| a_s1576_64_c96-083 | Sunday program at the 1996 Florida Folk Festival (Folklife Area Narrative Stage) (Tape 6) | Sound | Folk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Oral performance
Oral narratives
Personal experience narratives
Nicaraguan Americans
Latinos
Arts, Nicaraguan
Costumes
Dance
Dancers | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Sunday program at the 1996 Florida Folk Festival (Folklife Area Narrative Stage) (Tape 6)
- Date
- 1996-05-26
- Description
- One audio cassette tape. Stuemple served as emcee. Jose Silva discusses toro huaco dancing from Nicaragua. He describes the costumes, discusses the formation of his dance troupe and the venues in which they perform (especially the festival of St. Sebastian). He talks about the difference in performing outside of traditional festivals.
- Collection
| a_s1576_65_c96-115 | Saturday program at the 1996 Florida Folk Festival (Folklife Area Performance Stage) (Tape 12) | Sound | Singers
Musicians
Bands (Music)
Drummers (Musicians)
Folk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Storytelling
Native Americans
Seminole Indians
Oral narratives
Animal tales
Narratives
Arts, Nicaraguan
Dance
Nicaraguan Americans
Beliefs and cultures | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Saturday program at the 1996 Florida Folk Festival (Folklife Area Performance Stage) (Tape 12)
- Date
- 1996-05-25
- Description
- One audio cassette tape. Jose Silva continues from C96-114 with toro huaco and Mayan belief. Mary Johns explains Seminole storytelling and discusses how Native Americans tell similar stories. She tells two "Bat" stories and "The Possum". She talks about how some stories help tell the origin of anomalies and how other stories are "done on purpose".
- Collection
| a_s1576_65_c96-114 | Saturday program at the 1996 Florida Folk Festival (Folklife Area Performance Stage) (Tape 11) | Sound | Singers
Musicians
Bands (Music)
Drummers (Musicians)
Folk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Singing
Filipino Americans
Asian Americans
String bands
Latinos
Stringband music
Arts, Nicaraguan
Dance
Nicaraguan Americans
Beliefs and cultures | /fpc/memory/omeka_images/thumbnails/audio.jpg |
| a_s1640_25_tape22 | Jose & Marvin Silva demonstrate the Toro Huaco dance for the Folk Arts Apprenticeship Program | Sound | Field recordings
Latinos
Nicaraguan Americans
Masks
Folk dance
Ethic clothing
Apprentices
Pageants | /fpc/memory/omeka_images/thumbnails/audio.jpg |
| Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Still Image | Fieldwork
Latinos
Arts, Nicaraguan
Nicaraguan Americans
Masks
Dance
Costumes
Clothing and dress
Apprentices
Dancers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva
- Date
- 1993-07
- Description
- 44 color slides. Marvin Silva was funded to learn from Jose Silva how to prepare for and perform the Toro Huaco. This was a traditional pageant that combined costumes, masks, dance and ritual. It is a mixture of Spanish and Nagual Maya traditions. For more information, see S 1644, box 12, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Still Image | Fieldwork
Latinos
Arts, Nicaraguan
Nicaraguan Americans
Masks
Dance
Costumes
Clothing and dress
Apprentices
Dancers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva
- Date
- 1995
- Description
- One proof sheet with 33 black and white images (plus negatives). Marvin Silva was funded to learn from Jose Silva how to prepare for and perform the Toro Huaco. This was a traditional pageant that combined costumes, masks, dance and ritual. It is a mixture of Spanish and Nagual Maya traditions. For more information, see S 1644, box 12, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Still Image | Fieldwork
Latinos
Arts, Nicaraguan
Nicaraguan Americans
Masks
Dance
Costumes
Clothing and dress
Apprentices
Dancers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva
- Date
- 1995
- Description
- Five color prints. Marvin Silva was funded to learn from Jose Silva how to prepare for and perform the Toro Huaco. This was a traditional pageant that combined costumes, masks, dance and ritual. It is a mixture of Spanish and Nagual Maya traditions. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Still Image | Fieldwork
Latinos
Arts, Nicaraguan
Nicaraguan Americans
Masks
Dance
Costumes
Clothing and dress
Apprentices
Dancers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva
- Date
- 1995-02-12
- Description
- Three proof sheets with 92 black and white images (plus negatives). Marvin Silva was funded to learn from Jose Silva how to prepare for and perform the Toro Huaco. This was a traditional pageant that combined costumes, masks, dance and ritual. It is a mixture of Spanish and Nagual Maya traditions. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Still Image | Fieldwork
Latinos
Arts, Nicaraguan
Nicaraguan Americans
Masks
Dance
Costumes
Clothing and dress
Apprentices
Dancers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva
- Date
- 1995-07-23
- Description
- 25 color slides. Marvin Silva was funded to learn from Jose Silva how to prepare for and perform the Toro Huaco. This was a traditional pageant that combined costumes, masks, dance and ritual. It is a mixture of Spanish and Nagual Maya traditions. For more information, see S 1644, box 12, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1576_63_c96-056 | Friday program at the 1996 Florida Folk Festival (Folklife Area Narrative Stage) (Tape 9) | Sound | Archaeologists
Dancers
Folk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Oral performance
Oral narratives
Personal experience narratives
Life histories
Nicaraguan Americans
Latinos
Music Latin America
Archaeology
Florida history
Occupational groups
Dance
Beliefs and cultures
Occupational folklore
Arts, Nicaraguan
Anthropologists | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Listen: The Latin Program
