| a_s2034_05_cd06-089 | Saturday performances at the 2006 Florida Folk Festival (Folklife Stage) (Disc 13) | Sound | Farmers
Migrant workers
Festivals
Folk festivals
Folklore revival festivals
Special events
Performing arts
Workshops (Adult education)
Agriculture
Migrants
Latinos
Labor unions
Occupational groups
Mexican Americans
Farm life
Farming
Interviews
Farm workers | /fpc/memory/omeka_images/thumbnails/audio.jpg |
| Concert at T.G. Music Store | Concert at T.G. Music Store | Still Image | Fieldwork
Mexican Americans
Latinos
Arts, Mexican
Performing arts
Music performance
Norteño music
Concerts
Stores, retail
Specialty stores
Singers
Bands (Music)
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Concert at T.G. Music Store
- Date
- 1994-11-13
- Description
- Two proof sheets with 50 black and white image s(plus negatives). Concert by several local bands at T.G. Music Store (owned by Tomas Granado). The Mexican American Music Survey was created to document the musical traditions of Florida's various Mexican-American communities: Apopka, South Dade County, Immokalee, the St. Johns River Basin, and Central Florida. Funded by a grant from the Lila Wallace-Reader's Digest Community Folklife Program, the survey was conducted between 1994 and 1996 by folklorist Robert Stone. Among the musical traditions were serenatas, conjunto, quinceanara ritual music, ranchera Michoacana, mariachi, norteno, Tejano, and pop music. At the end of the project, a sampler music tape was created by the Florida Folklife Program for distribution to various libraries.
- Collection
| Concert at T.G. Music Store | Concert at T.G. Music Store | Still Image | Fieldwork
Mexican Americans
Latinos
Arts, Mexican
Performing arts
Music performance
Norteño music
Concerts
Stores, retail
Specialty stores
Singers
Bands (Music)
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Concert at T.G. Music Store
- Date
- 1994-11-13
- Description
- Twenty color slides. Concert by several local bands at T.G. Music Store (owned by Tomas Granado). The Mexican American Music Survey was created to document the musical traditions of Florida's various Mexican-American communities: Apopka, South Dade County, Immokalee, the St. Johns River Basin, and Central Florida. Funded by a grant from the Lila Wallace-Reader's Digest Community Folklife Program, the survey was conducted between 1994 and 1996 by folklorist Robert Stone. Among the musical traditions were serenatas, conjunto, quinceanara ritual music, ranchera Michoacana, mariachi, norteno, Tejano, and pop music. At the end of the project, a sampler music tape was created by the Florida Folklife Program for distribution to various libraries.
- Collection
| Norteno accordion player Tomas Granado with apprentice Abraham Arrazola | Norteno accordion player Tomas Granado with apprentice Abraham Arrazola | Still Image | Fieldwork
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Norteño music
Musicians
Accordionists
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
- Date
- Description
- 58 color slides. Taken in Granado's music store, T.G. Music. Also includes four prints taken from the proof sheets. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_24_tape11 | Recording of a Tex-Mex Cajun Frolic | Sound | Fieldwork
Cajun music
Music performance
Accordions
Latinos
Mexican Americans
Accordion music
Accordionists
Norteño music
Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
| a_s1640_23_tape13 | Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola | Sound | Fieldwork
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Norteño music
Musicians
Accordionists
Apprentices | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
- Date
- 1992-06-29
- Description
- Two DAT tapes. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1644_13_tape05b | Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola | Sound | Fieldwork
Norteño music
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Musicians
Accordionists | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
- Date
- 1991-09-14
- Description
- One audio cassette. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_23_tape09 | Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola | Sound | Fieldwork
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Norteño music
Musicians
Accordionists
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
- Date
- 1991-11-25
- Description
- Two audio cassettes. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_23_tape11 | Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola | Sound | Fieldwork
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Norteño music
Musicians
Accordionists
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
- Date
- 1992-04-02
- Description
- Two DAT tapes. Recorded in Granado's music store: T.G. Music. Tape 2 was unindexed. In between songs, they discussed their family and personal histories, how they learned to play, Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
- Collection
| a_s2029_01_tape01 | Tomas Granado performing serenatas | Sound | Fieldwork
Serenades
Serenatas
Mothers Day
Mothers Day Songs and music
Music performance
Singing
Arts, Mexican
Mexican Americans
Folk music Mexico
Singers
Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Tomas Granado performing serenatas
- Date
- 1992-05-10
- Description
- Three audio cassettes. These tapes were recorded in 1992, probably as part of the Florida Folk Arts Apprenticeship program. Granado was a contact for the Mexican American Music Survey. The Mexican American Music Survey was created to document the musical traditions of Florida's various Mexican-American communities: Apopka, South Dade County, Immokalee, the St. Johns River Basin, and Central Florida. Funded by a grant from the Lila Wallace-Reader's Digest Community Folklife Program, the survey was conducted between 1994 and 1996 by folklorist Robert Stone. Among the musical traditions were serenatas, conjunto, quinceanara ritual music, ranchera Michoacana, mariachi, norteno, Tejano, and pop music. At the end of the project, a sampler music tape was created by the Florida Folklife Program for distribution to various libraries.
- Collection
Listen: The Folk Program
