13 items found
Collection ID is exactly "1" AND Tradition Bearer is exactly "Silva, Jose, 1957-"
Sorted by Title
Folklife apprentices at the 1995 Florida Folk Festival

Folklife apprentices at the 1995 Florida Folk Festival

Date
1995-05-28
Description
Twenty-six color slides. Toro Huaco were a Nicaraguan dance group, including Jose Silva and his apprentice Jose Silva. They were from Pembroke Pines. Hymn liner Demps and his apprentice Wright; both were from Orlando. And Japanese dancer Kazuko Law (of Gulf Breeze) with her apprentice Ofuyu Raiko Forrest (of Pensacola). They performed as Wako Kai. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through at least 2006.
Collection
Friday performances at the 1996 Florida Folk Festival (Main Stage) (Tape 2)

Friday performances at the 1996 Florida Folk Festival (Main Stage) (Tape 2)

Date
1996-05-24
Description
One digital audio tape (DAT). Barnett served as emcee.
Collection
Friday program at the 1996 Florida Folk Festival (Folklife Area Narrative Stage) (Tape 8)

Friday program at the 1996 Florida Folk Festival (Folklife Area Narrative Stage) (Tape 8)

Date
1996-05-24
Description
One audio cassette tape. Kerchmar and Tozzer served as emcees. Calvin Jones (interviewed by Jonathan Lammers) continues his discussion on Southern life and Florida archaeology. Jose Silva (interviewed by Laura Silvers) talks about toro huaco and Nicaraguan belief. Silva's talk continues on C96-56.
Collection
Friday program at the 1996 Florida Folk Festival (Folklife Area Narrative Stage) (Tape 9)

Friday program at the 1996 Florida Folk Festival (Folklife Area Narrative Stage) (Tape 9)

Date
1996-05-24
Description
One audio cassette tape. Kerchmar and Tozzer served as emcees. Calvin Jones (interviewed by Jonathan Lammers) continues his discussion on Southern life and Florida archaeology. Jose Silva (interviewed by Laura Silvers) talks about toro huaco and Nicaraguan belief.
Collection
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva

Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva

Date
1993-07
Description
44 color slides. Marvin Silva was funded to learn from Jose Silva how to prepare for and perform the Toro Huaco. This was a traditional pageant that combined costumes, masks, dance and ritual. It is a mixture of Spanish and Nagual Maya traditions. For more information, see S 1644, box 12, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva

Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva

Date
1995
Description
One proof sheet with 33 black and white images (plus negatives). Marvin Silva was funded to learn from Jose Silva how to prepare for and perform the Toro Huaco. This was a traditional pageant that combined costumes, masks, dance and ritual. It is a mixture of Spanish and Nagual Maya traditions. For more information, see S 1644, box 12, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva

Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva

Date
1995
Description
Five color prints. Marvin Silva was funded to learn from Jose Silva how to prepare for and perform the Toro Huaco. This was a traditional pageant that combined costumes, masks, dance and ritual. It is a mixture of Spanish and Nagual Maya traditions. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva

Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva

Date
1995-02-12
Description
Three proof sheets with 92 black and white images (plus negatives). Marvin Silva was funded to learn from Jose Silva how to prepare for and perform the Toro Huaco. This was a traditional pageant that combined costumes, masks, dance and ritual. It is a mixture of Spanish and Nagual Maya traditions. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva

Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva

Date
1995-07-23
Description
25 color slides. Marvin Silva was funded to learn from Jose Silva how to prepare for and perform the Toro Huaco. This was a traditional pageant that combined costumes, masks, dance and ritual. It is a mixture of Spanish and Nagual Maya traditions. For more information, see S 1644, box 12, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Jose & Marvin Silva demonstrate the Toro Huaco dance for the Folk Arts Apprenticeship Program

Jose & Marvin Silva demonstrate the Toro Huaco dance for the Folk Arts Apprenticeship Program

Date
1995
Description
One audio cassette. Marvin Silva was funded to learn from Jose Silva how to prepare for and perform the Toro Huaco. This was a traditional pageant that combined costumes, masks, dance and ritual. It is a mixture of Spanish and Nagual Maya traditions.
Collection
Identifier Title Type Subject Thumbnail
Folklife apprentices at the 1995 Florida Folk FestivalFolklife apprentices at the 1995 Florida Folk FestivalStill ImageMusical groups
Performers
Folklore revival festivals
Folk festivals
Music
Performing arts
Latinos
Arts, Nicaraguan
Nicaraguan Americans
Apprentices
Arts, Japanese
Japanese Americans
Hymn lining
African Americans
Dancers
Singers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
a_s1576_76_d96-002Friday performances at the 1996 Florida Folk Festival (Main Stage) (Tape 2)SoundFolk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Music performance
Singing
Folk singers
Decimas
Arts, Cuban
Music Latin America
Guitar music
Old time music
Bluegrass music
String bands
Stringband music
Arts, Nicaraguan
Nicaraguan Americans
Latinos
Oral narratives
Oral performance
Storytelling
Arts, Haitian
Singers
Storytellers
Bands (Music)
Musicians
Dancers
Guitarist
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1576_63_c96-055Friday program at the 1996 Florida Folk Festival (Folklife Area Narrative Stage) (Tape 8)SoundArchaeologists
Dancers
Folk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Oral performance
Oral narratives
Personal experience narratives
Life histories
Nicaraguan Americans
Latinos
Music Latin America
Archaeology
Florida history
Occupational groups
Dance
Beliefs and cultures
Occupational folklore
Arts, Nicaraguan
Anthropologists
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s1576_63_c96-056Friday program at the 1996 Florida Folk Festival (Folklife Area Narrative Stage) (Tape 9)SoundArchaeologists
Dancers
Folk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Oral performance
Oral narratives
Personal experience narratives
Life histories
Nicaraguan Americans
Latinos
Music Latin America
Archaeology
Florida history
Occupational groups
Dance
Beliefs and cultures
Occupational folklore
Arts, Nicaraguan
Anthropologists
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin SilvaImages of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin SilvaStill ImageFieldwork
Latinos
Arts, Nicaraguan
Nicaraguan Americans
Masks
Dance
Costumes
Clothing and dress
Apprentices
Dancers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin SilvaImages of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin SilvaStill ImageFieldwork
Latinos
Arts, Nicaraguan
Nicaraguan Americans
Masks
Dance
Costumes
Clothing and dress
Apprentices
Dancers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin SilvaImages of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin SilvaStill ImageFieldwork
Latinos
Arts, Nicaraguan
Nicaraguan Americans
Masks
Dance
Costumes
Clothing and dress
Apprentices
Dancers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin SilvaImages of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin SilvaStill ImageFieldwork
Latinos
Arts, Nicaraguan
Nicaraguan Americans
Masks
Dance
Costumes
Clothing and dress
Apprentices
Dancers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin SilvaImages of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin SilvaStill ImageFieldwork
Latinos
Arts, Nicaraguan
Nicaraguan Americans
Masks
Dance
Costumes
Clothing and dress
Apprentices
Dancers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
a_s1640_25_tape22Jose & Marvin Silva demonstrate the Toro Huaco dance for the Folk Arts Apprenticeship ProgramSoundField recordings
Latinos
Nicaraguan Americans
Masks
Folk dance
Ethic clothing
Apprentices
Pageants
/fpc/memory/omeka_images/thumbnails/audio.jpg