a_s1640_24_tape02 | Interview with leather worker Bob Dellis | Sound | Apprentices Fieldwork Interviews Personal experience narratives Leather craft Leather goods Occupational groups Occupational training Tools Saddlery Design Belts (Clothing) Saddles Oral histories Carvers (Decorative artists) Leather workers | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with leather worker Bob Dellis
- Date
- 1992-12-14
- Description
- Two audio cassettes. Dellis was a long-time leather worker originally born and trained in leather carver in Texas. He made belts, boots, saddles, and other leather carvings. For more information on Dellis, see S 1644, box 11, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
- Collection
a_s1640_24_tape05 | Interview with leather worker Bob Dellis | Sound | Apprentices Fieldwork Interviews Personal experience narratives Leather craft Leather goods Occupational groups Occupational training Tools Saddlery Design Belts (Clothing) Saddles Oral histories Carvers (Decorative artists) Leather workers | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with leather worker Bob Dellis
- Date
- 1993-07-28
- Description
- One audio cassette. Dellis was a long-time leather worker originally born and trained in leather carver in Texas. He made belts, boots, saddles, and other leather carvings. For more information on Dellis, see S 1644, box 11, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
- Collection
a_s1640_24_tape04 | Interview with leather worker Bob Dellis | Sound | Apprentices Fieldwork Interviews Personal experience narratives Leather craft Leather goods Occupational groups Occupational training Tools Saddlery Design Belts (Clothing) Saddles Oral histories Carvers (Decorative artists) Leather workers | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with leather worker Bob Dellis
- Date
- 1993-04-16
- Description
- Two audio cassettes. Dellis was a long-time leather worker originally born and trained in leather carver in Texas. He made belts, boots, saddles, and other leather carvings. For more information on Dellis, see S 1644, box 11, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
- Collection
Irish James Kelly with apprentices Linda Gesele and Pam Carsey | Irish James Kelly with apprentices Linda Gesele and Pam Carsey | Still Image | Apprentices Fiddles Fiddling String instruments Music performance Arts, Irish Irish Americans Musical instruments Teaching of folklore Fiddlers Musicians | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Irish James Kelly with apprentices Linda Gesele and Pam Carsey
- Date
- 1989-08
- Description
- Twenty color slides. For more information on Kelly and the apprentices, see S 1640, box 8, folder 9. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Kathleen Rondeau teaching her daughter, Chanda, Irish stepdancing | Kathleen Rondeau teaching her daughter, Chanda, Irish stepdancing | Still Image | Basket maker Apprentices Fieldwork Teaching of folklore Stepdancing Dance Irish Americans Irish dance Dancers Body movement | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Kathleen Rondeau teaching her daughter, Chanda, Irish stepdancing
- Date
- 1984-02
- Description
- One proof sheets with thirty black and white images (plus negatives). Rondeau and her daughter Chanda were among the first participants in the Florida Folk Arts Apprenticeship Program in 1983-1984. As a master folk artist, Rondeau taught Chanda Irish step dancing. Rondeau, who learned stepdancing in Ireland, ran the Gaelic School of Irish Stepdancing, where the images were taken. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and had agreed to train for at least six months. The first project director was Blanton Owen, who was later replaced by folklorist Peter Roller. The program was continued each year until 2003.
- Collection
Ceili Irish music performer Mary Marshall | Ceili Irish music performer Mary Marshall | Still Image | Ceilidhes Irish Americans Music Dance music Performing arts Folk singers Performers Folk festivals Folklore revival festivals Singers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Ceili Irish music performer Mary Marshall
- Date
- 1991-05-26
- Description
- Fifteen color slides. Mary Marshall was a Ceili music performer, a form of Irish music that developed in the 1850s to accompany informal dances in rural Irish villages. The word derived from "le chiele," which meant to gather together for a chat. Today, those parties are called ceilidhes.
- Collection
Irish step dancing at the 1984 Florida Folk Festival | Irish step dancing at the 1984 Florida Folk Festival | Still Image | Children Festivals Folklore revival festivals Folk festivals Arts, Irish Irish Americans Irish dance Stepdancing Performing arts Body movement Dancers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Irish dancers and singers performing at the Florida Folk Festival | Irish dancers and singers performing at the Florida Folk Festival | Still Image | Dance Clothing and dress Folk dance Body movement Performing arts Folk festivals Folklore revival festivals Singers Children Singing Students Arts, Irish Dancers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
a_s1576_78_d98-024 | Friday performances at the 1998 Florida Folk Festival (Folklife Narrative Stage) (Tape 1) | Sound | Dancers Musicians Fiddlers Folk festivals Folklore revival festivals Festivals Special events Performing arts Music performance Fiddling Fiddle music Indian Americans Indian dance Indian arts Personal experience narratives Arts, Irish Irish Americans Life histories Folklorists | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Video recording of the 1984 Florida Folk Festival (Video 5 of 15) | Video recording of the 1984 Florida Folk Festival (Video 5 of 15) | Moving Image | Dancers Basket maker Artists Weavers Folklore revival festivals Folk festivals Special events Seminole Indians Arts, Irish Irish dance Painting Palmetto weaving Stepdancing Basket making Basket work Painters | /fpc/memory/omeka_images/thumbnails/catalog_video.jpg |