|a_s1576_t86-251b||WPA field recordings in Ybor City (August 1939 recording expedition)||Sound||Fieldwork|
New Deal, 1933-1939
Public service employment
United States. Work Projects Administration
A capella singers
A capella singing
WPA field recordings in Ybor City (August 1939 recording expedition)
- One reel to reel. These recordings were created by Florida folklorist Kennedy and photographer Cook in August 1939. They created a total of sixteen 12-inch acetate records that month. On this recording, Cuban American and Italian American residents of Ybor City were recorded telling stories and singing traditional songs. For more detailed information on the recordings, see S 1579, box 3, for copies of the original LOC indexes. The Works Progress Administration (WPA) — after 1939, the Works Projects Administration — was a work-relief program created in 1935 by the Roosevelt Administration that employed over 8.5 million people between 1935 and 1943. One of its programs was the Federal Writers Project (FWP), which included the Folklore Section. This section conducted fieldwork, recording songs, traditions, and stories across the nation. Originally created to gather material for the American Guide Series, but later emphasis was placed upon fieldwork for preservation of folk traditions for future use. In Florida, the FWP was based out of Jacksonville, and directed by historian Carita Doggett Corse. Folklorist Stetson Kennedy directed the Florida Folklife section. Seven recording expeditions were conducted in Florida. Two were conducted between 1935 and 1937, before the creation of the Florida Folklore Section: one by Alan Lomax and Zora Neale Hurston, and the other by John and Ruby Lomax. After 1939, five more were conducted by Florida's FWP staff: Kennedy, Hurston, Robert Cook, Alton Morris, Corse, Robert Cornwell, John Filareton, and Herbert Halpert (of the Joint Committee on Folk Art's Southern Recording Expedition.) Recording equipment was loaned to Florida's WPA program by the Library of Congress' Archive of the American Folk Song (later the American Folk Center). The field recordings were made on acetate disks, usually recorded at 78 rpm (although occasionally at 33 rpm). Because these disks were shipped from Washington DC to Florida, then to the recording site, and then back to Washington, they often were not of the highest sonic quality. Several had surface scratches and many had various recording speeds. In 1986, the FFP staff made copies of many of these recordings onto reel to reels for inclusion to the Florida Folklife Archive. The originals are still housed with the Library of Congress.