a_s2034_07_cd07-046 | Carl Sharp reading poetry & Mestengo performance at the 2007 Florida Folk Festival Folklife Stage | sound | Folk festivals Florida Folk Festival Music -- Performance Mexican Americans Norteño (Music) Accordion music Conjunto music Cowboys -- Poetry Cowboys -- Florida Florida Crackers Poetry reading | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Carl Sharp reading poetry & Mestengo performance at the 2007 Florida Folk Festival Folklife Stage
- Date
- 2007-11-11
- Description
- Annette Fromm serves as emcee. Sharp reads a cowboy poem. Granado (accordion, vocals), J. Martinez (drums, vocals), Arrazola (bajo sexto, vocals), and Martinez (bass, vocals) perform as Mestengo. Granado explains their fusion of música norteña and Tejano/Tex-Mex; the genre's origins in northern Mexico; the influence of Polish and German musical styles and instrumentation, primarily the polka and the accordion; and technical aspects of the accordion and bajo sexto. The band plays a cumbia, ranchera, bolero, and huapango.
- Collection
a_s1576_t92-014 | Florida Folklife Program apprentices performing at the 1992 Florida Folk Festival (Main stage) | Sound | Folk festivals Folklore revival festivals Festivals Special events Performing arts Performances Music performance Guitar music Songs Guitarists Singers Accordion Accordion music Apprentices Folklorists Musicians Guitarist Accordionists | /fpc/memory/omeka_images/thumbnails/audio.jpg |
a_s1576_t77-092 | Friday afternoon performances at the 1960 Florida Folk Festival (Main Stage) (Reel 1) | Sound | Festivals Folk festivals Folklore revival festivals Special events Performing arts Music performance Singing Elementary schools Choir singing Choirs (music) Hand-clapping games Accordion music Dance Historical reenactments Seminole Indians Creek Indians Native Americans African Americans Singers Rodeo performers Accordionists Children Choruses Musicians Students | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Friday afternoon performances at the 1960 Florida Folk Festival (Main Stage) (Reel 1)
- Date
- 1960-05-06
- Description
- One reel to reel recording. Boltin served as emcee. NOTE -- The original reel was inadvertently recorded on side 2 first, and then side 1. When digitized for preservation purposes, that sequence order was maintained. The tracks here are listed in the order of the reel recording, not the order as recorded at the festival. Therefore, notations are included as to which side of the reel the tracks are actually from. Detailed information on the performers can be found on the 1960 festival program, located in S 1619, box 1. Foy, Gill and Knight played as the Accordion Trio.
- Collection
a_s1576_t76-004b | Friday evening performances at the 1954 Florida Folk Festival (Main Stage) (Reel 1) | Sound | Festivals Folk festivals Folklore revival festivals Special events Music performance Folk singers Performing arts Hand-clapping games Jump rope rhymes Creek Indians Native Americans Town criers Spirituals (Songs) Accordion music Shape note singing Musical tradition, sacred Singers Children Dancers Accordionists Shape note singers Choruses Students | /fpc/memory/omeka_images/thumbnails/audio.jpg |
a_s1576_t77-041 | Friday evening performances at the 1956 Florida Folk Festival (Main Stage) (Reel 1) | Sound | Festivals Folk festivals Folklore revival festivals Special events Performing arts Music performance Singing Elementary schools Dance music Dance African Americans Hand-clapping games Accordion music Fiddle music Choruses Dancers Fiddlers Children Musicians Singers Students | /fpc/memory/omeka_images/thumbnails/audio.jpg |
a_s1576_t77-056b | Friday evening performances at the 1957 Florida Folk Festival (Main Stage) (Reel 1) | Sound | Singers Fiddlers Accordionists Guitarist Dancers Festivals Folk festivals Folklore revival festivals Special events Performing arts Music performance String bands Stringband music Old time music Bands (Music) Accordion music Dance Dance music Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
a_s1576_t77-081 | Friday evening performances at the 1959 Florida Folk Festival (Main Stage) (Reel 1) | Sound | Festivals Folk festivals Folklore revival festivals Special events Performing arts Music performance Accordion music Singing Autoharp music Guitar music Folk singers Puppet drama Seminole Indians Oral performance Puppet theater Mikasuki language Creek Indians Native Americans Religious songs Punch and Judy Singers Storytellers Accordionists Musicians Puppeteers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
a_s1576_25_c89-022 | Interview with John Gianaros | Sound | Arts, Greek Greek Americans Interviews Accordion music Life histories Oral histories Emigration and immigration Radio Oral narratives Sound recordings Musicians | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with John Gianaros
- Date
- 1989-06-25
- Description
- One audio cassette. A Greek accordion player, Gianaros discusses his life, from his birth at sea in 1905, to emigrating to the US to teaching accordion playing. He originally worked on ocean liners as a mechanic, exposing him to America. Once in the US, he worked as a chef, then music teacher. He later played on Greek language radio in the 1930s. recorded at the Sponge Industry Folk Arts festival, festival sounds can be heard throughout. The festival was held June 24-25, 1989 to celebrate Tarpon Springs heritage of sponge diving, a practice that dated back to the 1890s. By 1905, when 500 Greek immigrants answered an ad to be sponge divers, the town acquired a distinctive Greek flavor, as the Greek Americans thrived in the sponge industry. At one point, Florida provided 95% of the nation's sponges. Although today over fishing and synthetic materials have undercut the sponge diving industry, the tradition lives on in Greek families, and through tourism.
- Collection
a_s2029_01_tape08 | Los Fronterizos de Matamoros and Grupo Sensacion recording session. | Sound | Singers Musicians Accordionists Fieldwork Music performance Latinos Music Latin America Arts, Mexican Ethnicity, Mexico Mexican Americans Concerts Conjunto music Accordion music Polka music Bands (Music) | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Los Fronterizos de Matamoros and Grupo Sensacion recording session.
- Date
- 1995-04-09
- Description
- One DAT tape. The recording session took place at the home of Emilo Hernandez (a Chicano band leader), and was set up by Tomas Granado. The first band, Los Fronterizos (The Bordermen), played conjunto music and were comprised of Felix Cortez (bajo sexto), Felix Cortez, Jr. (accordion), Eduardo Cortinas (drums), Eleazar Cortez (drums), and Jesus Cortez Jr. (bass). They were a popular local band. Jesus, Sr., the band leader and accoridonist, worked as a bartender. The other band was Grupo Sensacion, a five-member Tejano/pop band led by Jose Luis Velasquez (singer/keyboard player). His daughter, Julissa Lissette also sang for the band. The Mexican American Music Survey was created to document the musical traditions of Florida's various Mexican-American communities: Apopka, South Dade County, Immokalee, the St. Johns River Basin, and Central Florida. Funded by a grant from the Lila Wallace-Reader's Digest Community Folklife Program, the survey was conducted between 1994 and 1996 by folklorist Robert Stone. Among the musical traditions were serenatas, conjunto, quinceanara ritual music, ranchera Michoacana, mariachi, norteno, Tejano, and pop music. At the end of the project, a sampler music tape was created by the Florida Folklife Program for distribution to various libraries.
- Collection
a_s2034_07_cd07-038 | Mestengo performance at the 2007 Florida Folk Festival Folklife Stage | sound | Folk festivals Florida Folk Festival Music -- Performance Mexican Americans Norteño (Music) Accordion music Conjunto music | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Mestengo performance at the 2007 Florida Folk Festival Folklife Stage
- Date
- 2007-11-10
- Description
- Tina Bucuvalas serves as emcee. Granado (accordion, vocals), J. Martinez (drums, vocals), Arrazola (bajo sexto, vocals), and Martinez (bass, vocals) perform as Mestengo. Granado explains musica norteña's origins in Nuevo Leon, Coahuila, and other northern Mexican states; the influence of Germanic musical styles and instrumentation, primarily the polka and the accordion; variations of Mexican folk dance; and the different tunings of his accordions. Arrazola describes the bajo sexto and its difference from the guitar, including tuning and strings. The band performs a polka, a cumbia, a ranchera, and a huapango.
- Collection