Hungarian embroiderer Margaret Horvath and apprentice Sylvia Daniels | Hungarian embroiderer Margaret Horvath and apprentice Sylvia Daniels | Still Image | Embroiderers Needleworkers Fieldwork Arts, Hungarian Hungarians Americans Embroidery Needlework Textile arts Sewing Apprentices Material culture Decorative arts | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Hungarian embroiderer Margaret Horvath and apprentice Sylvia Daniels
- Date
- Description
- Three proof sheets with 92 black and white images. Both Daniels and Horvath were born in Budapest, Hungary. Hungarian embroidery dates back for centuries, with four major regions, each with their own distinctive patterns and motfis. Daniels worked as an apprentice to Horvath in 1990-1991. This was Horvath's second time as a master artist(she also participated in 1985). For information on them, see S 1644, box 8, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Hungarian embroidery by Zita Mikita | Hungarian embroidery by Zita Mikita | Still Image | Embroiderers Needleworkers Fieldwork Embroidery Needlework Textile arts Hungarians Americans Sewing Material culture Design | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Hungarian embroidery by Zita Mikita
- Date
- 1984-12
- Description
- Seven color slides. Images created as fieldwork for the apprenticeship program. Slides S86-1761 and 1762 are missing. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Hungarian embroidery demonstration | Hungarian embroidery demonstration | Still Image | Embroiderers Needleworkers Demonstrations Embroidery Hungarians Americans Needlework Sewing Decorative arts Design | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
a_s1680_02_tape03 | Interview with Panayiota (Penny) King | Sound | Embroiderers Needleworkers Fieldwork Arts, Greek Embroidery Greek Americans Decorative arts Domestic arts Canning and preserving Games Needlework Life histories Oral histories Emigration and immigration Oral communication Family history Interviews | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
a_s1576_23_c87-006 | Interview with Ukrainian embroiderers | Sound | Embroiderers Fieldwork Interviews Oral histories Embroidery Pysanky Egg decoration Arts, Ukrainian Ukrainian Americans Ukrainian American art Textile arts Family history | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with Ukrainian embroiderers
- Date
- 1985-04-02
- Description
- One audio cassette. (The first part of the interview was on C87-5, which is missing.) Alla Barabolak and Stephanie Cehelska discuss Ukrainian embroidery and differences/variety within the art; manner in which each of them learned to embroider; post-WWII changes in embroidery; pysanky [egg] decoration; trypylian designs; lack of interest in Ukrainian culture on the part of later generations; woodcarving; wedding traditions and wedding bread.
- Collection
Needlework by Marion Jones | Needlework by Marion Jones | Still Image | Embroiderers Needleworkers Fieldwork Embroidery Needlework Decorative arts Textile arts Material culture | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Needlework by Marion Jones
- Date
- 1987-08
- Description
- Twelve color slides. The Florida Folk Arts Survey was conducted in 1987 by folklorists Tina Bucuvalis, Steve Fragos, Merri Belland, and Barbara Seitz as preliminary research for a joint folk art project between the Florida Folklife Program and the Florida Museum of History. The field researchers focused on areas previously overlooked by FFP staff. The research focused on identifying folk artists and locating appropriate exhibit objects.
- Collection
Needleworker Magraret Horvath working on Hungarian embroidery | Needleworker Magraret Horvath working on Hungarian embroidery | Sound | Embroiderers Needleworkers Hungarians Americans Arts, Hungarian Embroidery Material culture Needlework Decorative arts | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Palestinian embroidery by Nadia Michaels | Palestinian embroidery by Nadia Michaels | Still Image | Embroiderers Fieldwork Embroidery Needlework Palestinian Americans Textile arts Decorative arts | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Palestinian embroidery by Nadia Michaels
- Date
- 1986-04-29
- Description
- Fourteen color slides. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, who was later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Penny King with her Greek embroidery | Penny King with her Greek embroidery | Still Image | Embroiderers Needleworkers Fieldwork Embroidery Greek Americans Arts, Greek Decorative arts Needlework Material culture Clothing Clothing and dress Textile arts Design | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Penny King with her Greek embroidery
- Date
- 1988-08
- Description
- Fifteen color slides. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Quinces clothing shop | Quinces clothing shop | Still Image | Embroiderers Needleworkers Merchants Specialty stores Embroidery Latinos Needlework Sewing Decorative arts Design Cuban Americans Selling | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |