Chair maker Rufus Adams | Chair maker Rufus Adams | Still Image | African Americans Chairs Furniture Cornhusk craft Material culture Household items Craft Woodwork Chair caning Furniture maker Chair-makers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Lucreaty Clark | Lucreaty Clark | Still Image | African Americans Basket making Baskets Material culture Craft White oak Basket maker | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Lucreaty Clark
- Date
- 1981-01-14
- Description
- Two black and white prints -- same image number was used for both.
- Collection
Zora Neale Hurston Festival in 1991 | Zora Neale Hurston Festival in 1991 | Still Image | African Americans Special events Festivals Barbecue cookery Craft Demonstrations Food Food preparation | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Zora Neale Hurston Festival in 1991
- Date
- 1991-01
- Description
- One proof sheet with thirty-six black and white prints. Zora Neale Hurston was a major literary figure, known as one of the nation's preeminent African American writers. She was from Eatonville. Now, each January, the town holds a festival in her honor. 1-4: Festival organizer David Closson; 5-6: Conch and crab fritters by Deborah Chester; 7-12: Good Samaritan foods (BBQ); 13-14: painting called "Wandering Feather;" 15-16: Jewelry maker; 17-19: Clark Fashions; 20-26: George Alexander making BBQ; 27-30: Unidentified; 31-36: Patti's Thing (Jamaican pattie).
- Collection
Fly fishers Carl Hanson and apprentice Jason Keil | Fly fishers Carl Hanson and apprentice Jason Keil | Still Image | Apprentices Teaching of folklore Fly fishing Saltwater fly fishing Craft Fishing tackle Fishing Equipment and supplies Artisans Fishers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Fly fishers Carl Hanson and apprentice Jason Keil
- Date
- 1989-07
- Description
- Nineteen color slides. Born in Saginaw, Michigan, Hanson grew up in Rockport, Massachusetts, where he learned to tie fly fish lines from his grandfather. Saltwater fly fishing became popular in Florida in the 1960s. For more information on Keil and Hanson, see S 1640, box 8, folder 8. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Miscellaneous images from the Folk Arts Apprenticeship Area, 1990 Florida Folk Festival | Miscellaneous images from the Folk Arts Apprenticeship Area, 1990 Florida Folk Festival | Still Image | Apprentices Demonstrations Tents Folk festivals Folklore revival festivals Folklife Craft Artisans | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Miscellaneous images from the Folk Arts Apprenticeship Area, 1990 Florida Folk Festival
- Date
- 1990-05
- Description
- Twenty color slides. Unidentified images from the festival. Each year, the program-sponsored apprentices would demonstrate what they learned at the annual Florida Folk Festival. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Wood carvers Bill and Dale Cooey | Wood carvers Bill and Dale Cooey | Still Image | Apprentices Wood carving Teaching of folklore Decorative arts Craft Woodwork Woodworking tools Figurines Workshops Carpentry tools Pocketknives Carvers (Decorative artists) Wood carvers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Wood carvers Bill and Dale Cooey
- Date
- 1988-04
- Description
- One proof sheet with 24 black and white prints (plus negatives). Bill Cooey, a mix of Scottish and Yuchi Indian ancestry, grew up in the panhandle where he learned pocketknife carving from his mother, a descendant of the Yuchi Indians. His nephew Dale Cooey began to learn the craft with the Apprenticeship program in 1988. For more on Bill Cooey, see S 1644, box 3, folder 1. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Wood carvers Bill and Dale Cooey | Wood carvers Bill and Dale Cooey | Still Image | Apprentices Wood carving Teaching of folklore Decorative arts Craft Woodwork Woodworking tools Figurines Workshops Carpentry tools Carvers (Decorative artists) Wood carvers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Wood carvers Bill and Dale Cooey
- Date
- 1988
- Description
- Thirty-nine color slides. Bill Cooey, who has a mix of Scottish and Yuchi Indian ancestry, grew up in the panhandle. There, he learned pocketknife carving from his mother, a descendant of the Yuchi Indians. His nephew Dale Cooey began to learn the craft with the Apprenticeship program in 1988. For more on Bill Cooey, see S 1644, box 3, folder 1. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Lamont stores | Lamont stores | Still Image | Architecture Signs (commercial) Stores, retail Craft Baskets Buildings Structures Community Business | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Lamont stores
- Date
- Description
- Three black and white prints. P80-397 (two photos with same #) Wynn's Wood Crafts -- with Lucreaty Clark's baskets for sale. Hardware Store P80-396 Old mercantile store 12 December 1980
- Collection
Quilters Nancy Morgan and Elizabeth Knight | Quilters Nancy Morgan and Elizabeth Knight | Still Image | Architecture Houses Quilts Quilting Textile arts Women weavers Woven goods Domestic arts Craft Quiltmakers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Quilters Nancy Morgan and Elizabeth Knight
- Date
- Description
- One proof sheet with 36 black and white images, plus negatives. Image sof two White Springs quilters, plus image sof a local Victorian house. 1-19: Nancy Morgan and Elizabeth Knight; 20-25: quilts; 26-27: L'Beth Store 28-36: The Saunder's house (Victorian woodframe home). Date: April 1991.
- Collection
Ada Mickler and her palmetto hats | Ada Mickler and her palmetto hats | Still Image | Artisans Fieldwork Palm frond weaving Palmetto weaving Hats Plants Flora Minorcans Craft Material culture | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Ada Mickler and her palmetto hats
- Date
- 1988-10
- Description
- Twenty color slides. Images created as fieldwork for the Folk Arts Apprenticeship Program. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection