| Tomas Grando performing Mother's Day serenatas | Tomas Grando performing Mother's Day serenatas | Still Image | Musicians
Fieldwork
Mexican Americans
Latinos
Mothers Day
Mothers Day Songs and music
Singing
Serenades
Holidays
Serenatas
Bands (Music)
Singers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Tomas Grando performing Mother's Day serenatas
- Date
- 1992-05
- Description
- Forty color slides, one proof sheet with 36 black and white images (plus negatives). The Mexican American Music Survey was created to document the musical traditions of Florida's various Mexican-American communities: Apopka, South Dade County, Immokalee, the St. Johns River Basin, and Central Florida. Funded by a grant from the Lila Wallace-Reader's Digest Community Folklife Program, the survey was conducted between 1994 and 1996 by folklorist Robert Stone. Among the musical traditions were serenatas, conjunto, quinceanara ritual music, ranchera Michoacana, mariachi, norteno, Tejano, and pop music. At the end of the project, a sampler music tape was created by the Florida Folklife Program for distribution to various libraries.
- Collection
| a_s2029_01_tape01 | Tomas Granado performing serenatas | Sound | Fieldwork
Serenades
Serenatas
Mothers Day
Mothers Day Songs and music
Music performance
Singing
Arts, Mexican
Mexican Americans
Folk music Mexico
Singers
Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Tomas Granado performing serenatas
- Date
- 1992-05-10
- Description
- Three audio cassettes. These tapes were recorded in 1992, probably as part of the Florida Folk Arts Apprenticeship program. Granado was a contact for the Mexican American Music Survey. The Mexican American Music Survey was created to document the musical traditions of Florida's various Mexican-American communities: Apopka, South Dade County, Immokalee, the St. Johns River Basin, and Central Florida. Funded by a grant from the Lila Wallace-Reader's Digest Community Folklife Program, the survey was conducted between 1994 and 1996 by folklorist Robert Stone. Among the musical traditions were serenatas, conjunto, quinceanara ritual music, ranchera Michoacana, mariachi, norteno, Tejano, and pop music. At the end of the project, a sampler music tape was created by the Florida Folklife Program for distribution to various libraries.
- Collection
| a_s2034_05_cd06-089 | Saturday performances at the 2006 Florida Folk Festival (Folklife Stage) (Disc 13) | Sound | Farmers
Migrant workers
Festivals
Folk festivals
Folklore revival festivals
Special events
Performing arts
Workshops (Adult education)
Agriculture
Migrants
Latinos
Labor unions
Occupational groups
Mexican Americans
Farm life
Farming
Interviews
Farm workers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
| a_s1576_77_d97-032b | Saturday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 3 | Sound | Singers
Musicians
Dancers
Bagpipers
Guitarist
Folk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Music performance
Singing
Stringband music
Old time music
String bands
Bluegrass music
Patriotic songs
Filipino Americans
Asian Americans
Asian American arts
Tsabouna
Arts, Greek
Greek Americans
Bagpipe music
Guitar music
Mexican Americans
Folk music Mexico
Cumbia
Bands (Music) | /fpc/memory/omeka_images/thumbnails/audio.jpg |
| a_s1576_42_d92-015 | Saturday performances at the 1992 Florida Folk Festival (Stage III) (Tape 7) | Sound | Folk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Workshops (Adult education)
Arts, Mexican
Norteño music
Dance music
Folk dance
Folk music Mexico
Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
| a_s1644_13_tape05b | Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola | Sound | Fieldwork
Norteño music
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Musicians
Accordionists | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
- Date
- 1991-09-14
- Description
- One audio cassette. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_23_tape09 | Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola | Sound | Fieldwork
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Norteño music
Musicians
Accordionists
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
- Date
- 1991-11-25
- Description
- Two audio cassettes. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_23_tape11 | Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola | Sound | Fieldwork
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Norteño music
Musicians
Accordionists
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
- Date
- 1992-04-02
- Description
- Two DAT tapes. Recorded in Granado's music store: T.G. Music. Tape 2 was unindexed. In between songs, they discussed their family and personal histories, how they learned to play, Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_23_tape13 | Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola | Sound | Fieldwork
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Norteño music
Musicians
Accordionists
Apprentices | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
- Date
- 1992-06-29
- Description
- Two DAT tapes. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_24_tape11 | Recording of a Tex-Mex Cajun Frolic | Sound | Fieldwork
Cajun music
Music performance
Accordions
Latinos
Mexican Americans
Accordion music
Accordionists
Norteño music
Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Listen: The Assorted Selections Program
