6 items found
Collection ID is exactly "1" AND Tradition Bearer is exactly "Wright, Brian K., 1961-"
Sorted by Title
Folklife apprentices at the 1995 Florida Folk Festival

Folklife apprentices at the 1995 Florida Folk Festival

Date
1995-05-28
Description
Twenty-six color slides. Toro Huaco were a Nicaraguan dance group, including Jose Silva and his apprentice Jose Silva. They were from Pembroke Pines. Hymn liner Demps and his apprentice Wright; both were from Orlando. And Japanese dancer Kazuko Law (of Gulf Breeze) with her apprentice Ofuyu Raiko Forrest (of Pensacola). They performed as Wako Kai. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through at least 2006.
Collection
Images of hymn liner Troy Demps and his apprentice Brian Knight

Images of hymn liner Troy Demps and his apprentice Brian Knight

Date
1995-01-28
Description
Four color slides. Wright was funded to learn from Demps traditional hymn lining. Hymn lining, which began in the 1700s, involves the leader signing a line, and the congregation repeats it. For more information, see S 1644, box 11, folder 37. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Images of hymn liner Troy Demps and his apprentice Brian Knight

Images of hymn liner Troy Demps and his apprentice Brian Knight

Date
1995-07-18
Description
23 color slides. Wright was funded to learn from Demps traditional hymn lining. Hymn lining, which began in the 1700s, involves the leader signing a line, and the congregation repeats it. For more information, see S 1644, box 11, folder 37. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Images of hymn liner Troy Demps and his apprentice Brian Knight

Images of hymn liner Troy Demps and his apprentice Brian Knight

Date
1995-07-18
Description
Three proof sheets with 73 black and white images (plus negatives). Wright was funded to learn from Demps traditional hymn lining. Hymn lining, which began in the 1700s, involves the leader signing a line, and the congregation repeats it. For more information, see S 1644, box 11, folder 37. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Recording of hymn liner Troy Demps and his apprentice Brian Knight

Recording of hymn liner Troy Demps and his apprentice Brian Knight

Date
1994
Description
One audio cassette. Recorded at Demp's residence. Wright was funded to learn from Demps traditional hymn lining. Hymn lining, which began in the 1700s, involves the leader signing a line, and the congregation repeats it. For more information, see S 1644, box 11, folder 37. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Troy Demps & Brian Wright interview for the Folk Arts Apprenticeship Program

Troy Demps & Brian Wright interview for the Folk Arts Apprenticeship Program

Date
1995-01-28
Description
One DAT tape. Recorded at Demp's residence. Wright was funded to learn from Demps traditional hymn lining. Hymn lining, which began in the 1700s, involves the leader signing a line, and the congregation repeats it. For more information, see S 1644, box 11, folder 37.
Collection
Identifier Title Type Subject Thumbnail
Folklife apprentices at the 1995 Florida Folk FestivalFolklife apprentices at the 1995 Florida Folk FestivalStill ImageMusical groups
Performers
Folklore revival festivals
Folk festivals
Music
Performing arts
Latinos
Arts, Nicaraguan
Nicaraguan Americans
Apprentices
Arts, Japanese
Japanese Americans
Hymn lining
African Americans
Dancers
Singers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Images of hymn liner Troy Demps and his apprentice Brian KnightImages of hymn liner Troy Demps and his apprentice Brian KnightStill ImageFieldwork
African Americans
Singing
Music performance
Music rehearsals
Oral performance
Gospel (Black)
A capella singers
Hymn lining
Apprentices
Singers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Images of hymn liner Troy Demps and his apprentice Brian KnightImages of hymn liner Troy Demps and his apprentice Brian KnightStill ImageFieldwork
African Americans
Singing
Music performance
Music rehearsals
Oral performance
Gospel (Black)
Apprentices
Singers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Images of hymn liner Troy Demps and his apprentice Brian KnightImages of hymn liner Troy Demps and his apprentice Brian KnightStill ImageFieldwork
African Americans
Singing
Music performance
Music rehearsals
Oral performance
Gospel (Black)
A capella singers
Hymn lining
Apprentices
Singers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
a_s1640_25_tape18Recording of hymn liner Troy Demps and his apprentice Brian KnightSoundFieldwork
African Americans
Singing
Music performance
Music rehearsals
Oral performance
Gospel (Black)
Gospel music
Hymns
Religious songs
A capella singers
A capella singing
Hymn lining
Apprentices
Singers
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s1640_25_tape08Troy Demps & Brian Wright interview for the Folk Arts Apprenticeship ProgramSoundField recordings
African Americans
Lining out
Interviews
Hymns
Oral narratives
Apprentices
A capella singing
/fpc/memory/omeka_images/thumbnails/audio.jpg