a_s1576_63_c96-055 | Friday program at the 1996 Florida Folk Festival (Folklife Area Narrative Stage) (Tape 8) | Sound | Archaeologists Dancers Folk festivals Folklore revival festivals Festivals Special events Performing arts Oral performance Oral narratives Personal experience narratives Life histories Nicaraguan Americans Latinos Music Latin America Archaeology Florida history Occupational groups Dance Beliefs and cultures Occupational folklore Arts, Nicaraguan Anthropologists | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
a_s1576_63_c96-056 | Friday program at the 1996 Florida Folk Festival (Folklife Area Narrative Stage) (Tape 9) | Sound | Archaeologists Dancers Folk festivals Folklore revival festivals Festivals Special events Performing arts Oral performance Oral narratives Personal experience narratives Life histories Nicaraguan Americans Latinos Music Latin America Archaeology Florida history Occupational groups Dance Beliefs and cultures Occupational folklore Arts, Nicaraguan Anthropologists | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
a_s1640_25_tape22 | Jose & Marvin Silva demonstrate the Toro Huaco dance for the Folk Arts Apprenticeship Program | Sound | Field recordings Latinos Nicaraguan Americans Masks Folk dance Ethic clothing Apprentices Pageants | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Still Image | Fieldwork Latinos Arts, Nicaraguan Nicaraguan Americans Masks Dance Costumes Clothing and dress Apprentices Dancers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva
- Date
- 1995
- Description
- One proof sheet with 33 black and white images (plus negatives). Marvin Silva was funded to learn from Jose Silva how to prepare for and perform the Toro Huaco. This was a traditional pageant that combined costumes, masks, dance and ritual. It is a mixture of Spanish and Nagual Maya traditions. For more information, see S 1644, box 12, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Still Image | Fieldwork Latinos Arts, Nicaraguan Nicaraguan Americans Masks Dance Costumes Clothing and dress Apprentices Dancers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva
- Date
- 1993-07
- Description
- 44 color slides. Marvin Silva was funded to learn from Jose Silva how to prepare for and perform the Toro Huaco. This was a traditional pageant that combined costumes, masks, dance and ritual. It is a mixture of Spanish and Nagual Maya traditions. For more information, see S 1644, box 12, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Still Image | Fieldwork Latinos Arts, Nicaraguan Nicaraguan Americans Masks Dance Costumes Clothing and dress Apprentices Dancers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva
- Date
- 1995
- Description
- Five color prints. Marvin Silva was funded to learn from Jose Silva how to prepare for and perform the Toro Huaco. This was a traditional pageant that combined costumes, masks, dance and ritual. It is a mixture of Spanish and Nagual Maya traditions. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Still Image | Fieldwork Latinos Arts, Nicaraguan Nicaraguan Americans Masks Dance Costumes Clothing and dress Apprentices Dancers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva
- Date
- 1995-02-12
- Description
- Three proof sheets with 92 black and white images (plus negatives). Marvin Silva was funded to learn from Jose Silva how to prepare for and perform the Toro Huaco. This was a traditional pageant that combined costumes, masks, dance and ritual. It is a mixture of Spanish and Nagual Maya traditions. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva | Still Image | Fieldwork Latinos Arts, Nicaraguan Nicaraguan Americans Masks Dance Costumes Clothing and dress Apprentices Dancers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of Toro Huaco Nicaraguan dancer Jose Silva and his apprentice Marvin Silva
- Date
- 1995-07-23
- Description
- 25 color slides. Marvin Silva was funded to learn from Jose Silva how to prepare for and perform the Toro Huaco. This was a traditional pageant that combined costumes, masks, dance and ritual. It is a mixture of Spanish and Nagual Maya traditions. For more information, see S 1644, box 12, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
a_s1576_76_d96-002 | Friday performances at the 1996 Florida Folk Festival (Main Stage) (Tape 2) | Sound | Folk festivals Folklore revival festivals Festivals Special events Performing arts Music performance Singing Folk singers Decimas Arts, Cuban Music Latin America Guitar music Old time music Bluegrass music String bands Stringband music Arts, Nicaraguan Nicaraguan Americans Latinos Oral narratives Oral performance Storytelling Arts, Haitian Singers Storytellers Bands (Music) Musicians Dancers Guitarist | /fpc/memory/omeka_images/thumbnails/audio.jpg |
a_s1576_64_c96-083 | Sunday program at the 1996 Florida Folk Festival (Folklife Area Narrative Stage) (Tape 6) | Sound | Folk festivals Folklore revival festivals Festivals Special events Performing arts Oral performance Oral narratives Personal experience narratives Nicaraguan Americans Latinos Arts, Nicaraguan Costumes Dance Dancers | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Sunday program at the 1996 Florida Folk Festival (Folklife Area Narrative Stage) (Tape 6)
- Date
- 1996-05-26
- Description
- One audio cassette tape. Stuemple served as emcee. Jose Silva discusses toro huaco dancing from Nicaragua. He describes the costumes, discusses the formation of his dance troupe and the venues in which they perform (especially the festival of St. Sebastian). He talks about the difference in performing outside of traditional festivals.
- Collection