greek Americans
Arts, Greek
Embroidery
Sewing
Machinery
Sewing machines
Machine sewing
Needlework
Thread
Pressing of garments
Ironing boards
Decorative arts
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Greek embroidery at the Sponge Industry Folk Arts FestivalGreek embroidery at the Sponge Industry Folk Arts FestivalStill ImageEmbroiderers
Needleworkers
Arts, Greek
Greek Americans
Folk festivals
Special events
Demonstrations
Embroidery
Needlework
Design
Material culture
Decorative arts
Craft
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Hardanger embroideryHardanger embroideryStill ImageNeedleworkers
Storytellers
Fieldwork
Embroidery
Hardanger needlework
Decorative arts
Material culture
Needlework
Hardanger needlework Patterns
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Hardanger embroideryHardanger embroideryStill ImageEmbroiderers
Fieldwork
Textile arts
Embroidery
Hardanger needlework
Hardanger needlework Patterns
Decorative arts
Material culture
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Hungarian embroiderer Margaret Horvath and apprentice Sylvia DanielsHungarian embroiderer Margaret Horvath and apprentice Sylvia DanielsStill ImageEmbroiderers
Needleworkers
Fieldwork
Arts, Hungarian
Hungarians Americans
Embroidery
Needlework
Textile arts
Sewing
Apprentices
Material culture
Decorative arts
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg