| a_s1640_23_tape02 | Recording of Cajun accordion player Papa Joe Arbie with his apprentice Michael Stapleton | Sound | Accordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Family history
Life histories
Teaching
Music rehearsals
Accordionists
Apprentices
Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Recording of Cajun accordion player Papa Joe Arbie with his apprentice Michael Stapleton
- Date
- 1993-01-04
- Description
- One DAT tape. Recording of a practice between Arabie and his apprentice Stapleton. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_22_tape36 | Recording of Cajun accordion player Papa Joe Arbie with his apprentice Michael Stapleton | Sound | Accordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Family history
Life histories
Teaching
Music rehearsals
Accordionists
Apprentices
Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Recording of Cajun accordion player Papa Joe Arbie with his apprentice Michael Stapleton
- Date
- 1992-01-25
- Description
- Two DAT tapes. Recording of a practice between Arabie and his apprentice Stapleton. They both also talk about their family and personal histories, how they learned the accordion, and musical influences. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_23_tape05 | Recording of Cajun accordion player Papa Joe Arbie with his apprentice Mike Stapleton | Sound | Accordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Accordionists
Apprentices
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Recording of Cajun accordion player Papa Joe Arbie with his apprentice Mike Stapleton
- Date
- 1992-05-12
- Description
- One audio cassette. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_23_tape06 | Recording of Cajun accordion player Papa Joe Arbie with his apprentice Mike Stapleton | Sound | Accordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Accordionists
Apprentices
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Recording of Cajun accordion player Papa Joe Arbie with his apprentice Mike Stapleton
- Date
- 1992-05
- Description
- One audio cassette. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_22_tape33 | Papa Joe Arbie interview and performance for the Folk Arts Apprenticeship Program | Sound | Accordions
Cajun music
Interviews
Music--Performance
Apprentices | /fpc/memory/omeka_images/thumbnails/audio.jpg |
| a_s1576_t90-065 | Jewish Purim Play performance at the 1990 Florida Folk Festival (Florida Folklife Area) | Sound | Actors
Performers
Folk festivals
Folklore revival festivals
Festivals
Special events
Workshops (Adult education)
Demonstrations
Play
Theater
Purim
Arts, Jewish
Jewish Americans
Narratives
Judaism
Holidays and festivals | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Jewish Purim Play performance at the 1990 Florida Folk Festival (Florida Folklife Area)
- Date
- 1990-05-25
- Description
- One reel to reel recording. Cantrell served as the emcee. A play performance of the book of Esther. Purim is a Jewish holiday celebrating the victory of the Jewish people over its enemies, as told in the Book of Esther. Literally a Celebration of Lots, it is a joyous time celebrating fun and happiness. Each year at the Florida Folk Festival, the Florida Folklife Program emphasized a particular culture, tradtions, or geographic area. In 1990, they emphasized celebrations of various Florida groups. including Haitians, Trinidadians, Greeks, and Jewish peoples.
- Collection
| a_s1576_t90-079 | Jewish Purim Play performance at the 1990 Florida Folk Festival (Florida Folklife Area) | Sound | Actors
Folk festivals
Folklore revival festivals
Festivals
Special events
Workshops (Adult education)
Demonstrations
Arts, Jewish
Jewish Americans
Theater
Religious art
Holidays and festivals
Play
Judaism
Purim | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Jewish Purim Play performance at the 1990 Florida Folk Festival (Florida Folklife Area)
- Date
- 1990-05-26
- Description
- One reel to reel recording. Purim is a Jewish holiday celebrating the victory of the Jewish people over its enemies, as told in the Book of Esther. Literally a Celebration of Lots, it is a joyous time celebrating fun and happiness. Each year at the Florida Folk Festival, the Florida Folklife Program emphasized a particular culture, tradtions, or geographic area. In 1990, they emphasized celebrations of various Florida groups. including Haitians, Trinidadians, Greeks, and Jewish peoples.
- Collection
| a_s1576_t90-085 | Purim Celebration Workshop at the 1990 Florida Folk Festival (Florida Folklife Area) | Sound | Actors
Folk festivals
Folklore revival festivals
Festivals
Special events
Workshops (Adult education)
Demonstrations
Holidays
Jews United States
Holidays and festivals
Oral communication
Purim
Arts, Jewish
Jewish Americans | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Purim Celebration Workshop at the 1990 Florida Folk Festival (Florida Folklife Area)
- Date
- 1990-05-27
- Description
- One reel to reel recording. Purim is a Jewish holiday celebrating the victory of the Jewish people over its enemies, as told in the Book of Esther. Literally a Celebration of Lots, it is a joyous time celebrating fun and happiness. Each year at the Florida Folk Festival, the Florida Folklife Program emphasized a particular culture, tradtions, or geographic area. In 1990, they emphasized celebrations of various Florida groups. including Haitians, Trinidadians, Greeks, and Jewish peoples.
- Collection
| Spanish conquistador reenactor at the 1958 Florida Folk Festival | Spanish conquistador reenactor at the 1958 Florida Folk Festival | Still Image | Actors
Festivals
Folk festivals
Folklore revival festivals
Historical reenactments
Costumes
Special events
Clothing and dress | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
| a_s1576_63_c96-032 | Storytellers at the 1996 Florida Folk Festival (Storytelling Tent) (Sunday) | Sound | Actors
Drummers (Musicians)
Folk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Oral performance
Oral narratives
Storytelling
Narratives
Trickster tales
Animal tales
Tales
Puppets
Personal experience narratives
Seminole Indians
Clogging
Drum performance
Workshops (Adult education)
Storytellers | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Storytellers at the 1996 Florida Folk Festival (Storytelling Tent) (Sunday)
- Date
- 1995-05-26
- Description
- 16 audio cassette recordings. Storytellers spoke between 10:00am and 5pm at the Storytelling Tent. (The Storytelling Auditorium area, which featured some of the same storytellers, was not recorded.) Wiseman, Spitzer, and Newsom served as the emcees. Several of the storytellers also sang songs. Mutima played the drums and kora during his stories; and Harshbarger used finger puppets to aid hers.
- Collection
Listen: The Latin Program
