| a_s1714_03_tape02 | 45th Anniversary of the Senior Choir program | Sound | Fieldwork
African Americans
Choir singing
Singing
Choirs (music)
Religious music
Religion
Protestants
Christianity
Gospel (Black)
Gospel music
Gospel songs
Spiritual music
Spirituals (Songs)
Music performance
Performing arts
Churches
Church membership
Special events
Church attendance
Sound recording
Singers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
45th Anniversary of the Senior Choir program
- Date
- 1985-01-12
- Description
- Four audio cassettes. Recording of the 45th anniversary program for the senior choir of the Gethsemane Missionary Baptist Church. The program consisted of traditional gospel and spiritual songs. A malfunctioning microphone caused some distortion and feedback on the recording. In Winter 1985, the Bureau contracted with two folklorists to conduct a folk arts survey of the St. Johns River basin in northeastern Florida. The St. Johns River is the largest and most used river in Florida, supporting much river commerce as well as a modest amount of commercial fishing. Folklorists Mary Anne McDonald and Kathleen Figgen conducted the survey from January through March 1985 under the direction of Folklife Coordinator Blanton Owen and Bureau Chief Ormond Loomis. Documentation compiled in the survey was used to prepare and present the 'St. Johns River Basin Folklife Area' at the 1985 Florida Folk Festival.
- Collection
| Anointed Voices gospel program | Anointed Voices gospel program | Still Image | A capella singers
A capella singing
Gospel music
Religious rites
Religious music
African Americans
Church services
Protestants
Christianity
Church membership
Protestant church buildings
Special events
Performing arts
Performers
Singers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Anointed Voices gospel program
- Date
- 1991-04
- Description
- Two contact sheets with 53 black and white images, plus negatives. Images of a gospel music program at the Free Will Church of God called Anointed Voices. 1-8, 41-44: The Versiteers; 9-40, 45-53: Gospel Knights, Edith Mae Ryan.
- Collection
| a_s2044_02_tape03 | Aubrey Ghent and his father Henry Nelson performing sacred steel music at various events | Sound | Guitarist
Singers
Fieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Festivals
Folk festivals
Special events
Church attendance
Church services
Protestants
Christianity
Churches
Religion
Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Aubrey Ghent and his father Henry Nelson performing sacred steel music at various events
- Date
- 1993-11-26
- Description
- One audio cassette recording. (Duplicate can be found on tape 5.) The first half of the tape was recorded at a House of God "Family and Friends Day Celebration" in Daytona Beach on 5 September 1993. The second half was recorded at the Ocala House of God Church #2 on 26 November 1993, and the then at the 1994 Florida Folk Festival on May 24 1994 (for entire festival performance, see D94-20 in S 1576.) On the second half, the vocals are weak. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
- Collection
| a_s2044_02_tape09 | Aubrey Ghent performing Father in Jesus Name | Sound | Fieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Bands (Music)
Musical groups
Churches
Religion
Christianity
Protestants
Guitarist
Singers
Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Aubrey Ghent performing Father in Jesus Name
- Date
- 1993-09-05
- Description
- One audio cassette recording. For more of these two, see tape 3. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
- Collection
| Bethlehem Primitive Baptist Church and cemetery | Bethlehem Primitive Baptist Church and cemetery | Still Image | Fieldwork
Cemeteries
Religion
Architecture
Church architecture
Christianity
Baptist church buildings
Protestant church buildings
Churches
Gravestones
Graves
Grave markers
Sepulchral slabs
Sepulchral monuments
Stone structures
Stone carving | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
| a_s1622_03_tape06 | Bill & Eloise Smith with Sounds of Praise performance at the North Ft. Myers Church of God | Sound | Music ensembles
Field recordings
Church services
Sacred music
Religious songs
Music -- Performance
Christianity | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
| Botanica Nena in Little Havana | Botanica Nena in Little Havana | Still Image | Fieldwork
Santeria
Herbs
Figurines
Crosses
Crucifixes
Religious symbolism
Religion
Christianity
Christian art and symbolism
Specialty stores
Stores, retail | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Botanica Nena in Little Havana
- Date
- 1980-06-02
- Description
- Thirty color slides. A botanica was a place where believers in Santeria could buy herbs and other supplies. Santeria is a New World version of the Yoruba religion. Catholic items such as crucifixes and statues of saints were also for sale. Slides S80-177, S80-180, S80-185, S80-189, and S80-191 are missing.
- Collection
| Brush Arbor church services at the 1976 Florida Folk Festival | Brush Arbor church services at the 1976 Florida Folk Festival | Still Image | Bluegrass musicians
Folk festivals
Religious rites
Religion
Church services
Church membership
Folklore revival festivals
Performers
Performing arts
Christianity | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Brush Arbor church services at the 1976 Florida Folk Festival
- Date
- 1954
- Description
- Twenty-one black and white prints. Images of various church groups re-creating brush arbor sermons at the Florida Folk Festival. Brush arbors were informal open shelters under which church services were held. Originally, they were made from tree branches strewn across wooden scaffolding. Later ones were more permanent, similar to a pavilion.
- Collection
| Catholic mass held in a Methodist Church in Seville | Catholic mass held in a Methodist Church in Seville | Still Image | Fieldwork
Christianity
Structures
Buildings
Church services
Community culture
Religion
Church architecture
Ethnicity, Mexico
Latinos
Churches
Church buildings
Catholics
Musical instruments
Religious rites
Baptism
Baptismal sermons
Priests
Church attendance
Infant baptism | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Catholic mass held in a Methodist Church in Seville
- Date
- 1985-03-10
- Description
- Twenty-seven color slides. Images of a Catholic mass and baptismal service in Seville, Florida. The mass was held in a Methodist Church that the Mexican American fern farmer used for Catholic services. For a recording of the service, see S 1714, box 4, tapes 68-69. 1742-1743: The Methodist Church exterior; 1444-1748: Chuck Bard and Francisco Espino playing music; 1749-1751: Bard leading singing; 1752-1753: Blessing child; 1754, 1756: Narvaez giving communion; 1755: baptising child; 1756-1757: Mother and child; 1806-1813: church parishioners; 1814-1815: Father Narvaez. In winter 1985, the Bureau contracted with two folklorists to conduct a folk arts survey of the St. Johns River basin in northeastern Florida. The St. Johns River is the largest and most used river in Florida, supporting much river commerce as well as a modest amount of commercial fishing. Folklorists Mary Anne McDonald and Kathleen Figgen conducted the survey from January through March 1985 under the direction of Folklife Coordinator Blanton Owen and Bureau Chief Ormond Loomis. Documentation compiled in the survey was used to prepare and present the "St. Johns River Basin Folklife Area" at the 1985 Florida Folk Festival.
- Collection
| Celebration of Ermita de la Caridad | Celebration of Ermita de la Caridad | Still Image | Religion
Religious rites
Christianity
Catholics
Community culture
Calendar rites
Rites and ceremonies
Latinos
Cuban Americans
Priests | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Celebration of Ermita de la Caridad
- Date
- 1985-09-07
- Description
- Twenty color slides. Celebration of the Ermita (La Virgin) de la Caridad, held at the Miami Stadium. Images are hard to see- they were taken a distance away. The Metro-Dade Folk Arts Survey was conducted in 1986 by folklorists Tina Bucuvalas, Nancy Nusz and Laurie Sommers in order to identify folk arts and folk artists for the special folklife area at the 34th Annual Florida Folk Festival. The traditions are mainly Haitian, Jamaican, Mexican, Bahamian, Cuban and Jewish and cover a wide range of skills and art forms.
- Collection
Listen: The Latin Program