7 items found
Collection ID is exactly "1" AND Tradition Bearer is exactly "Perdomo, Meliton, 1937-"
Sorted by Title
Florida Crossroads: Florida's Folk Festival

Florida Crossroads: Florida's Folk Festival
Date
1995-07-13
Description
One video recording. (3/4 tape; 28 minutes)An episode of the Florida Public Television series, "Florida Crossroads." Filmed by Florida Public television (through a Florida Dept. of Education grant), the episode features performances, demonstrations, interviews, and presentations at the 1991 Florida Folk Festival (26-28 May). Included are interviews with folklorists, park employees, musicians, artisans, and park attendees, as well examples of the folklife on display at the Festival.
Collection
Florida Crossroads: Florida's Folk Festival

Florida Crossroads: Florida's Folk Festival
Friday program at the 1996 Florida Folk Festival (Folklife Area Narrative Stage) (Tape 10)

Friday program at the 1996 Florida Folk Festival (Folklife Area Narrative Stage) (Tape 10)
Date
1996-05-24
Description
One audio cassette tape. Kerchmar served as emcee. Melitón and Martha Perdomo perform Cuban decimas: sample decimas by José Donates, Melitón Perdomo, and Asbies Benites (who is 12 years old). Ann Browning Masters recites new poems honoring Minorcans and more. Masters poetry continues on C96-58.
Collection
Friday program at the 1996 Florida Folk Festival (Folklife Area Narrative Stage) (Tape 10)

Friday program at the 1996 Florida Folk Festival (Folklife Area Narrative Stage) (Tape 10)
Images of Guajiro Decima singer Meliton Perdomo and his apprentice Mario Brito

Images of Guajiro Decima singer Meliton Perdomo and his apprentice Mario Brito
Date
1995-04-09
Description
67 color slides. Brito was funded to learn from Perdomo several guajiro decima songs. For more information, see S 1644, box 11, folder 41. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Images of Guajiro Decima singer Meliton Perdomo and his apprentice Mario Brito

Images of Guajiro Decima singer Meliton Perdomo and his apprentice Mario Brito
Images of Guajiro Decima singer Meliton Perdomo and his apprentice Mario Brito

Images of Guajiro Decima singer Meliton Perdomo and his apprentice Mario Brito
Date
1995-07
Description
82 color slides. Brito was funded to learn from Perdomo several guajiro decima songs. For more information, see S 1644, box 11, folder 41. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Images of Guajiro Decima singer Meliton Perdomo and his apprentice Mario Brito

Images of Guajiro Decima singer Meliton Perdomo and his apprentice Mario Brito
Images of Guajiro Decima singer Meliton Perdomo and his apprentice Mario Brito

Images of Guajiro Decima singer Meliton Perdomo and his apprentice Mario Brito
Date
1995-02-11
Description
Two proof sheets with 40 black and white images (plus negatives). Brito was funded to learn from Perdomo several guajiro decima songs. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Images of Guajiro Decima singer Meliton Perdomo and his apprentice Mario Brito

Images of Guajiro Decima singer Meliton Perdomo and his apprentice Mario Brito
Images of Guajiro Decima singer Meliton Perdomo and his apprentice Mario Brito

Images of Guajiro Decima singer Meliton Perdomo and his apprentice Mario Brito
Date
1995-04-08
Description
Four proof sheets with 108 black and white images (plus negatives). Brito was funded to learn from Perdomo several guajiro decima songs. This was a traditional pageant that combined costumes, masks, dance and ritual. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Images of Guajiro Decima singer Meliton Perdomo and his apprentice Mario Brito

Images of Guajiro Decima singer Meliton Perdomo and his apprentice Mario Brito
Video of Guajiro Decima singer Meliton Perdomo

Video of Guajiro Decima singer Meliton Perdomo
Date
Description
One video recording. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Video of Guajiro Decima singer Meliton Perdomo

Video of Guajiro Decima singer Meliton Perdomo
Identifier Title Type Subject Thumbnail
Florida Crossroads: Florida's Folk FestivalFlorida Crossroads: Florida's Folk FestivalMoving ImageSingers
Musicians
Guitarist
Artisans
Leather workers
Metal-workers
Dancers
Whip maker
Secretary of State
Public officer
Festivals
Folk festivals
Folklore revival festivals
Special events
Performing arts
Music performance
Video recording
Television
Singing
Park Ranger
Saddles
Leather craft
Craft
Whipcracking
Whips
Fiddle music
Fiddlers
Old time music
Bandura
Hammer dulcimer
Dulcimer music
A capella singers
A capella singing
Gospel (Black)
Gospel music
Signs and signboards
Arts, Cuban
Cuban Americans
Workshops (Adult education)
Yodeling
Storytelling
Dance
Cooking and dining
Food preparation
Basket making
Basket work
Blacksmithing
Guitar music
Interviews
Interviewing on television
Secretaries of State (State governments)
Bands (Music)
Folklorists
Volunteers		/fpc/memory/omeka_images/thumbnails/catalog_video.jpg
a_s1576_63_c96-057Friday program at the 1996 Florida Folk Festival (Folklife Area Narrative Stage) (Tape 10)SoundPoets
Dancers
Singers
Folk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Oral performance
Oral narratives
Personal experience narratives
Life histories
Arts, Cuban
Latinos
Music Latin America
Cuban Americans
Minorcan Americans
Poetry
Poetic language
Children		/fpc/memory/omeka_images/thumbnails/audio.jpg
Images of Guajiro Decima singer Meliton Perdomo and his apprentice Mario BritoImages of Guajiro Decima singer Meliton Perdomo and his apprentice Mario BritoStill ImageFieldwork
Latinos
Arts, Cuban
Cuban Americans
Singing
Decimas, Cuban American (Spanish)
Music performance
Performing arts
Oral performance
Guayabera shirts
Apprentices
Singers		/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Images of Guajiro Decima singer Meliton Perdomo and his apprentice Mario BritoImages of Guajiro Decima singer Meliton Perdomo and his apprentice Mario BritoStill ImageFieldwork
Latinos
Arts, Cuban
Cuban Americans
Singing
Decimas, Cuban American (Spanish)
Music performance
Performing arts
Oral performance
Guayabera shirts
Apprentices
Singers		/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Images of Guajiro Decima singer Meliton Perdomo and his apprentice Mario BritoImages of Guajiro Decima singer Meliton Perdomo and his apprentice Mario BritoStill ImageFieldwork
Latinos
Arts, Cuban
Cuban Americans
Singing
Decimas, Cuban American (Spanish)
Music performance
Performing arts
Oral performance
Guayabera shirts
Apprentices
Singers		/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Images of Guajiro Decima singer Meliton Perdomo and his apprentice Mario BritoImages of Guajiro Decima singer Meliton Perdomo and his apprentice Mario BritoStill ImageFieldwork
Latinos
Arts, Cuban
Cuban Americans
Singing
Decimas, Cuban American (Spanish)
Music performance
Performing arts
Oral performance
Guayabera shirts
Apprentices
Singers		/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Video of Guajiro Decima singer Meliton PerdomoVideo of Guajiro Decima singer Meliton PerdomoMoving ImageFieldwork
Latinos
Arts, Cuban
Cuban Americans
Singing
Decimas, Cuban American (Spanish)
Music performance
Performing arts
Oral performance
Apprentices
Singers		/fpc/memory/omeka_images/thumbnails/catalog_video.jpg