9 items found
Collection ID is exactly "1" AND Subject is exactly "Body art"
Sorted by Title
Cecilia Compor

Cecilia Compor

Date
1990-10
Description
Five color slides. Images of Cecilia Compor's Mehndi designs in Miami.
Collection
East Indian mehndi artist Farzana Kalvert and apprentices

East Indian mehndi artist Farzana Kalvert and apprentices

Date
1989
Description
One color slide, 20 black and white negatives. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Last Night Fun, an Irish dance group at the 1978 Florida Folk Festival

Last Night Fun, an Irish dance group at the 1978 Florida Folk Festival

Date
1978-05
Description
One black and white print. The Irish dance group, Last Night Fun, were from Tampa.
Collection
Pensacola Occupational Folklife

Pensacola Occupational Folklife

Date
1980
Description
One photographic proof sheet with thirty-six black and white images, plus negatives. Images taken for the West Florida Folklife Survey. 1-12: J.C. Nix nets and shop; 13-19: Red Cherry's Seafood 20-36: Tattooist Jon Fort. Date: Summer 1980.
Collection
Pensacola Occupational Folklife

Pensacola Occupational Folklife

Date
1980
Description
One photographic proof sheet with thirty-four black and white images, plus negatives. Images taken for the West Florida Folklife Survey. 1-6: Tattooist Jon Fort; 7-11: Motor Bateaux (Johnboat) 12-16: Wright family gourd birdhouses; 17-27: J. Dunlar in his shop making fishing rods; 28-36: Net maker Hubert Whitworth. Date: Summer 1980.
Collection
Seminole Women: Polly Billie, Nancy Billie, and Lottie Shore

Seminole Women: Polly Billie, Nancy Billie, and Lottie Shore

Date
1980
Description
Eight proof sheets with 286 black and white images. Images taken during fieldwork for the Seminole Slide and Tape Project. Images taken on the Brighten and Hollywood Seminole Reservations of three generations of the Billie family women: Lottie Shore, Nancy Billie, and Polly Billie. Also includes images of their houses and neighbors. Proof sheets are numbered 1 through 8. Sheet 1: Nancy Billie (in pull-over and jeans) and her mother Lottie Shore (in traditional Seminole dress). Brighten Reservation. 34 images. Sheet 2: Polly Billie (daughter of Nancy Billie) in her home in Hollywood. 35 images. Sheet 3: Polly Billie talking and sewing in her home. 32 images. Sheet 4: Nancy Billie and her vehicle. Also images of local community. Sheet 5: Seminole school children; Lottie Shore in traditional dress and jewelry; Everglades skiff. 35 images. Sheet 6: Polly Billie and her husband and home. Also displaying her homemade tattoos. 35 images. Sheet 7: Seminole school chidren at an assembly, and playing stick ball. Sheet 8: Tradional Seminole chickee; Lottie Shore. Slide log sheet included. The images were created in part for use in an exhibit on Seminole culture at the Museum of Florida History.
Collection
Seminole Women: Polly Billie, Nancy Billie, and Lottie Shore

Seminole Women: Polly Billie, Nancy Billie, and Lottie Shore

Date
1980
Description
Seven proof sheets with 238 black and white images. Images taken during fieldwork for the Seminole Slide and Tape Project. Images taken on the Brighten and Hollywood Seminole Reservations of three generations of the Billie family women: Lottie Shore, Nancy Billie, and Polly Billie. Also includes images of their houses and neighbors. Proof sheets are numbered 9 through 15. Sheet 9: Lottie Shore: fishing and cooking; also unidentified family members. Sheet 10: Nancy Billie at an unidentified public assembly. Sheet 11: Lottie Shore; Seminole grass baskets. Sheet 12: Nancy Billie: with unidentified women, voting at a reservation poll. Sheet 13: Seminole chickee; Nancy Billie at her workplace. Sheet 14: Nancy Billie; Seminole baskets. Sheet 15: Lottie Shore grinding corn with mortar and pestle; Tattoos on Polly Billie's arms. Slide log sheet included. The images were created in part for use in an exhibit on Seminole culture at the Museum of Florida History.
Collection
Tatooist Jon Fort

Tatooist Jon Fort

Date
1980
Description
One black and white print.
Collection
Tatooist Jon Fort in his shop

Tatooist Jon Fort in his shop

Date
1980
Description
Twenty color slides. Fort creating tattoos, as well as drawings he uses as guides for tattooing. Images demonstrate the process and tools used in tattoo artistry.
Collection
Identifier Title Type Subject Thumbnail
Cecilia ComporCecilia ComporStill ImageMehndi (Body painting)
Body painting
Art
Body art
Painting
Painters
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
East Indian mehndi artist Farzana Kalvert and apprenticesEast Indian mehndi artist Farzana Kalvert and apprenticesStill ImageArtisans
Artists
Tattoo artists
Apprentices
Indian Americans
Body art
Mehndi (Body painting)
Body painting
Indian arts
Teaching of folklore
Henna
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Last Night Fun, an Irish dance group at the 1978 Florida Folk FestivalLast Night Fun, an Irish dance group at the 1978 Florida Folk FestivalStill ImageDance
Performing arts
Performers
Folk festivals
Folklore revival festivals
Body art
Dancers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Pensacola Occupational FolklifePensacola Occupational FolklifeStill ImageFishing nets
Saltwater fishing
Netmaking
Textile arts
Woven goods
Material culture
Occupational groups
Workplace
Labor
Tattoo
Body art
Scarification
Seafood
Restaurants
Fishers
Net maker
Tattoo artists
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Pensacola Occupational FolklifePensacola Occupational FolklifeStill ImageBoats and boating
Tattoo
Body art
Fishing rods
Fishing Equipment and supplies
Birdhouses
Gourds
Fishing nets
Woven goods
Material culture
Seafood gathering
Maritime life
Occupational groups
Johnboats
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Seminole Women: Polly Billie, Nancy Billie, and Lottie ShoreSeminole Women: Polly Billie, Nancy Billie, and Lottie ShoreStill ImageSeminole Indians
Family history
Community
Women
Sewing
Native Americans
Clothing and dress
Food habits
Jewelry
Textile arts
Tattoo
Body art
Children
Houses
Architecture
Games
Chickee
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Seminole Women: Polly Billie, Nancy Billie, and Lottie ShoreSeminole Women: Polly Billie, Nancy Billie, and Lottie ShoreStill ImageSeminole Indians
Family history
Community
Women
Sewing
Native Americans
Clothing and dress
Sweetgrass baskets
Jewelry
Fishing
Tattoo
Body art
Voting
Houses
Architecture
Fishing Equipment and supplies
Chickee
Workplace
Pestles
Implements, utensils, etc.
Indian reservations
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Tatooist Jon FortTatooist Jon FortStill ImageTattoo
Body art
Artisans
Art
Scarification
Workplace
Occupational groups
Tattoo artists
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Tatooist Jon Fort in his shopTatooist Jon Fort in his shopStill ImageFieldwork
Tattoo
Decorative arts
Body art
Body painting
Design
Occupational groups
Workplace
Tools
Merchants
Tattoo artists
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
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