Andrea and Sylvia Kolozsvary learning Hungarian embroidery | Andrea and Sylvia Kolozsvary learning Hungarian embroidery | Still Image | Needleworkers Embroiderers Apprentices Hungarians Americans Embroidery Needlework Textile arts Decorative arts Material culture | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Andrea and Sylvia Kolozsvary learning Hungarian embroidery
- Date
- 1985-03
- Description
- Seven color slides. Andrea and Sylvia apprenticed under Margaret Horvath in 1984-1985. Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Andrea and Sylvia Kolozsvary learning Hungarian embroidery from Margaret Horvath | Andrea and Sylvia Kolozsvary learning Hungarian embroidery from Margaret Horvath | Still Image | Needleworkers Embroiderers Apprentices Hungarians Americans Embroidery Needlework Textile arts Decorative arts Material culture | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Andrea and Sylvia Kolozsvary learning Hungarian embroidery from Margaret Horvath
- Date
- 1985-04
- Description
- Two proof sheets with twenty-three black and white images (plus negatives). Andrea and Sylvia apprenticed under Margaret Horvath in 1984-1985. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Arabic embroidery | Arabic embroidery | Still Image | Rug makers Weavers Embroiderers Fieldwork Rug making Rugs Arab Americans Decorative arts Textile arts Textiles Embroidery | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Craft demonstration area at the 1988 Florida Folk Festival | Craft demonstration area at the 1988 Florida Folk Festival | Still Image | Singers Drummers (Musicians) Whip maker Embroiderers Quiltmakers Farmers Folklore revival festivals Folk festivals Festivals Demonstrations Craft Performing arts Performers Quilting Musicians Whip making Steel drum (Musical instrument) Wood carving | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Czechoslovakian embroidery | Czechoslovakian embroidery | Still Image | Embroidery Textile arts Sewing Woven goods Material culture Craft Embroiderers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Elizabeth Spreckelsen learning Hungarian embroidery from Margaret Horvath | Elizabeth Spreckelsen learning Hungarian embroidery from Margaret Horvath | Still Image | Needleworkers Embroiderers Apprentices Hungarians Americans Embroidery Needlework Textile arts Decorative arts Material culture | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Elizabeth Spreckelsen learning Hungarian embroidery from Margaret Horvath
- Date
- 1985-03-06
- Description
- One proof sheet with thirty-four black and white images (plus negatives). Spreckelsen apprenticed under Margaret Horvath in 1984-1985. For an interview with Spreckelsen and Horvath, see S 1640, Box 20, tape 10. Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Embroiderer Erna Papard | Embroiderer Erna Papard | Still Image | Embroiderers Knitters (Persons) Needleworkers Fieldwork Knitted lace Knitting Needlework Material culture Clothing Dolls Dollmaking Lace and lace making | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Embroiderer Erna Papard
- Date
- 1986-08-19
- Description
- Nine color slides. Papard grew up in Heidelburg, Germany, where she elarned traditional German embroidery from her mother and grandmother. The Folk Arts in Education Project in Palm Beach County was a joint venture between the Palm Beach County School System and the Florida Folklife Program. It was conducted between 1986 and 1987 by folklorist Jan Rosenberg with funding from the National Endowment for the Arts to add to existing social studies curriculum. The goal was to impart an appreciation of multi-ethnic traditions and provide a sense of place to the mobile student population. The project focused on the Florida Studies component for fourth grade students. The project consisted of field research to identify local traditions and folk artists, a series of five two-day seminars to acquaint teachers with the use of folklore and folk arts, in-school programs conducted by a folklorist and traditionalist, which included visits by local folk artists. In total, the project involved 15 schools with 779 students.
- Collection
Embroiderer Nadia Michael | Embroiderer Nadia Michael | Still Image | Embroiderers Needleworkers Fieldwork Teaching of folklore Classrooms Children Students Elementary schools Education Palestinian Americans Embroidery Needlework Demonstrations Clothing and dress Arab Americans Ethnicity, Arabic Decorative arts Material culture Textile arts | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Embroiderer Nadia Michael
- Date
- 1988-02
- Description
- Fifteen color slides. Demonstration for students at Stonewall Jackson Elementary School. The Folk Arts in Education Project in Duval County was a joint venture between the Duval County School System and the Florida Folklife Program. It was started in 1984 by folklorist David Taylor with funding from the National Endowment for the Arts to add to existing social studies curriculum. The project consisted of field research to identify local traditions and folk artists, a series of five two-day seminars to acquaint teachers with the use of folklore and folk arts, in-school programs conducted by a folklorist and traditionalist, which included visits by local folk artists. Taylor ran it until 1986. In 1988, Gregory Hansen re-initiated it with minor changes.
- Collection
Embroiderer Nadia Michael at the 1985 Florida Folk Festival | Embroiderer Nadia Michael at the 1985 Florida Folk Festival | Still Image | Folk festivals Folklore revival festivals Demonstrations Palestinian Americans Embroidery Material culture Textile arts Textiles Domestic arts Sewing Embroiderers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Erna Parpard demonstrating German folk arts | Erna Parpard demonstrating German folk arts | Still Image | Embroiderers Needleworkers Fieldwork Embroidery Knitting Schools Elementary schools Teaching of folklore Education Demonstrations Classrooms German Americans Children Students | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Erna Parpard demonstrating German folk arts
- Date
- 1986-12-08
- Description
- Seven color slides. Parpard grew up in Heidelburg, Germany, where she learned traditional German embroidery from her mother and grandmother. For the class, she also demonstrated cooking and knitting. The Folk Arts in Education Project in Palm Beach County was a joint venture between the Palm Beach County School System and the Florida Folklife Program. It was conducted between 1986 and 1987 by folklorist Jan Rosenberg with funding from the National Endowment for the Arts to add to existing social studies curriculum. The goal was to impart an appreciation of multi-ethnic traditions and provide a sense of place to the mobile student population. The project focused on the Florida Studies component for fourth grade students. The project consisted of field research to identify local traditions and folk artists, a series of five two-day seminars to acquaint teachers with the use of folklore and folk arts, in-school programs conducted by a folklorist and traditionalist, which included visits by local folk artists. In total, the project involved 15 schools with 779 students.
- Collection