18 items found
Collection ID is exactly "1" AND Tradition Bearer is exactly "Granado, Tomas, 1955-"
Sorted by Type
Florida Folklife Program apprentices performing at the 1992 Florida Folk Festival (Main stage)

Florida Folklife Program apprentices performing at the 1992 Florida Folk Festival (Main stage)

Date
1992-05-22
Description
One reel to reel recording. Arrazola and Granado, both of Homestead, played Mexican button accordion; and Arbie (Live Oak) and Stapleton (Miami) played Cajun-style accordion. They were participants in the 1992 Florida Folklife Apprenticeship Program. Folklorist Robert Stone introduced them. Folk singer Fitchen served as emcee.
Collection
Friday performances at the 1993 Florida Folk Festival (Stage III) (Tape 1)

Friday performances at the 1993 Florida Folk Festival (Stage III) (Tape 1)

Date
1993-05-28
Description
One digital audio tape (DAT). Martin served as the emcee.
Collection
Friday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 5)

Friday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 5)

Date
1997-05-23
Description
One digital audio tape (DAT). Between 6:30 and 7:45, the Florida Folklife Program presented that year's participants in the apprenticeship program.  Tomas Granado performed Mexican Norteno music.
Collection
Recording of a Tex-Mex Cajun Frolic

Recording of a Tex-Mex Cajun Frolic

Date
1993-01
Description
Two DAT tapes. No date, artist identification, or location given.
Collection
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Date
1991-09-14
Description
One audio cassette. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Date
1991-11-25
Description
Two audio cassettes. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Date
1992-04-02
Description
Two DAT tapes. Recorded in Granado's music store: T.G. Music. Tape 2 was unindexed. In between songs, they discussed their family and personal histories, how they learned to play, Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Date
1992-06-29
Description
Two DAT tapes. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Saturday performances at the 1992 Florida Folk Festival (Stage III) (Tape 7)

Saturday performances at the 1992 Florida Folk Festival (Stage III) (Tape 7)

Date
1992-05-23
Description
One digital audio tape (DAT).
Collection
Saturday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 3

Saturday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 3

Date
1997-05-24
Description
One digital audio tape (DAT). Suggs served as emcee.
Collection
Identifier Title Type Subject Thumbnail
a_s1576_t92-014Florida Folklife Program apprentices performing at the 1992 Florida Folk Festival (Main stage)SoundFolk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Performances
Music performance
Guitar music
Songs
Guitarists
Singers
Accordion
Accordion music
Apprentices
Folklorists
Musicians
Guitarist
Accordionists
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1576_43_d93-032Friday performances at the 1993 Florida Folk Festival (Stage III) (Tape 1)SoundFolk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Music performance
Singing
Guitar music
Acrobatics
Norteño music
Music Latin America
African Americans
Latinos
Dance music
Singers
Musicians
Guitarist
Storytellers
Acrobats
Dancers
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1576_77_d97-027Friday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 5)SoundFolk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Music performance
Singing
Conjunto music
Old time music
Guitar music
Norteño music
Arts, Mexican
Mexican Americans
Fiddle music
Songs, Irish
Irish Americans
Folk music Mexico
Mayans
Serbian Americans
African Americans
Drum performance
Calypso music
Bluegrass music
Stringband music
Musicians
Singers
Fiddlers
Bluegrass musicians
Apprentices
Bands (Music)
Drummers (Musicians)
Priests
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1640_24_tape11Recording of a Tex-Mex Cajun FrolicSoundFieldwork
Cajun music
Music performance
Accordions
Latinos
Mexican Americans
Accordion music
Accordionists
Norteño music
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1644_13_tape05bRecording of Norteno accordion player Tomas Granado with apprentice Abraham ArrazolaSoundFieldwork
Norteño music
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Musicians
Accordionists
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s1640_23_tape09Recording of Norteno accordion player Tomas Granado with apprentice Abraham ArrazolaSoundFieldwork
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Norteño music
Musicians
Accordionists
Apprentices
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s1640_23_tape11Recording of Norteno accordion player Tomas Granado with apprentice Abraham ArrazolaSoundFieldwork
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Norteño music
Musicians
Accordionists
Apprentices
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s1640_23_tape13Recording of Norteno accordion player Tomas Granado with apprentice Abraham ArrazolaSoundFieldwork
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Norteño music
Musicians
Accordionists
Apprentices
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1576_42_d92-015Saturday performances at the 1992 Florida Folk Festival (Stage III) (Tape 7)SoundFolk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Workshops (Adult education)
Arts, Mexican
Norteño music
Dance music
Folk dance
Folk music Mexico
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1576_77_d97-032bSaturday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 3SoundSingers
Musicians
Dancers
Bagpipers
Guitarist
Folk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Music performance
Singing
Stringband music
Old time music
String bands
Bluegrass music
Patriotic songs
Filipino Americans
Asian Americans
Asian American arts
Tsabouna
Arts, Greek
Greek Americans
Bagpipe music
Guitar music
Mexican Americans
Folk music Mexico
Cumbia
Bands (Music)
/fpc/memory/omeka_images/thumbnails/audio.jpg