| Concert at T.G. Music Store | Concert at T.G. Music Store | Still Image | Fieldwork
Mexican Americans
Latinos
Arts, Mexican
Performing arts
Music performance
Norteño music
Concerts
Stores, retail
Specialty stores
Singers
Bands (Music)
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Concert at T.G. Music Store
- Date
- 1994-11-13
- Description
- Two proof sheets with 50 black and white image s(plus negatives). Concert by several local bands at T.G. Music Store (owned by Tomas Granado). The Mexican American Music Survey was created to document the musical traditions of Florida's various Mexican-American communities: Apopka, South Dade County, Immokalee, the St. Johns River Basin, and Central Florida. Funded by a grant from the Lila Wallace-Reader's Digest Community Folklife Program, the survey was conducted between 1994 and 1996 by folklorist Robert Stone. Among the musical traditions were serenatas, conjunto, quinceanara ritual music, ranchera Michoacana, mariachi, norteno, Tejano, and pop music. At the end of the project, a sampler music tape was created by the Florida Folklife Program for distribution to various libraries.
- Collection
| Concert at T.G. Music Store | Concert at T.G. Music Store | Still Image | Fieldwork
Mexican Americans
Latinos
Arts, Mexican
Performing arts
Music performance
Norteño music
Concerts
Stores, retail
Specialty stores
Singers
Bands (Music)
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Concert at T.G. Music Store
- Date
- 1994-11-13
- Description
- Twenty color slides. Concert by several local bands at T.G. Music Store (owned by Tomas Granado). The Mexican American Music Survey was created to document the musical traditions of Florida's various Mexican-American communities: Apopka, South Dade County, Immokalee, the St. Johns River Basin, and Central Florida. Funded by a grant from the Lila Wallace-Reader's Digest Community Folklife Program, the survey was conducted between 1994 and 1996 by folklorist Robert Stone. Among the musical traditions were serenatas, conjunto, quinceanara ritual music, ranchera Michoacana, mariachi, norteno, Tejano, and pop music. At the end of the project, a sampler music tape was created by the Florida Folklife Program for distribution to various libraries.
- Collection
| a_s1576_t92-014 | Florida Folklife Program apprentices performing at the 1992 Florida Folk Festival (Main stage) | Sound | Folk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Performances
Music performance
Guitar music
Songs
Guitarists
Singers
Accordion
Accordion music
Apprentices
Folklorists
Musicians
Guitarist
Accordionists | /fpc/memory/omeka_images/thumbnails/audio.jpg |
| a_s1576_43_d93-032 | Friday performances at the 1993 Florida Folk Festival (Stage III) (Tape 1) | Sound | Folk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Music performance
Singing
Guitar music
Acrobatics
Norteño music
Music Latin America
African Americans
Latinos
Dance music
Singers
Musicians
Guitarist
Storytellers
Acrobats
Dancers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
| a_s1576_77_d97-027 | Friday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 5) | Sound | Folk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Music performance
Singing
Conjunto music
Old time music
Guitar music
Norteño music
Arts, Mexican
Mexican Americans
Fiddle music
Songs, Irish
Irish Americans
Folk music Mexico
Mayans
Serbian Americans
African Americans
Drum performance
Calypso music
Bluegrass music
Stringband music
Musicians
Singers
Fiddlers
Bluegrass musicians
Apprentices
Bands (Music)
Drummers (Musicians)
Priests | /fpc/memory/omeka_images/thumbnails/audio.jpg |
| Local musicians performing early morning Mother's Day serenatas. | Local musicians performing early morning Mother's Day serenatas. | Still Image | Musicians
Fieldwork
Mexican Americans
Latinos
Serenades
Performing arts
Music performance
Serenatas
Mothers Day Songs and music
Arts, Mexican
Recording equipment
Sound recording
Bands (Music)
Singers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Local musicians performing early morning Mother's Day serenatas.
- Date
- 1995-05-14
- Description
- Twelve color slides. Images of Los Fuerza del Norte (Tomas Granado, David Avalos, and Guadalupe Rivera) performing traditional serenatas for mothers on Mother's Day. Also visible is sound engineer Paul Butterfield, who worked with folklorist Stone to create field recordings. The Mexican American Music Survey was created to document the musical traditions of Florida's various Mexican-American communities: Apopka, South Dade County, Immokalee, the St. Johns River Basin, and Central Florida. Funded by a grant from the Lila Wallace-Reader's Digest Community Folklife Program, the survey was conducted between 1994 and 1996 by folklorist Robert Stone. Among the musical traditions were serenatas, conjunto, quinceanara ritual music, ranchera Michoacana, mariachi, norteno, Tejano, and pop music. At the end of the project, a sampler music tape was created by the Florida Folklife Program for distribution to various libraries.
- Collection
| Norteno accordion player Tomas Granado with apprentice Abraham Arrazola | Norteno accordion player Tomas Granado with apprentice Abraham Arrazola | Still Image | Musicians
Fieldwork
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Norteño music
Accordionists
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
- Date
- 1992-06
- Description
- Four proof sheets with 116 black and white images (plus negatives). Taken in Granado's music store, T.G. Music. Also includes four prints taken from the proof sheets. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| Norteno accordion player Tomas Granado with apprentice Abraham Arrazola | Norteno accordion player Tomas Granado with apprentice Abraham Arrazola | Still Image | Fieldwork
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Norteño music
Musicians
Accordionists
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
- Date
- Description
- 58 color slides. Taken in Granado's music store, T.G. Music. Also includes four prints taken from the proof sheets. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_24_tape11 | Recording of a Tex-Mex Cajun Frolic | Sound | Fieldwork
Cajun music
Music performance
Accordions
Latinos
Mexican Americans
Accordion music
Accordionists
Norteño music
Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
| a_s1640_23_tape13 | Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola | Sound | Fieldwork
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Norteño music
Musicians
Accordionists
Apprentices | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
- Date
- 1992-06-29
- Description
- Two DAT tapes. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
Listen: The Latin Program