266 items found
Collection ID is exactly "1" AND Subject is exactly "Apprentices"
Sorted by Title
Afro-Cuban drummer Florencia Baro and his apprentices performing

Afro-Cuban drummer Florencia Baro and his apprentices performing

Date
1989
Description
Six color slides; 18 negatives. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Amy Cox & apprentice Bob Murphy interview for the Folk Arts Apprenticeship Program

Amy Cox & apprentice Bob Murphy interview for the Folk Arts Apprenticeship Program

Date
1991-06-16
Description
One audio cassette (DAT tape). Amy Cox began playing with her father Gerry and mother Regina in the Homegrown String Band in 1982 at the age of eight. They played the Florida Folk Festival from 1983 through the 1990s. A copy of their album, Little Streams of Whiskey, can be found in S 1640, box 21. Murphy was her apprentice in 1990-1991. 
Collection
Andrea and Sylvia Kolozsvary learning Hungarian embroidery

Andrea and Sylvia Kolozsvary learning Hungarian embroidery

Date
1985-03
Description
Seven color slides. Andrea and Sylvia apprenticed under Margaret Horvath in 1984-1985. Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Andrea and Sylvia Kolozsvary learning Hungarian embroidery from Margaret Horvath

Andrea and Sylvia Kolozsvary learning Hungarian embroidery from Margaret Horvath

Date
1985-04
Description
Two proof sheets with twenty-three black and white images (plus negatives). Andrea and Sylvia apprenticed under Margaret Horvath in 1984-1985. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Annie Sellers learning how to make chairs from Rufus Adams

Annie Sellers learning how to make chairs from Rufus Adams

Date
1988-03
Description
Seven black and white negatives. Rufus Adams and apprentice(stepdaughter) Annie Sellers making corn shuck bottomed chairs. Rufus Adams was born in Georgia in 1893. In 1940, Adams and his wife moved to Mayo, Florida. There he worked as a tenant tobacco farmer. From his wife he learned make corn shuck chair bottoms. He soon became known as the 'chair man.'
Collection
Antonio Lerios and apprentice Nick Toth making dive helmets

Antonio Lerios and apprentice Nick Toth making dive helmets

Date
1986-02-24
Description
Thirty-four color slides. Lerios began making diving helmets for sponge divers in 1913 in Tarpon Springs. When he was in his 80s, he decided to retire. In the meantime, Toth, fresh with a degree from University of Florida, decided to learn the trade, and he worked as an apprentice for Lerios. By 1992 when Lerios died, Toth had assumed control of the business. Diving helmets date back to the early 1900s. Once Greek divers began diving for sponges in Tarpon Springs in 1905, the diving helmet industry in Florida began. The helmets allow divers to walk into deep water to gather sponges. For more history of Lerios and Toth diving helmets, see: http://www.divinghelmets.com/pages/history.html The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Apprentices at the 1994 Florida Folk Festival

Apprentices at the 1994 Florida Folk Festival

Date
1994-05
Description
Thirty-five color slides. Many of the slides are blurry. Images of 1994 Florida Folk Artists apprenticeship demonstrators, including white oak basket maker Jennings and Steen, and David and Isaac Duenas, who made Cuban gigantes.
Collection
Apprentices learning gospel music

Apprentices learning gospel music

Date
1990
Description
Two color slides; 30 negatives. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Apprenticeship area at the 1989 Florida Folk Festival

Apprenticeship area at the 1989 Florida Folk Festival

Date
1985-05-27
Description
One proof sheet with twenty-six black and white images, plus negatives. 1-5: Liliane Louis and Fernande Forte learning Haitian tales; 6-10: Fernande Forte; 11-13: Carl Hansen making fishing lures; 14-16: Jason Kiel making fishing lures; 17-19: Carl Hansen and Jason Kiel; 20-23: Ana Diaz and Carmen Lindstrom; 24-25: Carmen Lindstrom; 26: Ana Diaz.
Collection
Apprenticeship exhibit at the Stephen Foster Center

Apprenticeship exhibit at the Stephen Foster Center

Date
1987-11
Description
Eight color slides. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Identifier Title Type Subject Thumbnail
Afro-Cuban drummer Florencia Baro and his apprentices performingAfro-Cuban drummer Florencia Baro and his apprentices performingStill ImageDrummers (Musicians)
Apprentices
African Americans
Cuban Americans
Arts, Cuban
Drums
Music performance
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
a_s1640_22_tape05Amy Cox & apprentice Bob Murphy interview for the Folk Arts Apprenticeship ProgramSoundApprentices
Fiddle tunes
Old time music
Interviews
Field recordings
/fpc/memory/omeka_images/thumbnails/audio.jpg
Andrea and Sylvia Kolozsvary learning Hungarian embroideryAndrea and Sylvia Kolozsvary learning Hungarian embroideryStill ImageNeedleworkers
Embroiderers
Apprentices
Hungarians Americans
Embroidery
Needlework
Textile arts
Decorative arts
Material culture
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Andrea and Sylvia Kolozsvary learning Hungarian embroidery from Margaret HorvathAndrea and Sylvia Kolozsvary learning Hungarian embroidery from Margaret HorvathStill ImageNeedleworkers
Embroiderers
Apprentices
Hungarians Americans
Embroidery
Needlework
Textile arts
Decorative arts
Material culture
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Annie Sellers learning how to make chairs from Rufus AdamsAnnie Sellers learning how to make chairs from Rufus AdamsStill ImageMaterial culture
Chairs
Furniture
Cornhusk craft
Domestic arts
Woodwork
Apprentices
Women apprentices
Fieldwork (educational method)
Craft
African Americans
Chair caning
Furniture maker
Chair-makers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Antonio Lerios and apprentice Nick Toth making dive helmetsAntonio Lerios and apprentice Nick Toth making dive helmetsStill ImageApprentices
Diving Equipment and supplies
Greek Americans
Helmets
Metal craft
Sponge fisheries
Workplace
Workshops
Teaching of folklore
Copper
Metal products
Artisans
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Apprentices at the 1994 Florida Folk FestivalApprentices at the 1994 Florida Folk FestivalStill ImageArtisans
Basket maker
Folk festivals
Folklore revival festivals
Festivals
Special events
Baskets
Basket making
White oak
Arts, Cuban
Masks
Paper art
Craft
Material culture
Apprentices
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Apprentices learning gospel musicApprentices learning gospel musicStill ImageApprentices
African Americans
Gospel (Black)
A capella singing
A capella singers
Teaching of folklore
Singers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Apprenticeship area at the 1989 Florida Folk FestivalApprenticeship area at the 1989 Florida Folk FestivalStill ImageFolk festivals
Folklore revival festivals
Craft
Workshops (Adult education)
Folklife
Fishing lures
Tales
Artisans
Apprentices
Storytellers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Apprenticeship exhibit at the Stephen Foster CenterApprenticeship exhibit at the Stephen Foster CenterStill ImageApprentices
Furniture
Furniture makers
Exhibits
Education
Woodwork
Teaching of folklore
Chair-makers
Wood craft
Photography
Baskets
Basket work
Oyster tongs
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Questions and Feedback Form
Please provide your name
Please provide a valid email address
Please provide a valid phone number
Please provide a comment

Please note:
Under Florida law, email addresses are public records. If you do not want your email address released in response to a public records request, do not send electronic mail to this entity. Instead, contact this office by phone or in writing.


Notice: Undefined index: query in /var/www/html/plugins/AvantSearch/controllers/FindController.php on line 28