7 items found
Collection ID is exactly "1" AND Tradition Bearer is exactly "Hollenback, Lester, 1922-"
Sorted by Title
Apprenticeship for 1992 Florida Folk Festival

Apprenticeship for 1992 Florida Folk Festival
Date
1992-05
Description
One proof sheet with thirty-four black and white images. Fieldwork for the 1992 Florida Folk Festival. 4-13: Charles Haldeman, railroader with union Pacific RailRoad; 14-17: Shoeshiner Ed Gooden St. Michael Hospital; 18-20: Sound engineer recording at Florida Folk Festival; 21: Folk festival audio log; 22: Masryktown Beseda dancers; 23-26: Festival visitors; 27-28: Apprentice Mike Stapleton of Miami and master Jospeh Arbie of Live Oak, playing accordions; 29-31: Master wheelwright Lester Hollenback of Deltona with apprentice Tico Rubio of Barberville; 32-35, 38: Accordionist Tomas Grenado; 37: Accordion apprentice Abe Avazola.
Collection
Apprenticeship for 1992 Florida Folk Festival

Apprenticeship for 1992 Florida Folk Festival
Images of the 1994 Rural Folklife Days

Images of the 1994 Rural Folklife Days
Date
1994-11-09
Description
Thirty-eight color slides. Each fall, the Stephen Foster Center and the Florida Folklife Program held a festival demonstrating the rural folk arts and traditions of North Florida, including farming, sugar cane grinding, lye soap making, and quilting. Among the rural folk artists in 1994 were quilters Bailey and Jones (slides 766-776), blacksmith Hollenback (slides 777-790), and soap makers Smith and Taylor.
Collection
Images of the 1994 Rural Folklife Days

Images of the 1994 Rural Folklife Days
Interviews with wheelwright Lester Hollenback with his apprentice Albert (Tico) Rubio

Interviews with wheelwright Lester Hollenback with his apprentice Albert (Tico) Rubio
Date
1991-12-14
Description
Three audio cassettes. Interviews occurred on three separate dates: tape 17 (14 December 1991), tape 18 (30 March 1992) and tape 19 (25 June 1992). They discuss their lives, how they learned their skills, and the progress they made during the apprenticeship. They performed the work at the Pioneer Settlement where Rubio worked as a blacksmith. Hollenback was originally from Illinois were he learned blacksmith and wheelwrighting from his father. Rubio was originally from New York. For more information on both of them, see S 1644, box 10, folder 5. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Interviews with wheelwright Lester Hollenback with his apprentice Albert (Tico) Rubio

Interviews with wheelwright Lester Hollenback with his apprentice Albert (Tico) Rubio
Wheelwright Lester Hollenback

Wheelwright Lester Hollenback
Date
1993
Description
One black and white print.
Collection
Wheelwright Lester Hollenback

Wheelwright Lester Hollenback
Wheelwright Lester Hollenback with his apprentice Albert (Tico) Rubio

Wheelwright Lester Hollenback with his apprentice Albert (Tico) Rubio
Date
1992-01
Description
Nine proof sheets with 324 black and white images (plus negatives). Images of Hollenback and his apprentice Rubio making historic wheels. They performed the work at the Pioneer Settlement where Rubio worked as a blacksmith. Hollenback was originally from Illinois were he learned blacksmith and wheelwrighting from his father. Rubio was originally from New York. For more information on both of them, see S 1644, box 10, folder 5. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Wheelwright Lester Hollenback with his apprentice Albert (Tico) Rubio

Wheelwright Lester Hollenback with his apprentice Albert (Tico) Rubio
Wheelwright Lester Hollenback with his apprentice Albert (Tico) Rubio

Wheelwright Lester Hollenback with his apprentice Albert (Tico) Rubio
Date
1992
Description
53 color slides. Images of Hollenback and his apprentice Rubio making historic wheels. They performed the work at the Pioneer Settlement where Rubio worked as a blacksmith. Hollenback was originally from Illinois were he learned blacksmith and wheelwrighting from his father. Rubio was originally from New York. For more information on both of them, see S 1644, box 10, folder 5. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Wheelwright Lester Hollenback with his apprentice Albert (Tico) Rubio

Wheelwright Lester Hollenback with his apprentice Albert (Tico) Rubio
Wheelwright Lester Hollenback with his apprentice Albert (Tico) Rubio

Wheelwright Lester Hollenback with his apprentice Albert (Tico) Rubio
Date
1992
Description
Four color prints. Images of Hollenback and his apprentice Rubio making historic wheels. They performed the work at the Pioneer Settlement where Rubio worked as a blacksmith. Hollenback was originally from Illinois were he learned blacksmith and wheelwrighting from his father. Rubio was originally from New York. For more information on both of them, see S 1644, box 10, folder 5. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Wheelwright Lester Hollenback with his apprentice Albert (Tico) Rubio

Wheelwright Lester Hollenback with his apprentice Albert (Tico) Rubio
Identifier Title Type Subject Thumbnail
Apprenticeship for 1992 Florida Folk FestivalApprenticeship for 1992 Florida Folk FestivalStill ImageMaterial culture
Accordions
Demonstrations
Beseda (Dance)
Folk dance
Folk festivals
Folklore revival festivals
Audiotape recordings
Wheelwrights
Apprentices
Dancers
Musicians		/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Images of the 1994 Rural Folklife DaysImages of the 1994 Rural Folklife DaysStill ImageQuiltmakers
Blacksmiths
Artisans
Demonstrations
Quilting
Quilts
Needlework
Sewing
Blacksmithing
Metal craft
Soap
Occupational groups
Occupational folklore
Domestic arts
Equipment, domestic arts		/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
a_s1640_23_tape17Interviews with wheelwright Lester Hollenback with his apprentice Albert (Tico) RubioSoundWoodworkers
Blacksmiths
Fieldwork
Wheels
Blacksmithing
Woodwork
Personal experience narratives
Woodworking tools
Workshops
Tools
Occupational groups
Occupational training
Metalwork
Interviews
Life histories
Oral histories
Apprentices
Wheelwrights		/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
Wheelwright Lester HollenbackWheelwright Lester HollenbackStill ImageWoodworkers
Demonstrations
Occupational groups
Wheels
Transportation
Workers
Material culture
Workshops
Wheelwrights		/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Wheelwright Lester Hollenback with his apprentice Albert (Tico) RubioWheelwright Lester Hollenback with his apprentice Albert (Tico) RubioStill ImageWoodworkers
Blacksmiths
Fieldwork
Wheels
Blacksmithing
Woodwork
Material culture
Woodworking tools
Workshops
Tools
Occupational groups
Occupational training
Metalwork
Transportation
Apprentices
Wheelwrights		/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Wheelwright Lester Hollenback with his apprentice Albert (Tico) RubioWheelwright Lester Hollenback with his apprentice Albert (Tico) RubioStill ImageWoodworkers
Blacksmiths
Fieldwork
Wheels
Blacksmithing
Woodwork
Material culture
Woodworking tools
Workshops
Tools
Occupational groups
Occupational training
Metalwork
Transportation
Apprentices
Wheelwrights		/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Wheelwright Lester Hollenback with his apprentice Albert (Tico) RubioWheelwright Lester Hollenback with his apprentice Albert (Tico) RubioStill ImageWoodworkers
Blacksmiths
Fieldwork
Wheels
Blacksmithing
Woodwork
Material culture
Woodworking tools
Workshops
Tools
Occupational groups
Occupational training
Metalwork
Transportation
Apprentices
Wheelwrights		/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg