| a_s1576_17_c86-001 | Recordings of the First Annual South Florida Folk Festival (Day One) | Sound | Fieldwork
Folklore revival festivals
Folk festivals
Performances
Special events
Performing arts
Music performance
Concerts
Klezmer music
Arts, Venezuelan
Harp music
Jazz music
Mariachi music
Arts, Haitian
Drum music
Arts, Irish
Storytelling
Fiddle music
A capella singers
A capella singing
Singers
Musicians
Jazz musicians
Storytellers
Bands (Music)
Musical groups
Fiddlers
Shoe shiners | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Recordings of the First Annual South Florida Folk Festival (Day One)
- Date
- 1986-03-22
- Description
- Six audio cassettes. Sponsored by the Historical Museum of Southern Florida, the festival was held at the Metro-Dade Cultural Center. In 1987, the name of the festival was changed to the Traditions Festival. Stock and Sommers served as emcees. Mariachi Jalisco consisted of: Francisco Rodriguez, guitar; Gabriel Mateo, trumpet; José Areano, guitarón; Hector Varel, trumpet; Pablo Martinez, vihuela. The Billy Rolle Jazz Band consisted of: Billy Rolle, alto and tenor sax; Noel Cruz, electric piano; Robert Cooper, string bass; Al Greers, drums.
- Collection
| a_s1576_17_c86-007 | Recordings of the First Annual South Florida Folk Festival (Day Two) | Sound | Fieldwork
Folklore revival festivals
Folk festivals
Performances
Special events
Performing arts
Music performance
Concerts
Klezmer music
Arts, Venezuelan
Harp music
Jazz music
Mariachi music
Arts, Haitian
Drum music
Arts, Irish
Storytelling
Fiddle music
A capella singers
A capella singing
Jíbaro (Puerto Rican identity)
Clarinet music
Singers
Musicians
Jazz musicians
Storytellers
Bands (Music)
Musical groups
Fiddlers
Shoe shiners | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Recordings of the First Annual South Florida Folk Festival (Day Two)
- Date
- 1986-03-23
- Description
- Six audio cassettes. Sponsored by the Historical Museum of Southern Florida, the festival was held at the Metro-Dade Cultural Center. In 1987, the name of the festival was changed to the Traditions Festival. Stock and Sommers served as emcees. Mariachi Jalisco consisted of: Francisco Rodriguez, guitar; Gabriel Mateo, trumpet; José Areano, guitarón; Hector Varel, trumpet; Pablo Martinez, vihuela. The Billy Rolle Jazz Band consisted of: Billy Rolle, alto and tenor sax; Noel Cruz, electric piano; Robert Cooper, string bass; Al Greers, drums. The bata drummers consisted of: Rinaldo Pena, drum; Arturo Pena, drum; Cerresta Quinzano, drum; Ernesto Pichardo, vocals. Bronsztein played the clarinet, while Bracha joined him on electric piano.
- Collection
| a_s1664_07_tape36 | Remembering Old Friends: A Folklife Sampler (1978-1987) and associated recordings | Sound | Sound recordings
Bluegrass music
Old time music
Choir singing
Choirs (music)
Storytelling
Ethnicity, Seminole
Seminole Indians
Native Americans
Gospel (Black)
Gospel music
Religious songs
Folk singers
Guitar music
Guitarists
Narratives
Occupational folklore
Animal sounds
Birdsongs
Fiddle music
Arts, Irish
Irish Americans
Songs, Irish
Blues (Music)
Singers
Bands (Music)
Musicians
Guitarist
Jazz musicians
Bluegrass musicians
Blues singers
Choruses
Storytellers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Remembering Old Friends: A Folklife Sampler (1978-1987) and associated recordings
- Date
- 1992
- Description
- Seven audio cassettes; seven DAT tapes. This was a two-part recording released by the Florida Folklife Program [as a sequel to the 25th Anniversary of the Florida Folk Festival album] to honor the 40th Anniversary of the Florida Folk Festival. The finished album can be found on tapes 47 and 48 (on cassette) and tapes 36 and 37 (on DAT). The other tapes are various recordings of the Folk Festival from which the album's selection was made. The first 25th Anniversary album - covering the years 1953 through 1980-- can be found in S 1576, reel T83-135.
- Collection
| a_s1576_t86-033 | Saturday performances at the 1986 Florida Folk Festival (Folklife Stage) (Reel 1) | Sound | Musicians
Festivals
Folk festivals
Folklore revival festivals
Special events
Workshops (Adult education)
Arts, Haitian
Haitian Americans
Music performance
Shells
Demonstrations
Dancers | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Saturday performances at the 1986 Florida Folk Festival (Folklife Stage) (Reel 1)
- Date
- 1986-05-24
- Description
- One reel to reel recording. (Copied onto C86-76.) Friedland served as emcee. Joseph played Pa Lambi (conch shell). He also discusses its history and uses. He is joined by several Haitian dancers. The folklife area in 1986 focused on Miami-Dade, which stemmed from fieldwork work on the 1986 Miami-Dade Folklife Survey, conducted by Lauri Sommers, Tina Bucuvalas, and Nancy Nusz.
- Collection
| a_s1576_t86-043 | Saturday performances at the 1986 Florida Folk Festival (Folklife Stage) (Reels 11-12) | Sound | Festivals
Folk festivals
Folklore revival festivals
Special events
Workshops (Adult education)
Arts, Haitian
Haitian Americans
Music performance
Shells
Demonstrations
Salsa (music)
Calypso music
Music Latin America
Musicians
Dancers
Musical groups | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Saturday performances at the 1986 Florida Folk Festival (Folklife Stage) (Reels 11-12)
- Date
- 1986-05-24
- Description
- Two reel to reel recordings. (Copied onto C86-86, C86-87.) The start of Grupo's performance can be found on T86-42. Friedland served as emcee. Joseph played po lambi (conch shell). He also discusses its history and uses. He is joined by several Haitian dancers. The folklife area in 1986 focused on Miami-Dade, which stemmed from fieldwork work on the 1986 Miami-Dade Folklife Survey, conducted by Lauri Sommers, Tina Bucuvalas, and Nancy Nusz.
- Collection
| a_s1576_t86-045 | Sunday performances at the 1986 Florida Folk Festival (Folklife Stage) (Reel 1) | Sound | Musicians
Festivals
Folk festivals
Folklore revival festivals
Special events
Workshops (Adult education)
Arts, Haitian
Haitian Americans
Music performance
Shells
Demonstrations
Dancers | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Sunday performances at the 1986 Florida Folk Festival (Folklife Stage) (Reel 1)
- Date
- 1986-05-25
- Description
- One reel to reel recording. (Copied onto C86-88.) Joseph played Pa Lambi (conch shell). He also discusses its history and uses. He is joined by several Haitian dancers. The folklife area in 1986 focused on Miami-Dade, which stemmed from fieldwork work on the 1986 Miami-Dade Folklife Survey, conducted by Lauri Sommers, Tina Bucuvalas, and Nancy Nusz.
- Collection
| a_s1576_t86-051 | Sunday performances at the 1986 Florida Folk Festival (Folklife Stage) (Reel 7) | Sound | Musicians
Festivals
Folk festivals
Folklore revival festivals
Special events
Workshops (Adult education)
Arts, Haitian
Haitian Americans
Music performance
Shells
Demonstrations
Dancers | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Sunday performances at the 1986 Florida Folk Festival (Folklife Stage) (Reel 7)
- Date
- 1986-05-25
- Description
- One reel to reel recording. (Copied onto C86-94.) Joseph played Po Lambi (conch shell). He also discusses its history and uses. He is joined by several Haitian dancers. The folklife area in 1986 focused on Miami-Dade, which stemmed from fieldwork work on the 1986 Miami-Dade Folklife Survey, conducted by Lauri Sommers, Tina Bucuvalas, and Nancy Nusz.
- Collection
| Images from the First Annual South Florida Folklife Festival (1986) | Images from the First Annual South Florida Folklife Festival (1986) | Still Image | Fieldwork
Festivals
Folk festivals
Folklore revival festivals
Demonstrations
Folklife
Concerts
Music performance
Craft
Latinos
Arts, Mexican
Haitian Americans
Jamaican Americans
African Americans
Mexican Americans
Jewish Americans | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images from the First Annual South Florida Folklife Festival (1986)
- Date
- 1986-03-22
- Description
- 199 color slides. Sponsored by the Historical Museum of Southern Florida, the festival was held at the Metro-Dade Cultural Center. The festival consisted of folk demonstrations, food booths, workshops, and musical performances. Cultures and folkways exhibited included Mexican, Venezuelan, Haitian. Jamaican, Cuban, African American, and Jewish. Many of these images have been described in more detail elsewhere in the database. In 1987, the name of the festival was changed to the Traditions Festival.
- Collection
| Limone Joseph demonstrates polambi | Limone Joseph demonstrates polambi | Still Image | Fieldwork
Musical instruments
Music performance
Shells
Haitian Americans
African Americans
Arts, Haitian
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Limone Joseph demonstrates polambi
- Date
- 1985-08
- Description
- Two color slides. The Po lambi was a Haitian musical instrument. The skill was used in rural Haitian villages to signal social gatherings, as work songs, and harvetsing. It is usuaslly played with drums, and is of African origins. For Haitians, it is a symbol of their culture. The Dade Folk Arts Survey was conducted in 1985 and 1986 by folklorists Tina Bucuvalas, Nancy Nusz and Laurie Sommers in order to identify folk arts and folk artists for the special folklife area at the 34th Annual Florida Folk Festival. The traditions are mainly Haitian, Jamaican, Mexican, Bahamian, Cuban and Jewish and cover a wide range of skills and art forms.
- Collection
| Metro-Dade Folklife Area at the 1986 Florida Folk Festival: shell player Limone Joseph | Metro-Dade Folklife Area at the 1986 Florida Folk Festival: shell player Limone Joseph | Still Image | Folk festivals
Folklore revival festivals
Demonstrations
Music
Latinos
Haitian Americans
Shells
Workshops (Adult education)
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Metro-Dade Folklife Area at the 1986 Florida Folk Festival: shell player Limone Joseph
- Date
- 1986-05-24
- Description
- Seven color slides. Joseph leading a po lambi (Haitian shell playing) workshop. The skill was used in rural Haitian villages to signal social gatherings, as work songs, and harvesting. It is usuaslly played with drums, and is of African origin. For Haitians, it is a symbol of their culture. For an interveiw with Joseph, see S 1576, T86-58 (C86-101). The Dade Folk Arts Survey was conducted in 1986 by folklorists Tina Bucuvalas, Nancy Nusz and Laurie Sommers in order to identify folk arts and folk artists for the special folklife area at the 34th Annual Florida Folk Festival. The traditions are mainly Haitian, Jamaican, Mexican, Bahamian, Cuban and Jewish and cover a wide range of skills and art forms.
- Collection
Listen: The Assorted Selections Program
